Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.
Self
Grandma Welsh
Child Christine
Father
Mother
Little Girls
Little Girls
Women
Women
Self (voice)
Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.
1991-01-01
0
Lost Heroes is the story of Canada's forgotten comic book superheroes and their legendary creators. A ninety-minute journey to recover a forgotten part of Canada's pop culture and a national treasure few have ever heard about. This is the tale of a small country striving to create its own heroes, but finding itself constantly out muscled by better-funded and better-marketed superheroes from the media empire next door.
The “Prophecy of the 7th Fire” says a “black snake” will bring destruction to the earth. For Winona LaDuke, the “black snake” is oil trains and pipelines. When she learns that Canadian-owned Enbridge plans to route a new pipeline through her tribe’s 1855 Treaty land, she and her community spring into action to save the sacred wild rice lakes and preserve their traditional indigenous way of life. Launching an annual spiritual horse ride along the proposed pipeline route, speaking at community meetings and regulatory hearings. Winona testifies that the pipeline route follows one of historical and present-day trauma. The tribe participates in the pipeline permitting process, asserting their treaty rights to protect their natural resources. LaDuke joins with her tribe and others to demand that the pipelines’ impact on tribal people’s resources be considered in the permitting process.
Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.
In the form of a poetic love letter to its nation, this short film reveals a strong community and the anchoring of the new generation in this rich culture.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
Director Mirjam Leuze’s The Whale and The Raven illuminates the many issues that have drawn whale researchers, the Gitga’at First Nation, and the Government of British Columbia into a complex conflict. As the people in the Great Bear Rainforest struggle to protect their territory against the pressure and promise of the gas industry, caught in between are the countless beings that call this place home.
An intimate exploration of the circumstances surrounding the incarceration of Native American activist Leonard Peltier, convicted of murder in 1977, with commentary from those involved, including Peltier himself.
A feature-length documentary which examines a deeply disturbing episode in Canadian history, when an impoverished couple was coerced by undercover law enforcement agents into carrying out a terrorist bombing. Further, viewers learn that this case is far from unique in the context of Canadian intelligence.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.
1492: Conquest of Paradise depicts Christopher Columbus’ discovery of The New World and his effect on the indigenous people.
A documentary of an expedition to Churchill, Manitoba to film the Northern Lights.
On a misty morning in the fall of 1985, a small group of Haida people blockaded a muddy dirt road on Lyell Island, demanding the government work with Indigenous people to find a way to protect the land and the future. In a riveting new feature documentary drawn from more than a hundred hours of archival footage and audio, award-winning director Christopher Auchter (Now Is the Time) recreates the critical moment when the Haida Nation’s resolute act of vision and conscience changed the world.
Known for her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into the lives of Indigenous youth in this absorbing new documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following these young people through the formative years of their childhood and right through their high school years, we witness their daily lives, their ideas, and aspirations for themselves and their communities, as well as some of the challenges they face.
The Indian Act, passed in Canada in 1876, made members of Aboriginal peoples second-class citizens, separated from the white population: nomadic for centuries, they were moved to reservations to control their behavior and resources; and thousands of their youngest members were separated from their families to be Christianized: a cultural genocide that still resonates in Canadian society today.
In 1896, three survivors of a whaling ship-wreck in the Canadian Arctic are saved and adopted by an Eskimo tribe but frictions arise when the three start misbehaving.
Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.
Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.
"A documentary film which looks at the issue of British Columbia Native land claims and how the aboriginals link their culture to the land, which has been stolen by the dominant white culture of North America. In the film, the argument is presented that the lands have been taken from the Natives without any clear treaty agreements and how attempts had been made to wipe out Native culture through the Residential School system. " Produced by the Union of BC Indian Chiefs in 1975.