Saying No is an early 1980s educational film produced by Crommie & Crommie that, true to the title, presents a process for young women to successfully decline advances from the opposite sex.
Young Man
Young Woman
A princess and a hunter. An iconographic journey immersed in Lusitanian fantasy.
Berlin, 1934. Many men are forced to live their hidden homosexuality. Erich, a photographer, has an appointment in his photo studio with Wolfgang, a Nazi soldier, with whom he shares a loving, tumultuous, and passionate relationship. For both of them, this should not be a problem, but appearances deceive.
An old man, his dog and a chance meeting. Who said nothing ever happens On Sunday.
In the translucent LA dusk we discover four women living very different lives. The camera follows each as they wind down their working days, their four stories weaving together as each prepares for their evening.
A storm is on the horizon. When a jet-black cloud engulfs a small village, the residents discover that it could put an end to more than just blue skies.
A Christmas postcard by Roberto Pérez Toledo with David Mora, Jonás Torres, Daniel Gestido and Eduardo Lupo.
Andrea (4) and Marina (6) become fast friends while playing on the rooftops of their adjacent buildings during the pandemic in Mexico City. They cling to their precious friendship during the stress and loneliness of confinement. When Marina's parents separate suddenly, however, Marina is heartbroken to have to move away without being able to say goodbye to Andrea, who is equally heartsick until she unexpectedly finds a remnant of their friendship.
"Nomeolvides" ("Forget-me-nots") by Miguel Berzal de Miguel is a short film awarded, nominated or part of International Film Festivals like HollyShorts Film Festival, Palm Springs International Film Festival or Dumbo Film Festival. Music by Javier Berzal de Miguel. Cast: Silvia Espigado, Elena Caricol, Lola Casamayor, Antonio Canal, María Esteve, Miguel Herrán, Mayte Atarés, Nerea Rojo, Chema Moro, Juan Carlos Gandía and David Llorente.
A chilling portrait of loss and redemption when men create their own gods.
Tayra and I grew up on a beach in the north east of Brazil. We were inseparable. The sea breeze brings me back happy memories.
The second installment of Frank Mosley's Perception Trilogy, inspired by Greek philosopher Plato's quote, "We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light." It is an examination of responsibility during the creation of the Atomic bomb during 1945. Shot on a soundstage to invoke the sense of theater, it highlights a moment in time where innocence is lost and only uncertainty lies ahead. Michael Morse is an anonymous man working for an anonymous sector of the Manhattan Project when he gets two phone calls in quick succession: that the atomic bomb has been completed and that his wife has just given birth to their son at the local hospital. What happens next is a fusing of past, present, and future, interweaving in the head of a man doomed to be the messenger of destruction.
A young businessman from New York (Layne Edelman) visits a diner in Topeka while on a business trip through the Midwest. Layne quickly notices something 'unusual' about this diner as he eavesdrops on the townsfolk conversations. When he returns to his table to find his belongings stolen, Layne's 'small town experience' spins mercilessly out of control.
When young dad, Joe, discovers he's dying, drifter Charlie is given a unique opportunity to turn his life around. A story of family, identity and starting again.
A granddaughter struggles to care for her grandfather, whose fading memories and haunting hallucinations blur reality, in this poignant tale of love and communication.
When a college student goes to his first hook-up with a mysterious older man, he must determine if his anxieties point to a darker truth about his host for the night.
Thirteen-year old Luchito lives in a working class complex of blocks in Santiago, Chile. He is obsessed with Manuel, a sixteen-year old who lives in the building across from him.
She thinks he is cheating. In reality he is not, he is in love with his partner. She suffers from sleepwalking... he tries to create a comfortable atmosphere, tries to protect her and prevent harm. She does not remember anything from the night. During the day they are like two strangers, they argue and avoid each other. In the last scene, she reacts annoyed at the touch of his hand... but he remains there still, unmoved, saying nothing and accepting.
In a locked down train station, a homicide detective conducts an interview with a tormented monkey who is suspected of murder.
Young Nazi skinhead, Väinö, comes home from prison. Mother is not around, but big brother is. Big brother is not telling whereabouts of mother, but for some reason there's a lot raw meat around the apartment.