Joey's life is turned upside down after his parents discover his secret relationship with another boy and send him to reparative therapy to address the 'unnatural' feelings that threaten their image of a happy life. In a forty-minute hypnotherapy session, Joey's mind is explored by a therapist who is confident that his influence over Joey's thoughts can set him on the right path. At an age with little autonomy or voice in the matters of his own life, Joey struggles to find a way to choose for himself what will lead him to happiness.
Joey
Liam
Joey's life is turned upside down after his parents discover his secret relationship with another boy and send him to reparative therapy to address the 'unnatural' feelings that threaten their image of a happy life. In a forty-minute hypnotherapy session, Joey's mind is explored by a therapist who is confident that his influence over Joey's thoughts can set him on the right path. At an age with little autonomy or voice in the matters of his own life, Joey struggles to find a way to choose for himself what will lead him to happiness.
2014-08-10
1
Angela Bennett is a freelance computer systems analyst who tracks down software viruses. At night she hooks up to the internet and chats to others 'surfing the net'. While de-bugging a new high-tech game for a cyber friend, she comes across a top secret program and becomes the target of a mysterious organization who will stop at nothing to erase her identity and her existence, in order to protect the project.
Elias is a handsome young deputy manager in a garment factory in São Paulo. When he’s not working, he enjoys casual encounters in the big city. The arrival of a young African, Fernando, on the production line piques his interest and Elias finds himself increasingly drawn into socialising with his work colleagues.
Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic.
To emerge from anonymity, a young man assumes responsibility for a crime he did not commit.
Iran, 1984. Homeless brothers struggle to survive in a country at war.
Nina, an end-of-teenage orphan with mental problems, starts a new job as a garden cleaner when she meets Toni. They fell in love with each other, but soon Toni starts betraying Nina. In the meantime, Francoise is picked up at a psychic department of a Berlin hospital by her husband, Pierre. After seeing Nina, Francoise believes that she has found her kidnapped daughter Marie, but neither Toni nor Pierre believe her. Nina is unsure about what to think...
Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
"Nora" is based on true stories of the dancer Nora Chipaumire, who was born in Zimbabwe in 1965. In the film, Nora returns to the landscape of her childhood and takes a journey through some vivid memories of her youth. Using performance and dance, she brings her history to life in a swiftly-moving poem of sound and image. A girl who is constantly embattled - struggling against all kinds of intimidation and violence - but who slowly gathers strength, pride and independence.
During Nick Austin's imprisonment, his wife passes away. Before she dies, she writes a note to her husband, asking him to put her little girl in the care of an orphan asylum. Mrs. Downes, while bringing some of her dead daughter's clothes to the asylum, takes a fancy to Nina Austin and adopts her.
In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.
During her wedding ceremony, Rachel notices Luce in the audience and feels instantly drawn to her. The two women become close friends, and when Rachel learns that Luce is a lesbian, she realizes that despite her happy marriage to Heck, she is falling for Luce. As she questions her sexual orientation, Rachel must decide between her stable relationship with Heck and her exhilarating new romance with Luce.
An American voice-over artist in London finds himself questioning his life of hookups and emotional avoidance when he receives an unexpected visit from his mother.
Darren keeps trying - and failing - to propose to his boyfriend Elliot. When their relationship is called into an uncomfortable spotlight during someone else's outrageous engagement party, Darren realizes he actually might be self-sabotaging himself due to unresolved insecurities about his sexuality.
Jocelyn works at her Uncle's 'Crying Booths' in the country, while crying is forbidden in the cities.
In this sequel to Dawn: Portrait of a Teenage Runaway, Alexander's story is told in both the past and the present. Alexander's parents send him away from home for being too sensitive and not helping enough on their farm. He goes to Los Angeles in hopes of going to art school, but when he can't find a job as a minor, he turns to prostitution. After being arrested, he wants to head to Arizona to marry Dawn, but he falls into a lucrative job/relationship with a gay football star.
Sympathetic look at the tragic life of cabaret singer Lorna, who was born a man but really just wants to be a woman. She meets a man who loves her but she can't tell him the truth and decides instead to get an operation so she'll be all woman.
José, a fifty-year-old homosexual magician, feels the need to return to Granada, the place where he spent his childhood, perhaps to embrace the painful memory of tragic experiences, perhaps to bury it definitively.