An heiress takes a road trip in a green van. Unbeknownst to her, she has four pursuers.
A son tries to overturn the disgrace of his father, who committed suicide.
Two middle-aged men embark on a spiritual journey through Californian wine country. One is an unpublished novelist suffering from depression, and the other is only days away from walking down the aisle.
On a beach in southern Italy, Gianna Russelli practices her dancing with her devoted brother Russino, looking forward to the day when she will begin formal dance studies. One day the beautiful Countess Michetti comes to the village and engages in a flirtation with Russino, but when her former lover, Prince Viscomte, arrives with his closest friend, Count Paul Trovelli, the countess resumes her affair with the prince.
Joe Dirt is a janitor with a mullet hairdo, acid-washed jeans and a dream to find the parents that he lost at the Grand Canyon when he was a belligerent, trailer park-raised eight-year-old. Now, blasting Van Halen in his jacked-up economy car, the irrepressibly optimistic Joe hits the road alone in search of his folks.
Three years after Mike bowed out of the stripper life at the top of his game, he and the remaining Kings of Tampa hit the road to Myrtle Beach to put on one last blow-out performance.
Cameo Kirby is a 1914 American drama silent film directed by Oscar Apfel and written by Clara Beranger and William C. deMille. The film stars Dustin Farnum, Fred Montague, James Neill, Jode Mullally, Winifred Kingston and Dick La Reno. It is based on the play Cameo Kirby by Booth Tarkington and Harry Leon Wilson. The film was released on December 24, 1914, by Paramount Pictures.
Trucker Rubber Duck and his buddies Pig Pen, Widow Woman and Spider Mike use their CB radios to warn one another of the presence of cops. But conniving Sheriff Wallace is hip to the truckers' tactics, and begins tricking the drivers through his own CB broadcasts. Facing constant harassment from the law, Rubber Duck and his pals use their radios to coordinate a vast convoy and rule the road.
In San Juan, Puerto Rico, The Drifter, young and educated, and The Seeker, old and feeble-minded, meet and form a partnership. The Seeker meets Rosario, unaware that she is his daughter, left there 20 years previously when his mind was affected by a tropical storm that killed his wife and wrecked his home. Rosario is deeded land belonging to her father and is about to sell it to Clifford Fayne when The Seeker discovers gold there and urges her to desist. Fayne lures her to a cabin and tries to force her to sign the bill of sale; The Drifter and her father rescue her; the father is mortally wounded but lives long enough to learn that Rosario is his daughter and that she will be happy with The Drifter.
The daughter of a count and the son of a shoemaker, both Hungarian, fall in love in America. As they're about to marry, the young woman is called back to Europe. When her betrothed goes after her, difficulties ensue.
In Africa a typist is framed for killing a diamond smuggler who betrayed her father.
Seventh entry in the Leather Pushers series of two-reel shorts.
Kane, who does not want his father to know he is a fighter, thinking he objects, nearly loses the fight when he sees him at the ringside. In the end, it is the words of encouragement from his father which causes him to win. It develops that the "Kid's" father has known it all the time and has been getting reports on his son's prowess in the ring. Eighth episode in the first 'Leather Pushers' series of two-reel boxing shorts.
Kid Roberts, the champion, thoroughly beats a tough Westerner (from Chickasha, OK) who follows him from city to city, determined to get even. The man taunts the Kid, by insisting that he is afraid to fight without gloves. Finally his wife appears and begs the Kid to refuse to fight her husband because he is neglecting his ranch and family. The Kid's sweetheart and the ranchman's wife do some scheming and succeed in ending the fights, but not until the Kid has beaten his opponent with his bare hands. Ninth episode in the first 'Leather Pushers' series of two-reel boxing shorts.
The "Kid" is in the studio playing the star role in a "super-feature." The director gets his cast to put extra snap into the big scene by making each of the fighters think the other is double crossing him. 10th episode in the first 'Leather Pushers' series of two-reel boxing shorts.
Eleventh episode in the first 'Leather Pushers' series of two-reel boxing shorts.
Twelfth episode in the first 'Leather Pushers' series of two-reel boxing shorts.
13th episode in the first 'Leather Pushers' series of two-reel boxing shorts.
14th episode in the first 'Leather Pushers' series of two-reel boxing shorts.
Fifteenth entry in the Leather Pushers series of two-reel shorts.
16th episode in the first 'Leather Pushers' series of two-reel boxing shorts.