Not Bad at All(NaN)

Ellis Island, une histoire du rêve Américain(fr)

In 1892, Ellis Island, in New York Bay, became the main gateway to the United States for immigrants arriving increasingly from Europe. The story of immigration to the United States from 1892 to 1954, an enthralling polyphonic narrative that embraces both small and great history.

Canvas of My Life(en)

Jason Momoa's story of fatherhood, craftsmanship, and the legacy he'll leave behind.

While The Night Falls(es)

An intimate portrait of the lives of Delvys and Carlos, siblings who live alone with their elderly mother in a rural part of a small Cuban town. The film portrays a family engulfed in their inner worlds. Between the sacrifices they make out of love for those who are present, and their longing for things that are absent, they struggle to find meaning as they reflect, contemplate, and carry the weight of existence, trying together, to move forward.

Chaplin Today: 'The Kid'(en)

This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.

Liberty: Mother of Exiles(en)

A look at the history of the Statue of Liberty and the meaning of sculptor Auguste Bartholdi's creation to people around the world.

Ver a Hilda Vera(es)

A living room, two video cameras, an armchair, two televisions and a mirror: domestic daily life in which colleagues, family and friends come together to decipher the life, personality and artistic trajectory of one of the most important actresses of Venezuelan Cinema: Hilda Vera

Night Lunch(en)

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

Coffee Banana Cigarette(en)

A short documentary about the life and love of New York surf culture following transplanted San Diego surfer, Shawlin Tucker, who forced found a way to bring his passion with him when a college acceptance from New York University summons him to the big apple.

Remembering Ragtime(en)

Memories from the making of the classic Milos Forman film "Ragtime".

Oat Boy(en)

Folk portraiture, images of children in suburbia.

One to One: John & Yoko(en)

An exploration of the seminal and transformative 18 months that one of music’s most famous couples — John Lennon and Yoko Ono — spent living in Greenwich Village, New York City, in the early 1970s.

An Intervention(en)

Chelsea Bledsoe and her husband Graig throw a surprise intervention for her old high school boyfriend, Henry, with a mismatched group of acquaintances from back in the day to fill out the guest list.

A Conversation Between Parents(en)

A year after Thadd and Shannon gave birth to their son, A Conversation Between Parents highlights a climactic conversation in their lives -- as both young parents grasp at the last threads of their ideal family. On an afternoon off of work, the couple sits on their couch, while their son sleeps in his crib, and the family grapples with their limited options one last time. Dietrich’s camera ties the couple’s painful conversation together with flashbacks of both parents’ precious memories of their first year with Jasper, attempting to find a way to articulate their struggles in the last conversation they have together as a couple.

Every Wall is a Door(fr)

Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.

Filomena(es)

Static(en)

Static was filmed from a helicopter circling around the Statue of Liberty in New York Harbour. It was shot shortly after the monument was fully re-opened following the September 11th attacks. Flying alongside the statue, the camera presents us with startling close-up views of its oxidised copper surface. The continual sense of movement is disorienting, undermining its sense of permanence and stability.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Dave Chappelle's Block Party(en)

The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio mans moves to Brooklyn, New York, to throw an unprecedented block party.

Yusuf Hawkins: Storm Over Brooklyn(en)

The 30-year legacy of the murder of black teenager Yusuf Hawkins by a group of young white men in Bensonhurst, Brooklyn, as his family and friends reflect on the tragedy and the subsequent fight for justice that inspired and divided New York City.

Clouds(en)

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.