Tom subjects Jerry to his usual harassment; but the cat finds a new enemy, and the mouse finds a new friend, in the canary of the house.
Butch convinces Tom and Jerry that there's no reason to fight and they should all sign a peace treaty. Tom and Butch even rescue their pals from a fellow cat and dog. But then a steak falls off a truck and the boys can't decide how to divvy it up, ultimately losing it completely, and the truce is off.
It's spring, and Tom is much more interested in the female cat next door than in Jerry.
Mammy Two-Shoes tells Tom and Butch that the cat who gets rid of the icebox-raiding, breadbox-invading mouse (Jerry) is the one who can stay.
An autobiographical documentary made by a mother who follows the gender transition of her adolescent son: between 2016 and 2019 she interviews him addressing the conflicts, certainties and uncertainties that pervade him in a deep search for his identity. At the same time, the mother, revealed through a firstperson narration and by her voice behind the camera that talks to her son, also goes through a process of transformation required by the situation that life presents her with by breaking old paradigms, facing fears and dismantling prejudices.
Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).
On the violent border between Brazil and Paraguay, a war is being waged around the expansion of agribusiness. On one side sits lawyer Luana Ruiz, the heiress to contested lands and one of the strongest supporters of president Jair Bolsonaro. Ruiz, like other ruralistas—rural wealthy elites and agribusiness producers who advocate for Indigenous cultural annihilation—has become empowered and her ideas of hate have flourished under Bolsonaro's anti-Indigenous agenda. On the other side sits teacher, Guarani-Kaiowá leader and activist Alenir Ximendes, embodying powerful Indigenous resistance and communal ideals. Having personally suffered losses at the hands of the ruralistas, Ximendes emerges as a powerful force against Ruiz, fighting for the protection of her community, their lands and Indigenous constitutional rights. This film contains sensitive images and dialogue in its portrayal of this urgent struggle for sovereignty.
A painter's life is changed forever when a mythical and deadly spirit from Celtic lore becomes his muse and lover.
They say the real estate business is deadly, but no one is more surprised than Hannah Swensen when her mother, Delores, discovers the dead body of the homeowner – and regular customer of The Cookie Jar – while house-hunting for her sister Michelle. Hannah is determined to get to the bottom of the mystery and is convinced that the prime suspect Mike and the Sheriff are focusing on isn't the culprit. Hannah's sleuthing becomes a family affair when Delores, Michelle and even her sister Andrea – who pays an unexpected visit – take part in the investigation. As Hannah uncovers clues she slowly rules out suspects and is led to the shocking truth about the killer's identity.
This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…
Reunited with the mother she never knew, Mandie Shaw (Lexi Johnson) finally has the family she always dreamed of, until Uncle John threatens to tear it all apart to keep an old promise. After he forbids Mandie from joining his quest, Mandie and her friends embark on a harrowing journey by train to protect Uncle John. Grand adventure ensues as they struggle to solve riddles and dare to face the secrets of the Lost Antler Cave Mine. Bases on the series by Lois Leppard, this sequel to Mandie and the Secret Tunnel includes a special appearance by Hayley Mills.
This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.
John is a young Journalism student, he worked for years in a telemarketing service untill the burnout crisis. Now he wants to suit the enterprise for harassment at work, back and mental problems.
"Linked together by the texturality of forgotten objects and frayed (or physically manipulated) imprinted text images, the film represents a thematic collapsing of distinct objects that further erases the bounds between image (and text) from meaning, where recursive shifting of once seemingly separate entities become alternate presentations of a visible (and invisible) continuum - a decontextualized mood piece where absence and emptiness become increasingly tactile - an impression."
In an English village, a reporter and a mechanic listen to a ratcatcher explain his clever plan to outwit his prey.
One dark and stormy night, Rupert is called on by a mysterious stranger who gives him a ship in a bottle...with a tiny living man onboard! He frees the man, who turns out to be the evil warlock, Mordo, who kidnaps Amelia and takes her back in time to 1640. Rupert calls on Miss Switch for help in this new adventure.
Popeye delivers his precious and needed cargo of spinach to Britain, despite the efforts of a Nazi submarine to sink his ship.
A reforming constitutional lawyer and senator in her early career, Mary Robinson detonated an electoral earthquake by winning the Irish Presidential vote in 1990. Later, as a crusading UN High Commissioner, she built a lasting legacy; fearlessly challenging perpetrators of human rights abuses all over the world. To this day, she exerts power and leadership as the Chair of The Elders; the independent group of global leaders (founded by Nelson Mandela) who work for peace, justice and human rights.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
Sid the Sloth takes a school of children out on a camping trip from home, only to find that in typical Sid style, he is not a very good guide and the children he takes with him don't have a very good time.
Bernie Cates requests the services of the most absent-minded waiter he's ever seen, who pours water before setting the glasses, endlessly repeats questions, brings wrong orders, and ruins everything- but the bill.
Dr. Cockroach comes up with a brilliant plan to break themselves out of Area 52 – but to implement the plan, he has to trick B.O.B. into thinking it’s his birthday.
Mr. Snookie steals an umbrella and then, while trying to help a woman to cross a puddle, the Tramp appears and intervenes.
This early Chaplin film has him playing a character quite different from the Tramp for which he would become famous. He is a rich, upper-class gentleman whose romance is endangered when his girlfriend oversees him being embraced by a maid. Chaplin's romantic interest in this film, Minta Durfee, was the wife of fellow Keystone actor, Roscoe "Fatty" Arbuckle.
Pierre and Jacques are working as waiters at a restaurant where the cooks go on strike. When the two are forced to work as bakers, the striking cooks put dynamite in the dough, with explosive results.
The Tramp interferes with the celebration of several kid auto races in Venice, California (Junior Vanderbilt Cup Race, January 10 and 11, 1914), standing himself in the way of the cameraman who is filming the event.
Although only a dental assistant, Charlie pretends to be the dentist. After receiving too much anesthesia, a patient can't stop laughing, so Charlie knocks him out with a club.
Mabel tries to sell hot dogs at a car race, but isn't doing a very good job at it. She sets down the box of hot dogs and leaves them for a moment. Charlie finds them and gives them away to the hungry spectators at the track as Mabel frantically tries to find her lost box of hot dogs. Mabel finds out that Charlie has stolen them and sends the police after him. Chaos ensues.
A tramp gets drunk in a hotel lobby and, upstairs, causes some misunderstandings between Mabel, two hotel guests across the hall from her room, and Mabel's visiting sweetheart.
Three men compete for the attentions of a pretty girl. One of them, a little tramp, plays dirty.
Charlie plays an actor who bungles several scenes and is kicked out. He returns convincingly dressed as a lady and charms the director, but Charlie never makes it into the film.
The hero, a janitor played by Chaplin, is fired from work for accidentally knocking his bucket of water out the window and onto his boss the chief banker (Tandy). Meanwhile, one of the junior managers (Dillon) is being threatened with exposure by his bookie for gambling debts unpaid. Thus the manager decides to steal from the company.
The Stooges are key witnesses at a murder trial. Their friend Gail Tempest, who dances at the Black Bottom cafe where the Stooges are musicians, is accused of killing Kirk Robin.
Newlyweds receive a build-it-yourself house as a wedding gift—and the house can, supposedly, be built in "one week". A rejected suitor secretly re-numbers packing crates, and the husband struggles to assemble the house according to this new 'arrangement' of its parts.
It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.
Scrat tries to finish his rather large collection of acorns when things start going nutty.
Jackie is a boy who is so trapped by his fears and doubts that he could not communicate with anyone. Then, a magic dragon named Puff comes to help Jackie by taking his soul force on a wonderous voyage to his island of Honah Lee. Along the way, they have adventures that nurture Jackie's imagination and courage in unorthodox ways.