The film tells about two elderly widows who live in the same house. They are united not only by tragedy, but also by common concern, namely the grave of two unknown soldiers, which they have been guarding for over 30 years. And suddenly the managers of their district decide to turn the grave into a memorial.
The film tells about two elderly widows who live in the same house. They are united not only by tragedy, but also by common concern, namely the grave of two unknown soldiers, which they have been guarding for over 30 years. And suddenly the managers of their district decide to turn the grave into a memorial.
1976-01-01
5
Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
A man working at a garbage incinerator discovers the body of a dead man burned to ashes in the oven. Police detective Martin Beck handles the case. All he knows is that a brutal murder has happened. But he does not know when or where. He has no body, motive or a crime scene, not a single trace. All he has is some teeth and a mysterious Internet address...
An elder brother who lived a life of crime but left to show his younger brother the lifestyle is not fit for anything. Years later his younger brother takes his footsteps in the life of drugs/crime, to a deal gone wrong his younger brother is murdered, his elder brother steps back into his crime ways and to find and avenge his younger brother's death.
Hitch a ride into the dark heart of Australia with Soda_Jerk's TERROR NULLIUS, a blistering, badly behaved sample-based film that confronts the horror of our contemporary moment. Equal parts political satire, eco-horror and road movie, TERROR NULLIUS is a rogue remapping of national mythology, where a misogynistic remark is met with the sharp beak of a bird, feminist bike gangs rampage and bicentenary celebrations are ravaged by flesh-eating sheep. By intricately remixing fragments of Australia's pop culture and film legacy, TERROR NULLIUS interrogates the unstable entanglement of fiction that underpins this country's vexed sense of self.
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
Michel, a retired math teacher, has lived alone since his wife’s death and occupies his time writing an essay about the beliefs that shape daily life. One day he comes across Dora, a young homeless woman, who shows up injured on his doorstep, and puts her up until she recovers. Her presence brings something new to Michel’s life, but gradually the apartment becomes the site of mysterious happenings.
The music video Timro Chanchale Chulbule Yoban weaves a story of longing, fleeting connections, and unfulfilled desires. Aanchal and Udip, a married couple from Nepal, are struggling with an unhappy relationship. Seeking a break, Aanchal travels to the UK for a holiday. Meanwhile, Paul, a handsome and strong man living in London, dreams of finding the perfect woman to marry. Their paths cross at Tower Bridge, where Paul is instantly captivated by Aanchal's beauty. Mesmerized, he begins to follow her through the city-Tower Bridge to Waterloo Station, and finally to London Bridge-imagining a future together filled with love and happiness. But when Paul turns to approach her, Aanchal suddenly disappears. Reality strikes, and Paul learns she is already married, her sadness hidden behind her beauty. This realization brings Paul back to reality, leaving him to reflect on the bittersweet nature of love and missed chances.
For seven years, Antoine de Caunes and José Garcia made their mark on French comedy history each evening in prime-time on their show, "Nulle part Ailleurs".
This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…
What do we do when the Federal Government steps outside of its constitutional limits? Do we ask federal judges in black robes to enforce the limits of federal power? Do we "vote the bums out" in the hopes that new bums will surrender their power? Thomas Jefferson and James Madison didn't think so, and neither should we. The rightful remedy to federal tyranny rests in the hands of the people and the States that created the federal government in the first place. It's called nullification, and it's an idea whose time has come.
A film about the Yakut rock musician Gavril Kolesov - Hannibal.