Fifty years ago, at the height of the Cold War, the USSR launched Sputnik, the first satellite to orbit the earth, bringing America to its knees in awe - then fear. Initially thrilling as a marvel of science, Sputnik was soon viewed by America a weapon of mass destruction.
Through new camera techniques never before attempted we are able to put your audience on the edge of their seats, gasping for breath through FEEL-A-VISION. Your audience will boast that in one night they were able to whip a young girl to her masochistic climax - feel the warmth of a young female hitchhiker's gratitude for giving her a ride - answer a voyeur's plea to endure his young wife's sensuous desires - be sucked into a back alley profession they only dreamed existed - be pulled into a religion that requires a witness to an act of awareness by two young female believers and finally to participate with them in the most bizarre rite of depravity - take pictures of a would be starlet in a celebrated model studio and for a few dollars more get exactly what they want - get anything they wanted from a young Mexican girl in trouble with the police in return for helping her escape.
Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.
An autobiographical documentary made by a mother who follows the gender transition of her adolescent son: between 2016 and 2019 she interviews him addressing the conflicts, certainties and uncertainties that pervade him in a deep search for his identity. At the same time, the mother, revealed through a firstperson narration and by her voice behind the camera that talks to her son, also goes through a process of transformation required by the situation that life presents her with by breaking old paradigms, facing fears and dismantling prejudices.
A beautiful young girl, possessed from childhood by a vengeful spirit, wanders around lonely places to seduce and kill people and thus, gradually becomes lost in a dark world of revenge and lust.
Norman Pitkin is the assistant helping to run a small, old fashioned dairy which is threatened by a larger, modern organisation. Pitkin does his best to save the dairy (and his horse) and the usual chaos ensues
Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.
Gad and Osama are childhood best friends. Osama was raised by his grandfather, as his parents died in a train crash. When presented with one job opportunity in a gulf country, they agree to let Gad take it and Osama stays behind to take care of his grandpa and Gad’s elderly mother. Five years later, Gad returns to Cairo on vacation and Osama comically convinces him to stay with them.
Two friends respond to the challenges of the present by connecting through a playful provocation. Separated by America’s hemispheres, one in Brazil and the other in the U.S, they communicate strictly through video letters during a year. As a rule, each letter is formally and thematically inspired by a woman experimental filmmaker. As life unfolds, they express on film what they want to share with each other: the experience of being a recent immigrant, the expectations of political elections in both countries, their fears and hopes, all while observing the different women around them.
In the middle of Sherman's March, in eastern Georgia, Confederate infantry, cavalry, and artillery make a bold stand against the overwhelming numbers of the Union army as it tears across Georgia.
In a world where society is controlled by a totalitarian regime and children are the tool of ideological formatting, Isa realizes that her child is different from the others and that this will bring consequences to her life.
Amalia Soto showcases that inevitable "tween" time in everyone's life by focusing on three suburban girls at the beginning of the new millennium who are just trying to deal.
When the evil Empress Geela takes over the Planets of the Pentangle, five teenage princesses escape and disguise themselves as musicians to form a band called SpacePOP. Their mission: Spread the message of freedom, friendship and joy through music. Join the princesses on their adventures as they join the resistance to take down the evil Empress Geela, free their parents, and the people of the Pentangle all while spreading the joy of music, beauty, and fashion.