2016-08-27
7
BTS perform their Japan concert at Tokyo Dome and Fukuoka Yahuoku Dome during their Love Yourself World Tour.
In a small town in occupied France in 1941, the German officer, Werner Von Ebrennac is billeted in the house of the uncle and his niece. The uncle and niece refuse to speak to him, but each evening the officer warms himself by the fire and talks of his country, his music, and his idealistic views of the relationship between France and Germany. That is, until he visits Paris and discovers what is really going on...
Valeria's joy at becoming a first-time mother is quickly taken away when she's cursed by a sinister entity. As danger closes in, she's forced deeper into a chilling world of dark magic that threatens to consume her.
Join us as BTS and ARMY become one once again with music and dance in this unmissable live concert experience broadcast from Seoul to cinemas around the world! 'BTS PERMISSION TO DANCE ON STAGE' is the latest world tour series headlined by 21st century pop icons BTS, featuring powerful performances and the greatest hit songs from throughout their incredible career.
In the not-too-distant future, androids have come into common usage. However, treating androids on the same level as humans is frowned upon, and there is constant paranoia surrounding the possibility of robots defying humans, their masters. Those who appear too trustworthy of their androids are chided and labeled as "android-holics". Rikuo Sakisaka, who has taken robots for granted for his entire life, one day discovers that Sammy, his home android, has been acting independently and coming and going on her own. He finds a strange phrase recorded in her activity log, "Are you enjoying the time of EVE?". He, along with his friend Masakazu Masaki, traces Sammy's movements and finds an unusual café. Nagi, the barista, informs them that the café's main rule is to not discriminate between humans and androids. While Rikuo tries to reveal Sammy's intentions, he begins to question the legitimacy of the fear that drives humans to regard androids as nothing more than mere tools.
The film deals with a young man, following his “endeavors” in the city he lives in, which mostly comprise of him roaming the streets aimlessly. In the beginning, he seems peculiar but still normal, but as the story progresses, the portrait of a sadomasochistic man is revealed quite eloquently.
Billionaire sportsman Buddy King unwinds by hunting human captives on his remote mountain estate. But his latest victim, Ava Bravo, is no easy target.
This is going to be the best holiday ever. Coconut The Little Dragon is thrilled about going to summer camp with his best friends Oscar and Matilda. But due to wild Water Dragons and carnivorous plants, the adventure he wished for turns out tougher than expected.
Big Nick is back on the hunt in Europe and closing in on Donnie, who is embroiled in the treacherous and unpredictable world of diamond thieves and the infamous Panther mafia, as they plot a massive heist of the world's largest diamond exchange.
A reunion between two estranged sisters gets cut short by the rise of flesh-possessing demons, thrusting them into a primal battle for survival as they face the most nightmarish version of family imaginable.
WrestleMania XXVI was the twenty-sixth annual WrestleMania PPV and was presented by Slim Jim. It took place on March 28, 2010 at the University of Phoenix Stadium in Glendale, Arizona. The first main event was a No DQ, no count-out match that featured The Undertaker versus Shawn Michaels. The second was a singles match for the WWE Championship that saw Batista defend the championship against John Cena. The third was a singles match for the World Heavyweight Championship featured the champion, Chris Jericho, defending against Edge for the title. Featured matches on the undercard included a 10-Diva tag team match, Bret Hart versus Vince McMahon in a No Holds Barred match, Rey Mysterio versus CM Punk, Triple H versus Sheamus, the sixth annual Money in the Bank ladder match, a Triple Threat match between Randy Orton, Ted DiBiase, and Cody Rhodes, and a WWE Tag Team Championship match between Big Show and The Miz, against John Morrison and R-Truth.
AEW x NJPW Present Forbidden Door 2024: Zero Hour served as the pre-show to the larger AEW x NJPW Present Forbidden Door 2024 featuring a collaboration between All Elite Wrestling (AEW) and New Japan Pro-Wrestling (NJPW). The pre-show included several matches featuring wrestlers from both promotions.
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
Someone in a prison run by a corrupt warden fakes the deaths of convicts to later use them as expendable assassins. A police officer is sent into the prison to gather evidence of the corruption.
Chief Park imagines going wild with Ga-hee while she thinks he's weird. One day, Chief Park leaves early and she has sex with Woo-jin, a colleague she's secretly seeing. A while later, Chief Park opens the door...
A Chicago artist's sanity starts to unravel, unleashing a terrifying wave of violence when he begins to explore the macabre history of the Candyman.
Follows Jacquie Liddle as she and Tyler try to plan their perfect destination Christmas wedding. Naturally, Jacquie’s plans go awry when her boisterous family intervenes in her planning and her snooty wedding planner quits in protest. While nothing goes as initially planned, Jacquie and Tyler get a Christmas wedding more memorable than they could have ever dreamed.
Explores the life and innovations of composer and electronic music pioneer Suzanne Ciani.
On Aug. 28, 2016, Tim Bergling, better known as Avicii, graced the stage of the Ushuaïa nightclub in Ibiza for what would be his final performance.
40 years after he last played the Wembley Arena, Gary Numan staged the comeback of a lifetime. Follow Numan on his road back to Wembley and follow his turbulent careers, from the crushing lows to the exhilarating highs.
Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.
Yung Singh and Ministry of Sound present: The Birth of Punjabi Garage The documentary has a wealth of unseen archive footage showing exactly how it was in the garages and studios of the young Bradford and Manchester lads from the beginning, to the events, weddings and festivals that marked their success. The documentary is bookended by Yung Singh and his infamous and iconic Boiler Room, giving credit to the elders who paved the way for the continuation of South Asian presence in British dance culture. This documentary was produced in tandem with Yung Singh and is the first documentary to explore the genre. Documentaries have covered Bhangra, the 80s Daytimers and the Asian Underground but the South Asian diaspora’s involvement in the early 2000s Garage scene has never been covered and we are therefore proud to bring this to you!
Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?
A documentary of Chicago Footwork and Juke scene. "In spring 2012 We went to Chicago to document the Footwork Scene. When we got home and started reviewing the footage we realised we had just filmed our first full length documentary. A scene ingrained in the lineage of the City itself, filled with effervescent dancers, storytellers and beatmakers. It was singlehandedly the most unique and in-depth tour we had ever experienced. Featuring key players on the scene, such as DJ Rashad, DJ Spinn, Manny, Traxman & Arpebu. The team navigated through the Windy City living with the GHETTOTEKNITIANZ of Teklife. They slept on floors, sofas and in dodgy motels with their charming hosts. All the while managing to obtain un-seen footage from the finest Producers, Footworkers and the good people of Chi-Town. It’s taken our team a long and painstaking while to put this together. We hope to do the people who shared their homes, talent and ultimately their lives with us, proud."
Shot in 11 cities and 5 countries, Speaking in Code provides a glimpse into the world of electronic dance music through the eyes of Modeselektor, the Wighnomy Brothers, Philip Sherburne, Monolake and David Day. Director Amy Grill documents their successes and failures over a three-year period.
As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.
Featuring the pioneers of techno music Juan Atkins, Derrick May, Carl Craig, and Jeff Mills, Never Stop takes us into the fascinating universe of techno labels in Detroit. This film highlights the deep roots of the creation, more than thirty years ago, by each of the African-American pioneers of techno music, of their own record labels.
Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.
The word kewaaj (কেওয়াজ) is colloquially used to explain chaos, noisiness or annoyance. "Kewaaj" is an audiovisual attempt to give you a glimpse into how the people of Dhaka function in one of the most unliveable cities, according to the Global Liveability Index. Dhaka is fast, dense, intense. Yet the people try to find their peace in it.
Think of early electronic music and you’ll likely see men pushing buttons, knobs, and boundaries. While electronic music is often perceived as a boys' club, the truth is that from the very beginning women have been integral in inventing the devices, techniques and tropes that would define the shape of sound for years to come.
A portrait of the German electronic band "Der Plan". Büld follows the band on their tour through Japan.
An intimate, affecting portrait of the life and work of ground-breaking performance artist and music pioneer Genesis Breyer P-Orridge (Throbbing Gristle, Psychic TV) and his wife and collaborator, Lady Jaye, centered around the daring sexual transformations the pair underwent for their 'Pandrogyne' project.
The final episode in our Mini-Docs series comes from musician and writer Jake Anderson, who explores the niche music genres which find an increasing audience in the North East. On a mission to discover outside-the-mainstream sounds and the driving forces behind their creation, Jake chats with musicians Me Lost Me, SQUARMS and Mariam Rezaei, along with some of the major players keeping these sonically-engaging sound makers doing what they’re doing, including Simeon Soden from Kaneda Records and Lee Etherington of TUSK. This mini-documentary features reflections on some of the most unique acts in the North East, what genre boundaries actually mean and artists’ hopes for the future of the North East’s alternative scene. This is an Art Mouse film for NARC. TV, written and directed by Jake Anderson.
After escaping Russia's communist revolution, Léon Theremin travels to New York, where he pioneers the field of electronic music with his synthesizer. But at the height of his popularity, Soviet agents kidnap and force him to develop spy technology.
Forsenes A symphony for eyes and ears: Forsenses it the first installment of the Blu-ray Disc series blu::elements that brings to life the full optical and acoustic potential of HD Definition. This ambitious project combined fascinating HD-shoots of the elements - water, earth, air and fire - with a specially composed 3D surround chill-out soundtrack, to make this an audiovisual symphony for the senses.
Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.
Daft Punk Unchained is the first film about the pop culture phenomenon that is Daft Punk, the duo with 12 million albums sold worldwide and seven Grammy Awards. Throughout their career Thomas Bangalter and Guy-Manuel de Homem-Christo have always resisted compromise and the established codes of show business. They have remained determined to maintain control of every link in the chain of their creative process. In the era of globalisation and social networks, they rarely speak in public and neither do they show their faces on TV. This documentary explores this unprecedented cultural revolution revealing a duo of artists on a permanent quest for creativity, independence and freedom.