Doctor Ma's Country Clinic(2008)

The Unfinished History of Life(zh)

The filmmaker spent years in a Chinese village to record daily life’s every detail. He drank many a glass with the villagers and observed them for so long that he started to recognize their repeating patterns of behavior. That is why there is no end to this tale.

Mine(en)

Fifty years of marriage. Fifty years of love and happiness. Fifty years of lies. When Walter steps on a live land mine in a remote field in England, he finds himself at the mercy of his wife Diane, who has recently unearthed a deadly secret buried in their past. As the tension mounts and truths are unraveled, Walter and Diane's relationship speeds towards an explosive climax.

Edges(it)

Paolo is a 22-year-old boy and experiences a constant sense of inadequacy and ineptitude, due to his complex relationship with his mother, unaware of his homosexuality, and to the conflict he has with his hometown, Lanciano. Driven by a great desire for emancipation, he decides not to give up and to interview those who have remained in the province and continue to fight just like him.

¡Viva Madrid, que es mi pueblo!(es)

The bullfighter Marcial Lalanda financed and starred in this film about the rivalry between two bullfighters for the ill-fated love of the same woman. It features scenes of bullfights shot by Enrique Blanco using polychromatic film for the first time in Spain. Considered one of the greatest Spanish silent films.

Harmonies of Paris(fr)

Harmonies de Paris, restored by the Cinémathèque Française in the 1990s, was shot entirely on panchromatic film and was meant to be a documentary tour of Paris in thirteen thematic chapters. The subject is a tourist group arriving in the French capital by airplane, which explains the many shots of monuments and other canonical places.

A Woman Hunted(en)

Lainie Wheeler has two daughters, but her husband leaves them for a Thai monastery. She completely neglects her job in TV production but finds a new vocation in nursing terminal patients, even after the death of her friend in that home. She also finds a new lover, Matt Harper, who is also great with her kids, but still gets addicted to pills, causes a major accident, loses custody and needs long-term institutionalized therapy. After her release, a friend gets her another job in TV production, which makes her meet baseball star Harry Brewer. When he proves adulterous and gets too intimate, she ends up murdering him. Detective Webster investigates..

In Orbit(en)

The future, the space. Sonia is about to be transferred from her station to a newer one. Although everything seems to be going well, Sonia's mind is actually elsewhere, haunted by tragic events from the not too distant past.

Niñato(es)

Jobless and with no prospects, Niñato (Brat) lives with his parents and does hip-hop music. He lives the life of the outskirts, it's the Madrid of the chronic crisis. But he is 34 years old and has three children to bring up. Time goes by, the kids are growing up and Niñato carries on, making music and looking after the children, without worrying too much about his future. Oro, the smallest one, not too motivated at school, will demand more attention and drive Niñato to face his own conflicts.

The Dwarfs(en)

A young actor and an angst-ridden city worker fight over a girl watched over by a disturbed chum. The play is concerned with three young men, Len, Pete and Mark, and the scene of action shifts back and forth between Len's house and Mark's. Sometimes all three come together, sometimes only two, and often Len is on stage alone. There are conversations and soliloquies filled with the brilliant convolutions of thought, the sudden flashes of truth which distinguish Pinter's unique style, with the mood ranging from calm introspection to explosive outpouring. Much of what is said hints at deeper thoughts left unspoken, and the sense of horror and alienation which often emerges is a searing indictment of our life and times. We meet, we talk, we tear at each other, but our insularity is seldom penetrated. We are together but alone, as though life were a mirror which reflects only our own image.

School for Swingers(de)

A pseudo-documentary story about what happens behind dance school walls.

Creak(en)

The monster isn't in your closet...

Dear Murderer(en)

When a man discovers his wife is having an affair, he commits the perfect crime.

Dirty Money: Cartel Bank(en)

For decades, HSBC, one of the world's largest banks, laundered hundreds of millions of dollars for Mexican drug cartels. Senator Elizabeth Warren, dogged journalists and prosecutors try to hold the bankers to account.

Lovaganza: la grande illusion(fr)

Chicory 'n' Coffee(sl)

The story turns on a small deception - since they were married, instead of the real thing, the wife has always made Chicory (a cheap substitute for Coffee) for her husband. He never catches on to the deception. For him, the slush tastes better than the best Coffee.

We Are Here(zh)

What happens when 300 lesbians from around the world attend the largest United Nations conference? How did two busloads of lesbians headed to an underground nightclub help spark the birth of a lala (LBT) movement in China? At the 1995 Fourth World Conference on Women in Beijing, the first ever lesbian tent at an UN NGO Forum was created. Emerging from hidden shadows of shame and invisibility, Chinese lalas began a hard-fought path of deliverance from themselves, from family, and from an apprehensive environment. In doing so, they sought empowerment and change as they explored concepts and issues from self-affirmation to rights consciousness. The film powerfully moves forward to the present day and shows the drastic change in today’s young feminist lalas – their challenging of sexism and homophobia with daring public street actions on subways – a parallel action to their forerunners in 1995, with much vigor and defiance 20 years later.

Pathway(zh)

Xu Xin’s film “Dao Lu” (China 2012) offers an exclusive “in camera” encounter with Zheng Yan, an 83 year-old veteran of the Chinese Red Army, who calmly relates how he has navigated his country’s turbulent history over three-quarters of a century.Born to a wealthy family in a foreign concession, Yan joined the Chinese Communist Party (CCP) in 1941 because he sincerely believed in the socialist project, and in its immediate capacity to free China from the Japanese yoke and eradicate deep-rooted corruption.

Docteur B, Médecin de Campagne(fr)

The Blind Storytellers(zh)

Li Shouwang is the leader of a blind storytellers team, learned storytelling at the age of 19. His childernare living hard in other cities. Li's money amost goes to his children's pocket every year. But with urbanisation, the storytellers have lost almost all their audience. As the conflict between the storytelling team and the village team intensified, his son, who was far away from home, became the only spiritual sustains... When he was excited that his son would be taking his family home for Chinese New Year, what's await is a sigh.

Twenty Two(zh)

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

The Iron Ministry(zh)

Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.

Umbrella(zh)

Workers, peasants, soldiers, students and merchants were five groups of Chinese society in the 1950s, after the so-called elimination of the exploited class. Borrowing this concept, the umbrella is taken as the clue to rediscover changes in various social classes after the economic reform, and to analyze the social problems in China. Workers making umbrellas, merchants selling umbrellas, students looking for jobs in the rain. Umbrella is used as a metaphor that can be seen everywhere. As the raindrop, what we see is sometimes clear, sometimes untraceable.

China. The Arts – The People(de)

China marks the beginning of the extensive Asian theme in Ottinger’s filmography and is her first travelogue. Her observant eye is interested in anything from Sichuan opera and the Beijing Film Studio to the production of candy and sounds of bicycle bells.

Férfiarckép(hu)

A grey-haired man walks through the fields. Fatigued, but with the same tenacity he roams the roads, the pathways, the tracks every day, medical bag in hand. Everyone awaits him: desperate or in hope, to the dying or to the woman in labour. He is the local GP. In fact, he is film director Imre Gyöngyössy’s father, the protagonist of one of his first short films. The personal narration based on the director’s poem is made complete by the pictures of Sándor Sára and István Gaál who were also active at Balázs Béla Studio at that time.

Mama Rainbow(zh)

For Chinese parents, finding out that their kid is gay usually presents a major tragedy, with the big majority utterly unable to accept the homosexuality of their son or daughter. However, during recent years a fresh rainbow wind has been blowing over the Chinese mainland: a pioneer generation of Chinese parents has been stepping up and speaking out on their love for their gay kids. This documentary features 6 mothers from all over China, who talk openly and freely about their experiences with their homosexual children. With their love, they are giving a whole new definition to Chinese-style family bonds.

Demolition(zh)

"If the old doesn't go, the new never comes" recites a teenager hanging out near a demolition site in the center of Chengdu, the Sichuan capital in western China. In Demolition, filmmaker J.P. Sniadecki deconstructs the transforming cityscape by befriending the migrant laborers on the site and documenting the honest, often unobserved, human interactions, yielding a wonderfully patient and revealing portrait of work and life in the shadow of progress and economic development.

First Vote(en)

A soon-to-be first-time voter, the filmmaker’s thought-provoking journey into the Rust Belt and South captures four Asian American voters’ ardent first time grassroots political participation ignited by the 2016 rise of “Chinese Americans for Trump.” FIRST VOTE is a character driven cinema verité style film chronicling the democratic participation of four Asian American voters from 2016 through the 2018 midterm elections.

The Yellow Bank(zh)

A short documentary that captures the longest total solar eclipse of the 21st century, The Yellow Bank takes you on a contemplative boat ride across the Huangpu River in Shanghai, China. Filmmaker J.P. Sniadecki, who lived and worked in Shanghai nine years earlier, uses the eclipse as a catalyst to explore the way weather, light, and sound affect the urban architectural environment during this extremely rare phenomenon.

Songhua(zh)

In northeastern China the Songhua River flows west from the border of Russia to the city of Harbin, where four million people depend on it as a source of water. Songhua is a portrait of the varying people that gather where the river meets the city, and an ethnographic study of the intimate ways in which they play and work.

Church Cinema(zh)

In the summer of 2007, Gan Xiaoer led an independent film projection team, using projectors and self-made screens, to tour villages in Henan province to show his feature film "Raised from dust" for 8 times, and recorded the process. The 81-minute version of Church Cinema records only one stop, the Qiliying Church, where "Raised from dust" was shot.

We Sit In Silence At The Memorial Table(en)

A silent film by Vietnamese director Truong Minh Quy in collaboration with Belgian director Nicolas Graux, was shot on the set of a film by Graux. We Sit in Silence at the Memorial Table is inspired by Educational Objectives, a poem written by Aleksey Garipov and translated to English by Nicolas Graux.

Heidi in China(en)

In 1946, Heidi is entrusted to a Swiss family by her father. He will never come back for her. Today, François Yang questions his mother about her past. What follows is a journey to China, a quest to reconstruct memory. Through contact with her brothers and sister, Heidi measures the extent of the drama experienced by her family that remained in China, persecuted by the Communist Party.

The Last Moose Of Ao Lu Gu Ya(zh)

Documentary about a tribe of indigenous people in northern China.

A Young Patriot(zh)

A documentary chronicling the coming of age of a young chinese man.

Way of Fortune(zh)

"Mazu" or "The Sea God" has been the most important religious belief of ordinary people in my hometown for four hundred years. Along the coast of China and even in the Nanyang region, there is at least one temple dedicated to Mazu in various seaside cities-this geographical and historical distribution coincides with the contemporary economic or industrial area of Chinese society. It is frustrating that rapid economic development has led to global warming. The factories located on the coast of southern China from all over the world will eventually cause flooding and inundate these temples dedicated to Mazu. This is indeed a very ironic discovery for our civilization, "We", not only Chinese or all human beings, now or in the past, how can we Chinese avoid this upcoming tragedy?