A director attempting to create an unconditionally truthful film becomes obsessed with the topic of death. In an intrusive way he relentlessly pushes dark scenarios of death aimed at his portraitures, creating a tension ridden and emotional set, blurring the lines of experimental docu-fiction drama.
8 Portraits, Scenarios: Death of Reality, Fiction, Truth & Lies
A director attempting to create an unconditionally truthful film becomes obsessed with the topic of death. In an intrusive way he relentlessly pushes dark scenarios of death aimed at his portraitures, creating a tension ridden and emotional set, blurring the lines of experimental docu-fiction drama.
2025-01-07
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Reya’s World delves into the raw and poignant struggle of a young woman navigating the depths of depression. Feeling trapped in a seemingly endless cycle of isolation, Reya finds solace and gradual healing through small moments of self-connection and genuine friendships, gradually lifting the heavy burden that envelops her.
A bartender takes on the physical form of her imagined alter egos.
A man attempts to operate a mysterious device, but with each attempt comes a new set of problems.
Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.
In this documentary, we are invited to the mind of the elderly Hiam, a Palestinian woman from Nazareth. The mundanity of everyday life gives us a few sentimental glimpses of Hiam's past and present through the eyes of the filmmaker Juna Suleiman, her granddaughter.
At night, a woman at different ages loves, suffers and frees herself. She’s called Ophelia.
An adaptation of a children's poem called Chanson des escargots qui vont à l'enterrement by Jacques Prévert, starring Joseph Gordon-Levitt. Filmed in Paris, France and Los Angeles, California.
A lone wind ensemble musician photographs an ongoing performance as she's suddenly joined by a past lover.
An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
Whilst a boy mourns the passing of his younger brother, hope of unity is found in his grief.