A young immigrant arrives in Canada from France, and brings his Citroën 2CV with him. The iconic post-war car stands out on the streets of Vancouver, and before long he meets up with a group of like-minded car buffs.
A young immigrant arrives in Canada from France, and brings his Citroën 2CV with him. The iconic post-war car stands out on the streets of Vancouver, and before long he meets up with a group of like-minded car buffs.
2017-06-06
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Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Wedding rituals grounded on non-verbal social agreements represent the perception of society in general. Wedding dress is a symbolic part of these rituals. The process that a wedding dress has went through can be considered as an embodiment of the formation of women identity in society. Like most of the women, wedding dressmakers also dream of being a princess once they wear their wedding dress. On the other hand, dressmakers are certainly aware of the fact that they promote the already existing image of women in society because of their job. While they also recognise the truth is way different.
'Coffea arábiga' was sponsored as a propaganda documentary to show how to sow coffee around Havana. In fact, Guillén Landrián made a film critical of Castro, exhibited but banned as soon as the coffee plan collapsed.
Daniel Johnston stars in this psychedelic short film about an aging musician coming to terms with the dreams of yesteryear.
David Olusoga opens secret government files to show how the Windrush scandal and the ‘hostile environment’ for black British immigrants has been 70 years in the making.
Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.
Twenty-five films from twenty-five European countries by twenty-five European directors.
In this tale of labor and family that shines a light on the precarity of temporary work visas, Raymundo Morales leads a crew of workers who have to make the challenging decision to leave their families in rural Mexico to plant commercial pine forests in the United States.
A short about American life and history produced for the millennium New Year's Eve celebration.
In 1892, Ellis Island, in New York Bay, became the main gateway to the United States for immigrants arriving increasingly from Europe. The story of immigration to the United States from 1892 to 1954, an enthralling polyphonic narrative that embraces both small and great history.
A short film made with the film end rolls of 'Du côté de la côte'.
A documentary short that gives you an exclusive look behind the groundbreaking original series, "Ms. Marvel", from its comic book origins to its development and production as Marvel Studios’ next hit series on Disney+. It features interviews with its award winning filmmaking team and the show’s captivating star, newcomer Iman Vellani.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.
Ultrarunners overcome every kind of hardship. During her first run of the season, Mirna Valerio has to silence those who think she's not fit for this sport.
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.