From the Marx Brothers to Schindler's List, this compilation of Jewish film trailers offers a glimpse at the history of Jews in American cinema. A mixture of humor, social commentary, and drama, these original coming attractions trailers offer insight into the relationship between Hollywood's studio marketing departments and the growing visibility of Jews in American life. Trailers Schmailers includes spotlights on Woody Allen and Barbra Streisand, an overview of films about New York Jewish life, a look at the evolution of films about the holocaust, and more.
From the Marx Brothers to Schindler's List, this compilation of Jewish film trailers offers a glimpse at the history of Jews in American cinema. A mixture of humor, social commentary, and drama, these original coming attractions trailers offer insight into the relationship between Hollywood's studio marketing departments and the growing visibility of Jews in American life. Trailers Schmailers includes spotlights on Woody Allen and Barbra Streisand, an overview of films about New York Jewish life, a look at the evolution of films about the holocaust, and more.
2002-03-03
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Twenty-third volume of Something Weird Videos on going series in their collection of American and European sexploitation trailers from the 1950s to the 1970s.
University of Washington professor Noam Pianko and his students collaborated with Citizen Film, the Pacific Northwest Jewish Archive and Seattle’s Jewish Community Federation to unpack and digitize archival photos and documents, then turn them into shareable digital content.
Under Their Skin: Tattoos of Memory and Resilience is a character-driven film featuring grandchildren of survivors (3Gs) who have made the controversial decision to tattoo their grandparents’ concentration camp numbers on their own bodies. The film follows subjects as they navigate personal relationships and public interactions that alternately celebrate and challenge their decision—and raise questions about the reenactment of trauma, and the act of transforming that trauma into healing. In interweaving storylines, we will meet 3Gs whose stories reveal that historical remembrance is an essential part of engaging with social issues and the rise of hate and intolerance today.
WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!
Adam remains a consistent favorite among fans who are comforted that they will always have a good time. Get the inside story on this fascinating actor, comedian, screenwriter, producer, husband, father, and forever FUNNY GUY.
Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.
Can a secret change who you are? Mysterious events unfold and reveal how Martha, a Polish holocaust survivor, managed to lead a double life in Australia. The vivacious Jewish artist and doting mother, died without ever revealing her secret. The film follows Martha’s daughter Eve, over a decade, as she unlocks the mystery behind the streets named Eve and Martha. Clues are found in old recordings and Martha’s home movies revealing a mystery man gazing into the lens. Eve’s investigation leads her to the Sobieski castle in the Ukraine, the site of a massacre where her grandmother died, and the Eichmann trial as she explores her parents’ holocaust survival and her father’s heroic escape from a concentration camp. When a ‘doppelgänger’ contacts Eve, her life is forever altered, as she uncovers lies, tracks down her mother’s young lover and reveals the family secret that led her to rewrite her entire life.
This Ukrainian-Jewish teenager immigrated to San Francisco as a young child. Now on the brink of adulthood, she interviews her grandparents about their new lives yearning to see her American world through their eyes. Yelena understands that life in the US has changed her profoundly.
This Ukrainian-Jewish teenager immigrated to San Francisco as a young child. Now on the brink of adulthood, she interviews her grandparents about their new lives yearning to see her American world through their eyes. Yelena understands that life in the US has changed her profoundly.
This Ukrainian-Jewish teenager immigrated to San Francisco as a young child. Now on the brink of adulthood, she interviews her grandparents about their new lives yearning to see her American world through their eyes. Yelena understands that life in the US has changed her profoundly.
This intimately photographed film offers a peak into the lives of a culturally diverse group of young American Jews.
On the way to creating a new future, the New Jewish Filmmaking Project is rediscovering the past. 11 young storytellers, ages 15-25, collaborated with Citizen Film’s team of documentary professionals to create a multimedia exhibit that offers a set of signposts for what Jewish identity has been and is becoming.
On the way to creating a new future, the New Jewish Filmmaking Project is rediscovering the past. 11 young storytellers, ages 15-25, collaborated with Citizen Film’s team of documentary professionals to create a multimedia exhibit that offers a set of signposts for what Jewish identity has been and is becoming.
Mixing animation with a wealth of archival footage, Chris Auchter’s film explores the 1985 dispute over clearcut logging on Haida Gwaii. On one side are Western Forest Products and Frank Belsen Logging, who plan to engage in clearcut logging on Tllga Kun Gwaayaay (Lyell Island) and are supported by the BC government. On the other side is the Haida Nation, which wishes to protect its lands against further destruction. The confrontation involves court proceedings and a blockade, and Auchter takes us from canny retrospective commentary to the thick of the action.
WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.
Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.
Film archivist and former director of the San Francisco Lesbian and Gay Film Festival Jenni Olson created this fast-paced and often funny, campy 75-minute film comprised entirely of spliced together movie trailers. Some of the segments have themes such as a breezy look back at John Travolta's career that includes trailers from such films as Saturday Night Fever, Staying Alive, Grease, Perfect, and Moment by Moment. Other trailers include Mae West in Sextette, the disco camper Thank God It's Friday, Raquel Welch in Kansas City Bomber, Pier Paolo Pasolini's The Gospel According to St. Matthew and the rarely seen Chastity, the serious acting debut of Cher.
DVD consisting of only movie trailers (grindhouse, horror, kung-fu, etc...)
A sock puppet explores a family history told from the perspective of a mother and father.
At the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled to the Philippines in a makeshift boat. The couple were then recruited as extras during the filming of Apocalypse Now.