The multi-party democratic regime that we take for granted in Turkey today is actually the product of 23 years of struggle and search. From the establishment of the Republic until 1946, three attempts were made to transition from a single party to a multi-party. The first of these was in 1924. Progressive Republican Party came up against the Republican People's Party that ruled the country. However, this period, when a new republic was built in pain, did not allow an oppositional voice to survive. The Progressive Party was closed after six months. Some of the rulers were imprisoned. Some of them were sentenced on death rows in the case of the assassination of Atatürk.The second attempt was made six months later, in 1930, with the Free Party. But the Free Party survived only 97 days.Finally, after another 16 years, the Democrat Party came in 1946 and the one-party regime became history for Turkey, never to return.
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During the Sarikamis Battle, the Ottoman army runs out of ammunition and appeals to the people of Van for help, who happen to have supplies. However, the First World War is on and all men are fighting at four corners of the empire and therefore can not respond to to the appeal. The young children of Van want to do something...
The Lark Farm is set in a small Turkish town in 1915. It deals with the genocide of Armenians, looking closely at the fortunes, or rather, misfortunes of one wealthy Armenian family.
Though both the historical and modern-day persecution of Armenians and other Christians is relatively uncovered in the mainstream media and not on the radar of many average Americans, it is a subject that has gotten far more attention in recent years.
Turkey's history has been shaped by two major political figures: Mustafa Kemal (1881-1934), known as Atatürk, the Father of the Turks, founder of the modern state, and the current president Recep Tayyıp Erdoğan, who apparently wants Turkey to regain the political and military pre-eminence it had as an empire under the Ottoman dynasty.
Interrogated by a customs officer, a young man recounts how his life was changed during the making of a film about the Armenian genocide.
A friendship started in childhood in Thessaloniki firstly turned into being comrade in arms and then a half-century brotherhood and fraternity following the same ideals until the death upon proclamation of the Republic; Ataturk & Salih Bozok Veda Ataturk (The Farewell Ataturk) is the story of a brotherhood, portrayal of milestones in Ataturk's life and the story of a commander commanding a generation that challenged the death to save the homeland.
Mustafa Kemal had just begun his journey after proving himself in 1915 at the Gallipoli front. He would go on to face major battles on the eastern front against the Russians and later against the British in Syria, ultimately becoming the only Ottoman officer not to lose a battle during WW1. However, despite all his success, he would encounter an unexpected challenge upon his return to Istanbul.
A biopic focusing on to the childhood and the early years of the military career of the founder and the first President of the Turkish Republic, Mustafa Kemal Atatürk.
Zübeyde, Mothers and Sons, tells the life of Mustafa Kemal Atatürk's mother, Zübeyde Hanim, which begins in Thessaloniki, in the last periods of the Ottoman Empire, and reflects the period until the declaration of the Republic.
INTENT TO DESTROY embeds with a historic feature production as a springboard to explore the violent history of the Armenian Genocide and legacy of Turkish suppression and denial over the past century.
As World War I rages, brave and youthful Australians Archy and Frank—both agile runners—become friends and enlist in the Australian and New Zealand Army Corps together. They later find themselves part of the Dardanelles Campaign on the Gallipoli peninsula, a brutal eight-month conflict which pit the British and their allies against the Ottoman Empire and left over 500,000 men dead.
After the First World War, the Allies occupy Istanbul. The protagonist, Yandim Ali is a rogue, discharged from the navy, who doesn't believe that the country can be saved, until he meets Mustafa Kemal (Ataturk), who plans to start a resistance in Anatolia against the occupying Allies, as well as the collaborators of an Ottoman government, that exists only on paper.
Pilot Captain Salih Ekrem is a young air officer and one of the first Ottoman pilots.
As the forces of ISIS and Assad tear through villages and society in Syria and Northern Iraq, a group of brave and idealistic women are taking up arms against them—and winning inspiring victories. Members of “The Free Women’s Party” come from Paris, Turkish Kurdistan, and other parts of the world. Their dream: To create a Democratic Syria, and a society based on gender equality. Guns in hand, these women are carrying on a movement with roots that run 40 years deep in the Kurdish Workers’ Party (PKK) in Turkey. GIRL’S WAR honors the legacy of Sakine Cansiz, co-founder of the PKK who was assassinated in Paris in 2013, and reflects on the sacrifices made by all of the women in the movement, who have endured jail, rape, war, and persecution in their quest to liberate their lives and sisters from male dominance. With scenes of solidarity, strength, and love amongst these brave women soldiers, GIRL'S WAR is a surprising story of Middle Eastern feminism on the front lines.
Fragmentary perspectives on Human Rights and transgender (trans*) People in Turkey. What remains at the place where a murder happened? What constitutes trans* life? How to cope with daily violence and hatred? We begin to search for traces. We follow the tracks of resistance and survival. We are collectors of the expelled. We gather fragments of trans* lives inspired by texts of Nazim Hikmet, Foucault, Benjamin and Zeki Müren. Trans*BUT is a documental research study driven by the question: “What keeps you going when all else falls away?”
Explores the Ottoman Empire killings of more than one million Armenians during World War I. The film describes not only what happened before, during and since World War I, but also takes a direct look at the genocide denial maintained by Turkey to the present day.
Turkey in the 1960s and 1970s was one of the biggest producers of film in the world. In order to keep up with the demand, screenwriters and directors were copying scripts and remaking movies from all over the world. This documentary visits the fastest working directors, the most practical cameramen and the most hardheaded actors to have a closer look into the country's tumultuous history of movie making.