“HUTZULSHCHYNA” produced by Kalyna Film Company in 1938, was brought from Western Ukraine by Mykola Novak, in order to acquaint the people with the life of the Ukrainian mountaineer. Hutzulshchyna is now divided by two Governments, part is occupied by Poland and another part is occupied by the Hungarian Government. The Hutzuls have lived through a very tragic episode in their struggle to regain their freedom from Poland, and recently from March 13 to March 30, 1939, thousands of Hutzuls were killed by the Hungarian Army in their fight for freedom.
In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.
The beautiful, beastly Beverly returns and faces a new gaggle of gargantuan gals, hell bent on achieving deluxe diva domination. Get ready for the cinematic smackdown thrills of Giantess Battle Attack. Size really does matter.
After a confrontation, a group of women are taken by a presence.
The defeated remnants of vile Ukrainian nationalists, headed by the leader of the Ukrainian liberation movement, Symon Petliura, cannot accept their historical fate and are plotting an insurrection against the Soviet regime in Ukraine. There is nothing Petliura and his cohorts would not do to win back control over Ukraine, including selling it to the highest bidder, in this case, the Polish dictator Jozef Pilsudski. A group of plotters are coordinating an insurrection in Kyiv with an attack from Poland headed by Petliura’s general Yurko Tiutiunnyk. Predictably, the invincible Red Army defeats the nationalist plotters and proves that the Soviet borders are impregnable.
A group of people inside an underground complex which possesses high tech computers which tracks world events consider all options as nuclear war is at hand, air supplies may last only eight days and Biblical prophesy unfolds.
Trying to escape his bath, Monicão ends up hiding in the movie theater. Mônica can't find her pet in the dark, so she asks Franjinha to play some short films that might lure the dog out of hiding.
When a team of unlikely heroes hijacks a steam-powered battle wagon, a daring young wizard (Marek) steals the final piece of the all-powerful Darkspore and embarks on a desperate quest to deliver the cursed artifact to the gods for safe keeping; but when they are caught in a death race between a ruthless team of elite mercenaries and a trinity of demons, Marek must learn to believe in herself before her friends are killed and the Darkspore is lost, to stop the evil necromancer (Szorlok) from uniting the Darkspore and flooding the living world with his legions of undead.
Suman and Vijay Rai are childhood friends who are heart-broken when Suman's dad decides to move away. Both have a heart tattooed on their arm to remember each other for the rest of their lives. Years later, they unknowingly meet each other, however Suman is married to Vijay's brother, Prakash, while Vijay is married to a wealthy woman, Rita.
Following their concert for world peace in outer space, Barbie and her band the Rockers are going back home. During the trip back to Earth, the band's space shuttle inadvertently enters a time warp. Upon landing at an airport, they meet Dr. Merrihew and his daughter Kim and soon learn that they have been transported back to 1959. The band then decides to go on a tour around the city alongside Kim. After a performance at Cape Canaveral, Dr. Merrihew helps Barbie and the Rockers return to their time. Back in the present, they stage a big concert in New York City, where Barbie is reunited with an adult Kim and introduced to her daughter Megan.
For the 8th edition of his "Duos impossibles", Jérémy Ferrari takes to the Folies Bergère stage with a host of artists chosen by himself. Each was assigned a pairing, and together the duos were tasked with writing and performing a sketch on the year's theme: love.
A kind wanderer living around a circus, who also happens to work as a modern Robin Hood, must solve the mystery behind the kidnapping of a lost little girl he meets.
A small town in Spain, October 1955. Isabel, a 35-year-old dreamer who feels like a failure because she is not married yet, becomes the new target of a group of soulless pranksters.
Controversy erupts when an unassuming young man floods the American wine market with fake vintages valued in the millions, bamboozling the wine world elite, in this humorous and suspenseful tale of an ingenious con on the eve of the 2008 stock market crash.
The continuing adventures of the barbers at Calvin's Barbershop. Gina, a stylist at the beauty shop next door, is now trying to cut in on his business. Calvin is again struggling to keep his father's shop and traditions alive--this time against urban developers looking to replace mom & pop establishments with name-brand chains. The world changes, but some things never go out of style--from current events and politics to relationships and love, you can still say anything you want at the barbershop.
Still reeling from his breakup with college sweetheart Allison, Adam's world is thrown into further chaos when he’s surprisingly invited to attend her upcoming wedding. Returning home for the festivities, Adam must confront unresolved feelings while trying to convince himself and everyone else that he is truly happy for her.
Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.
Set four years after the first movie, Lin Xiao, Lily, Nan Xiang, and Ruby, confront opportunities and challenges as their school days come to an end.
‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.
The film captures the daily duality of three young Palestinian women in Tel Aviv, caught between hometown tradition and big city abandon, and the price they must pay for a lifestyle that seems obvious to many: the freedom to work, party, have sex, and choose.