Cinema Italiano: Moments of Truth(2014)

Fellinopolis(it)

Ferruccio Castronuovo was the only authorized eye, between 1976 and 1986, to film the brilliant Italian filmmaker Federico Fellini (1920-1993) in his personal and creative intimacy, to capture the gears of his great circus, his fantastic lies and his crazy inventions.

Homo Cinematographicus(fr)

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

So This Is God's Country?(it)

A Mondo documentary focused on the 1960's American lifestyle, consumerism, religion, adversity, and oddity. An outsider's look at a country afflicted by episodes of racism and neo -Nazism. Scenes of a Ghost Town, LSD in NYC, Sunset Strip Los Angeles California, Amish, Klu Klux Klan, African-American Fashion Show, etc.

The White Caravan(it)

The neon sign ‘Circus’ illuminates the wide street of Naples’ suburbs: four circus families were abandoned by the institutions, and now they’re awaiting the pandemic will disappear, like a magic show. The circus has stopped, but their lives go on.

Mindemic(it)

A retired film director locked up in a suburban Rome apartment attempts to write a new movie, his eternal opera zero.

La notte più lunga dell'anno(it)

Nuoto(it)

A businessman swims away from time and reality...

In the Valley of the Moon(en)

In the Valley of the Moon, follows a young man working as a hitman for the Italian mob in 1977. He takes a job in Petaluma, California, posing as a potential buyer at an open house to confront the realtor who he suspects has a sinister connection to his past.

FANTASMAGORIA - STAGIONE UNO(it)

Rasputin(it)

Grigorij Efimovic Rasputin (1869-1916) the mystic and self-proclaimed holy man. The saint-demon and the simple peasant. About the plot against Rasputin, hated and feared at the highest levels of government because of his surreal influence on the Tsar.

The Ideal City(it)

Actor turned director Luigi Lo Cascio stars as the talented architect and fervent environmentalist Michele who has moved from Palermo to his ideal city, Siena. He holds a successful job and is living out a dream experiment of functioning one year without running water or electricity. Not surprisingly, he also displays a passionate opposition to cars and driving. One evening, after being forced to borrow his boss’ car in order to collect a colleague for a work function, Michele’s life takes an unexpected turn. In the blinding rain Michele hits something he cannot identify. After leaving a note on a parked car he believes he damaged, he continues down the road only to come across a dead body a few miles down which he later discovers belongs to one of Siena’s most important luminaries. Michele immediately calls the police, but in doing so, he unwittingly brings intense suspicion on himself as his uncertainty raises more questions than he has answers for.

Quello che resta fuori(it)

The incommunicability of today's young people through disturbing and decadent sounds.

Hidden(it)

In a small town, every inhabitant lives his daily life without asking too many questions and ignoring the disappearance of some women, until one day someone will put them in front of the possibility that they could be brutal serial murders. From that moment, fear will make its way and every balance will be shaken. To reach the denied truth denied for so long, the protagonists will find themselves losing much more than one can imagine.

Dolce Far Niente (Sweet Doing Nothing)(en)

The tale of an Irish writer who moves to Northern Italy, finding a new sense of tranquility in life after experiencing heartache.

CENTOGRADI(it)

The day of an artist who has to present one of his works is told through a continuous cinematic dispersion aimed at reproducing and making the viewer experience firsthand the mental dispersion inherent in the protagonist

Locked Off(en)

Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?

The Home Cinema of the Dardenne Brothers(fr)

A “Cinéma, de notre temps” series episode directed by french film filmmaker Jean-Pierre Limosin, originally aired sometime around 2006.

Le Cinéma de grand-père(fr)

Remarkable life story of Henri Diamant-Berger, a director and screenwriter whose devotion to cinema led him to collaborate with some of the greatest actors and filmmakers of his time.

The Crash of 1929(en)

Based on eight years of continued prosperity, presidents and economists alike confidently predicted that America would soon enter a time when there would be no more poverty, no more depressions -- a "New Era" when everyone could be rich. But when reality finally struck, the consequences of such unbound optimism shocked the world.

Amos Guttman: Filmmaker(he)

From 1977 to his untimely death in 1993, Amos Guttman directed six films, all of them deeply personal reflections of his own life. Interviews with lovers, family and friends--including some of the most important people in Israeli cinema--tell the gripping story of a strikingly handsome, charismatic and deeply passionate gay man who has become a revered cult figure in Israeli cinema.Interviews with the late filmmaker and fascinating footage of him on the set convey the same passion that comes through in scenes from his films, lovingly selected by documentarian Ran Kotzer. Like Fellini, Guttman transformed his dreams and everyday conversations with friends and family into integral parts of his pictures. He is most remarkable for his striking and original use of the frame. Every shot is a treasure. Amos Guttman dared to portray subjects that were taboo in his society, and his search for the right of individual expression is the connecting link of his works.