The horn sledges were used throughout the Alps in forestry and agriculture for material transports on steep terrain. In the Muota valley, in the heart of Switzerland, a group of idealists is continuing to preserve the old tradition of «Mänere».
Himself
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
In rural Kosovo, identical houses are built for family members working abroad, in the hope that they will one day return to settle in their old homeland.
The enigma of the personality cult is revealed in the grand spectacle of Stalin’s funeral. The film is based on unique archive footage, shot in the USSR on March 5 - 9, 1953, when the country mourned and buried Joseph Stalin.
Traditions during Easter holidays in the remote village of Grešnica. The film was a research project of the newly opened Ethnological Museum to preserve the disappearing customs at least on film for future generations.
The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.
Six o'clock in the morning, the sun rises behind the Djurdjura mountain. With precise gestures, learned since childhood, Ouardia raises the water, crouches down to splash his face with cool water. Soon her baby will be born. Hadjila, the traditional midwife, prepares herself internally to help the mother complete the transition from separation. This film talks about the knowledge surrounding birth that Kabyle women have passed down for centuries; knowledge that European women seek to rediscover in order to reclaim this founding passage of our lives.
509 is back for another year of snowmobile action! How does adrenaline push our riders to send it year after year? What keeps them searching for the next big jump or breathtaking view? We travel across the West, Midwest and Sweden to capture the best in the world in their natural element.
509 Films presents their sixth installment of their award winning backcountry snowmobile film series. Co-produced by Tom Delanoy and Phil Yribar, vol. 6 is a film two years in the making. Tagged "We Are Snowmobilers", the film takes you on an epic ride, showcasing the world's best snowmobile athletes and how THEY are snowmobilers. Featuring top riders such as Chris Burandt, Dan Adams, Brett Turcotte, Keith Curtis, Ross Martin, and many more. Volume 6 is a well rounded snowmobile film covering all aspects of riding from deep powder, big air, insane hillclimbs, to snocross race action. Sit back, strap in, and enjoy an exhilarating ride.
The traditional healers in the Swiss and French mountains.
In the coldest waters surrounding Newfoundland's rugged Fogo Island, "people of the fish"—traditional fishers—catch cod live by hand, one at a time, by hook and line. After a 20-year moratorium on North Atlantic cod, the stocks are returning. These fishers are leading a revolution in sustainability, taking their premium product directly to the commercial market for the first time. Travel with them from the early morning hours, spend time on the ocean, and witness the intricacies of a 500-year-old tradition that's making a comeback.
IJswee is a documentary film about an ice club, a village and the warm winters. In the film we follow Oringers, the inhabitants of Odoorn, through the winter. The Oringers all experience IJswee in their own way. You will also see the Icecounter (Rafael van der Ziel), who builds ice sculptures and drinks frozen milk. You see the Drenthe countryside changing with the weather. You see animations, archive material and you hear the mysterious sounds of IJswee in the music of Wietse de Haan. And there are two trumpet players, who welcome winter with their music and say goodbye to it.
At the forests of Östergötland, where land meets sea, rests the old castle Herrborum. Here lives count Magnus Stenbock, 92, according to his own ideas about what is appropriate and what is not. Film-maker Helena Nygren is fascinated by the count and the castle, and is allowed to film on the condition that she takes the role of companion lady. Over one year, Helena returns several times to take part of count Magnus Stenbock and his servants life on castle Herrborum in Östergötland. Time stands still on the castle, and in the movie Helena wants to preserve the fairy tale feeling she gets when she steps into these ancient surroundings. The count is a strong personality with strong opinions and a great interest in history. All kinds of people come to his castle to savor the special atmosphere and follow the old fashioned rules of etiquette. Helena transforms from an observer to a lady who participates in the social games on the estate, where everything moves around its own time axis.
A stunning and intimate portrait of the Arhuaco indigenous community in Colombia. In 1990, in a celebrated BBC documentary, the Arhuaco made contact with the outside world to warn industrialized societies of the potentially catastrophic future facing the planet if we don’t change our ways. Now, three decades later, with the advances of audio/visual technology, we go back to the Snowy Peaks of Sierra Nevada de Santa Maria to illuminate their ethos against the backdrop of an increasingly fragile world.
What is tradition? This is the question posed by yodeller and food researcher Meinrad Koch from Canton Appenzell. In search of an answer, he embarks on a journey.
An old, broken morin khurr (horse head fiddle) compels renowned Mongolian singer Urna Chahar Tugchi to take a road journey to Ulan Bator and the steppes of Mongolia.
Nestled behind high mountains and dark forests lies Triberg, the birthplace of the cuckoo clock. For centuries, this cult item has been handcrafted right here, attracting tourists from all over the world. Ever since the boom of the 1980s has faded, the cuckoo clock has gradually lost its appeal and magic. And so has the place, which now resembles a ghost town. Its residents however still believe in their clock: Vendors, clockmakers and tourist guides alike fight to preserve their beloved heritage. Between abandoned restaurants and souvenir shops they hope for new tourists, while the clock continues ticking away.