Children of the Mist(2022)

Nomad(cn)

Four carefree lovers in Hong Kong enjoy their youth while danger looms on the edges.

Kill Shot(en)

Posing as hunters, a group of terrorists are in search of $100 million that was stolen and lost in a plane crash en route from Afghanistan.

We Want You To Win(ar)

A Kuwaiti comedy play starring Dawood Hussain & Intesar Al Sharrah.

3-2-1 Penguins!: The Amazing Carnival of Complaining(en)

Jason and the crew go on a leisure trip to a carnival, but are confronted by carnival barker Uncle Blobb and his diabolical interplanetary real estate scheme as he attempts to turn them into "Seeds of Discontent."

Cafe Tacuba - Un Viaje(es)

Mexican band Cafe Tacuba celebrates 15 years of making--and often revolutionizing--Spanish rock with Un Viaje. This lush, luxurious live set includes three discs of music and one electrifying DVD. The group has culled the best moments from a two-night stand in Oct. 2004 at the Palacio de los Deportes in Mexico City, and the results are consistently electric. Every song, every rhythm, every guitar lick, every laugh is important, a not-to-be-missed moment. Cafe Tacuba's potent mix of music and message is a powerful thing, and the group thrives in its unflinchingly earnest, sweetly sincere approach to its art. Even during backstage interviews and recording studio hijinks, each member seems wholly pleased to be a part of the process. Throughout the proceedings, Cafe Tacuba's ardent fans thank them with hoots, hollers and constant singalongs to almost every song, making Un Viaje a joyous trip for everyone involved.

Change(en)

I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.

Der Teufel mit den drei goldenen Haaren(de)

In order to be able to marry the princess, the miller boy Hans has to find his way to hell. If he fails to steal three golden hairs from the devil, all is lost.

La Sylphide(da)

Solo from 'La sylphide' (1836), ballet by August Bournonville. Performed by Ellen Price (1878-1968), soloist from 1903. Ellen Price's dancing in Hans Beck's ballet 'The Little Mermaid' (1909) was the inspiration for Edvard Eriksen's statue of the same name (1911). (Stumfilm.DK)

Maskera(it)

Verona(en)

The story of two young lovers...

Kids + Money(en)

Money talks. Teens in Los Angeles discuss money: getting it, spending it, and learning to live without it.

The Ritual(en)

Three friends -- two of them into voodoo rituals -- contemplate life and a dead body in their living room.

Morning, Noon & Night(en)

Morning, Noon & Night explores a day-in-the-life of six people battling different addictions.Thecharactersfeelalltoo familiar asthey could be your neighbor, your family or even yourself. Thefilmfunctionsas a mirror asit examines some students,a history teacher, a lawyer, and a topexecutiveasthey struggle to make it through a single day.

Peter and the wolf(fr)

An adaptation from Peter and the wolf music by Sergei Prokofiev presenting the tales of a young boy and a wolf caracterized by instruments.

The Seventh Page(es)

Chronicle of the daily activity of a newspaper called La Jornada. Through the events covered by the gossip columnist that occupy precisely the seventh page, a portrait emerges of different classes of Spain in the 50's and a vision of reality where facts are mixed comedy, police, emotional, dramatic and even tragic.

Hammurabi(en)

Jacobina is inspired to kidnap a man she believes is her abusive birth father.

Here Comes Rusty(en)

A reluctant dog track owner tries to outrun his problems with the bet of a lifetime.

Far from Poland(en)

FAR FROM POLAND is probably the first American non-fiction film (Godmilow calls it a "drama-tary") to explode cinema verite's mythic claim to be the only trustworthy mode of representation for discussing the real world, and in particular, social and political issues, on film. Refused a visa to travel to Poland, "Jillski" (her Polish nickname in the film) has to literally re-invent the documentary to deal with the Polish situation and she does so with a particular eye to deconstructing not only documentary's specific claims to objectivity, but also the bourgeois audience's desire to sit comfortably in their seats, feel compassion, feel themselves part of the solution (not part of the problem) by having felt compassion for the poor oppressed Poles, who, Godmilow would argue, are far more acutely aware of their situation and what forces oppress them than the liberal American folk in the movie house.

Avé(bg)

While hitchhiking from Sofia to Ruse, Kamen meets Avé, a 17-year-old runaway girl. With each ride they hitch, Avé invents new identities for them, and her compulsive lies get Kamen deeper and deeper into trouble. Reluctantly drawn into this adventure, Kamen begins to fall in love with the fleeting Avé.