As the world races to lead the way in blockchain technology, could Africa have an advantage? This documentary follows the journey of Bitcoin pioneers as the continent seeks to leverage cryptocurrency to leapfrog standing world economic powers.
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What is Bitcoin? With the advent of Bitcoin, the world's first digital currency, for the first time in history money is no longer controlled by banks or governments, but by the people who use it. But where did this currency come from? How does it work? And is it truly the way forward, or just a flash in the pan? Magic Money answers these questions and more as it explores the mysterious origins of Bitcoin, its role in society, and how it could shape the future.
This Best Short Subject Academy Award winning film begins in the spring of 1940, just before the Nazi occupation of the Benelux countries, and ends immediately after the Japanese attack on Pearl Harbor. It chronicles how the people of "Main Street America", the country's military forces, and its industrial base were completely transformed when the decision was made to gear up for war. Original footage is interspersed with contemporary newsreels and stock footage.
Emilia Odor is a young, seventeen year old girl. She end up in a rural girl institute, which has strict rules, a hypocrite faculty and she soon starts to rebel against it. Her schoolmates support her until then the manager announce a competition among the students: the most deserving student will participant in the millenial festival in Budapest.
A young bride in the midst of her wedding finds herself mysteriously transported to the TARDIS. The Doctor must discover what her connection is with the Empress of the Racnoss's plan to destroy the world.
A collaboration anime project of Anime Tenchou and Touhou animated by ufotable.
UFC 130: Rampage vs. Hamill was a mixed martial arts event held by the Ultimate Fighting Championship on May 28, 2011 at the MGM Grand Garden Arena in Las Vegas, Nevada.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
In a Mars base, the inhabitants are being infected by a mysterious water creature which takes over its victims. The Doctor is thrust into the middle of this catastrophe, knowing a larger one is waiting around the corner.
Blue Jean Billie (Dean), a prosperous young woman crook who lives apart from the denizens of the underworld, has pulled off many robberies of the high society world with the help of her pal Shaver Michael (De Grasse). Billie gains admission to the Vanderhoof dinner at which the engagement of their daughter to Lord Chesterton (Hall) will be announced. While the dinner is in progress, Billie gags and handcuffs special officer Detective Wood (Ross), and proceeds to make a wholesale robbery of the guests. She flees in an automobile and none succeed in tracking her save Lord Chesterton. She makes a prisoner of him, but a police raid follows and she must flee. Once more Lord Chesterton succeeds in following her and again she makes him her prisoner, but she learns to trust and love him. The special agent and Shaver Michael arrive at the scene with resulting complications, but a happy end results for all.
On Sam's return from military service, Lily sets her heart on revitalising their relationship, but with Sam's worsening PTSD isolating him from friends, family and the community, she too is drawn deeper into his post-war world.
Prisoners of Detention Satellite 3 plan an impossible escape.
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Three lawyers, brought by friendship but separated by interests, Fathi Nofal, who turns from a committed lawyer to an opportunist, while Ali al-Zanati joins religious extremist groups to make financial gains , and the third Mohsen only works as a simple employee away from conflict.
Cast as an “electronic erotic seductress,” the multiple costumes and roles performed by Jonas critically examine the ever-changing, but consistently unequal roles of women. The camera gazes at Jonas, implicating the viewer in the work and further, with her body. Her intentional de-synchronization of the monitor's receiving and transmitting frequencies results in the on-screen image's repeated vertical descent. Creating a sense of fragmentation, the vertical roll relentlessly pounds at the images of the artist as she moves through a series of performed identities. Characterized a "disjunctive self portrait" by the Electronic Arts Intermix, the image content of the work is strongly mediated by the mirror-like function of the camera, scrutinized by the lens and subjected to violence by the vertical roll.