Art, activism and disability are the starting point for what unfolds as a funny and intimate portrait of five surprising individuals. Director Bonnie Sherr Klein (Not a Love Story, and Speaking Our Peace) has been a pioneer of women's cinema and an inspiration to a generation of filmmakers around the world. SHAMELESS: the ART of Disability marks Klein's return to a career interrupted by a catastrophic stroke in 1987. Always the activist, she now turns the lens on the world of disability culture, and ultimately, the transformative power of art.
Art, activism and disability are the starting point for what unfolds as a funny and intimate portrait of five surprising individuals. Director Bonnie Sherr Klein (Not a Love Story, and Speaking Our Peace) has been a pioneer of women's cinema and an inspiration to a generation of filmmakers around the world. SHAMELESS: the ART of Disability marks Klein's return to a career interrupted by a catastrophic stroke in 1987. Always the activist, she now turns the lens on the world of disability culture, and ultimately, the transformative power of art.
2006-01-01
3
In the macho world of Mariachi music, very few women can hold their own. Just like the songs they play, this film is a snapshot of life, death and the things in between - seen from a bird's-eye perspective.
A "beyond the shoes" documentary on the former first lady of the Philippines, Imelda Marcos.
How Inuit peoples perform arts and crafts, on the island of Baffin Island on what is now the territory of Nanavut.
The remarkable story of how 13 amateur female golfers fought to form the LPGA in 1950. With the odds stacked against them, they made history.
I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.
This short documentary is a moving tribute to Richard Cardinal, a Métis adolescent who committed suicide in 1984. Taken from his home at the age of 4 due to family problems, he spent the rest of his 17 short years moving in and out of 28 foster homes, group homes and shelters in Alberta. A sensitive, articulate young man, Richard Cardinal left behind a diary upon which this film is based.
The Real MASH traces the original stories and people that inspired the fictional feature film and TV series about Mobile Army Surgical Hospitals in the Korean War. Both pushed buttons on cultural and social frontiers but real life MASH units were actually more like renegade units onto themselves and early indicators of the social turmoil and tensions that were to unfold later in the USA. Interviews with MASH actors, including Jamie Farr, Loretta Swit and Gary Burghoff, co-creator Gene Reynolds, surgeons, doctors, nurses, pilots and enlisted men who served in the war blend with dramatic recreations, archival film and rare photographs to tell the true stories behind the MASH entertainment franchise.
strolling (2014-2016) twenty seven episodes, various lengths, colour, digital, uk/usa/jamaica/netherlands/italy/france/belguim strolling is a documentary series that follows the dialectical ruminations of people of the black african diaspora whilst walking within their locality. the series began in london and expanded to paris, amsterdam, brussels, milan, new york and kingston, covering various subjects. the series also explores the physical manifestations of these intimate yet global discussions. emeke, who was the cinematographer and editor on this project, takes a deliberately subjective approach, lingering the lens on fleeting and subtle secondary processes that emerge manifest through hands, feet, gesture and positionality to the space in which each interviewee occupies, perhaps made possible by emeke’s decision to film subjects alone, or with only one other person present.
Having dedicated nearly four decades to chronicling the lives of Canada's First Nations, Alanis Obomsawin returns to the village where she was raised to tell her own people's history of prosperity, displacement, endurance, and revitalization.
A documentary film about three cases of rape, that includes the stories of two American high school students, Audrie Pott and Daisy Coleman. At the time of the sexual assaults, Pott was 15 and Coleman was 14 years old. After the assaults, the victims and their families were subjected to abuse and cyberbullying.
A look at how the community of Newtown, Connecticut came together in the aftermath of the largest mass shooting of schoolchildren in American history.
The true story of John Romulus Brinkley, a small-town Kansas doctor who discovers in 1917 that he can cure impotence by transplanting goat testicles into men. And that’s just the tipping point in this stranger-than-fiction tale. With the balls of a P.T. Barnum, the gonads of goats, and the wishful dreams of flaccid men, Brinkley amassed a fortune, was almost elected Governor of Kansas, invented junk mail and the infomercial, and built the world’s most powerful radio station. By the time all of the twists and turns of Brinkley’s story are revealed, Nuts! certainly earns its title.
TRAP (Targeted Regulations of Abortion Providers) laws have been passed by conservative state legislatures in the US and clinics have taken their fight to the courts. Follow the struggles of the clinic workers and lawyers who are on the front lines of a battle to keep abortion safe and legal for millions of American women.
Documentary featuring a jaw-dropping, behind-the-scenes look at the attempted comeback of Anthony Weiner in 2013 as he mounts a campaign for New York City mayor in the wake of his sexting scandal. Featuring unfettered access to the candidate and his campaign.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
In this horrifyingly modern fairytale lurks an online Boogeyman and two 12-year-old girls who would kill for him. The entrance to the internet quickly leads to its darkest basement. How responsible are our children for what they find there?
Arguably the most influential creator, writer, and producer in the history of television, Norman Lear brought primetime into step with the times. Using comedy and indelible characters, his legendary 1970s shows such as All In the Family, Maude, Good Times, and The Jeffersons, boldly cracked open dialogue and shifted the national consciousness, injecting enlightened humanism into sociopolitical debates on race, class, creed, and feminism.
In this tense and immersive tour de force, audiences are taken directly into the line of fire between powerful, opposing Peruvian leaders who will stop at nothing to keep their respective goals intact. On the one side is President Alan Garcia, who, eager to enter the world stage, begins aggressively extracting oil, minerals, and gas from untouched indigenous Amazonian land. He is quickly met with fierce opposition from indigenous leader Alberto Pizango, whose impassioned speeches against Garcia’s destructive actions prove a powerful rallying cry to throngs of his supporters. When Garcia continues to ignore their pleas, a tense war of words erupts into deadly violence.
Renowned filmmakers D A Pennebaker and Chris Hegedus follow determined animal rights activist Steven Wise into the courtroom for an unprecedented battle that seeks to utilize the writ of habeas corpus to expand legal “personhood” to include certain animals. Wise’s unusual plaintiffs—chimpanzees Tommy and Kiko, once famed showbiz stars—are now living in filth, struggling to survive. Wise and his impassioned legal team take us into the field, revealing gripping evidence of such abuse and plunging us into the intricacies of their case as they probe preconceived notions of what it means to be a non-human animal.