Youp van 't Hek: Licht(2017)

Theo Maassen: Vankwaadtoterger(nl)

Theo Maassen is back. In all its anger, indignation, amazement about so much stupidity and lack of empathy in society, and advocates understanding and reconciliation.

Theo Maassen: Ruwe Pit(nl)

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

Caribbean Combo: Ze ZIJN er weer!(nl)

Theo Maassen: Zonder Pardon(nl)

Registration of the sixt theatre program by the Dutch comedian Theo Maassen.

Lenette van Dongen: Paradijskleier(nl)

Registration of the theatreprogram by the Dutch comedian Lenette van Dongen. A show about getting older. She is unabashedly honest about her lessons in aging and the wisdom that comes with it.

Theo Maassen: Functioneel Naakt(nl)

Registration of the fourth theatre program by the Dutch comedian Theo Maassen.

Theo Maassen: Bepaalde Dingen(nl)

Registration of the first theatre program by the Dutch comedian Theo Maassen.

Ronald Goedemondt: Dedication(nl)

Ronald Goededmondt's third stand-up comedy show is about the confusion in the world and taking revenge on it. From big issues to small dilemmas can be read on his face. A man who does more than any other comedian and his performance becomes a social thing.

Jochem Myjer: Adem In, Adem Uit(nl)

Lebbis: De Paardenpoetser(nl)

Registration of the ninth solo show by the Dutch comedian Hans Sibbel.

Herman Finkers: Take it easy, on the double(nl)

Najib Amhali: Freefight(nl)

Youp Van 't Hek: Troost(nl)

Youp van 't Hek, the famous Dutch comedian, is at it again with this hilarious 2008 review of the year which as a tradition always gets broadcast throughout the Netherlands on New Years Eve. This one finds you watching a typical Youp, high speed and cursing every chance he gets!

Urbanus: Meer Moet Dat Niet Zijn(en)

Zijn humoristische stijl kan omschreven worden als absurd, volks, subversief, anarchistisch, kinderlijk, morbide, soms vulgair en populistisch.

Micha Wertheim: Voor Gevorderden(nl)

Stage registration of the second comedy special by the Dutch comedian Micha Wertheim. This performance takes place in a dream, a dream in which Micha Wertheim shares all kinds of confessions, for example about how he manages to cope with the knowledge that he is probably not a real genius.

Wim Helsen: Het Uur van de Prutser(nl)

After an introduction in which he reminded us all of our meaningless, shitty lives, there followed an exhilarating hour and a half packed with hilarity, a dismantling of the Jesus myth, emotion, useful tips for the bakery, a few English expressions, Skopja skopja, and above all, Wim Helsen.

Remko Vrijdag & Martine Sandifort: Hulphond(nl)

Ronald Goedemondt: Geen Sprake Van(nl)

Stand-up comedian Ronald Goedemondt converts his daily experience as a man in his forties into astute humor about fatherhood and aging.

Van Muiswinkel & van Vleuten: Mannen Met Vaste Lasten(nl)

Registration of the third theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. One day a man has to go. Away from family, away from home and hearth. Away from the drudgery of his work, out to look the world straight in the eye! In short: one day a man has to go to a equipped holiday cottage. Diederik van Vleuten asked his friend Erik van Muiswinkel to come along. The result was their theatre third program in which two men, one with a house and one with a bunk bed, clash. What are two Dutch friends in their forties discussing in a house on a Dutch Frisian Island?

The Angel of Amsterdam(nl)

The Lord sends his archangel Raphael to earth to finish some unresolved matters. Raphael ends up in Amsterdam and gets entangled in local troubles, including womenemancipation, secularisation and the impending restructuring of the city center. The musical alludes to local, then topical issues. This musical was on the occasion of the seven hundredth anniversary of the city of Amsterdam, and loosely based on 'Gijsbrecht van Aemstel', the 17th-century history play by Joost van den Vondel.