An observational documentary which looks at Sydney’s first community Aboriginal radio station, 88.9 Radio Redfern. Set against a backdrop of contemporary Aboriginal music, 88.9 Radio Redfern offers a special and rare exploration of the people, attitudes and philosophies behind the lead up to a different type of celebration of Australia’s Bicentennial Year. Throughout 1988, 88.9 Radio Redfern became an important focal point for communication and solidarity within the Aboriginal community. The film reveals how urban blacks are adapting social structures such as the mass media to serve their needs.
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An observational documentary which looks at Sydney’s first community Aboriginal radio station, 88.9 Radio Redfern. Set against a backdrop of contemporary Aboriginal music, 88.9 Radio Redfern offers a special and rare exploration of the people, attitudes and philosophies behind the lead up to a different type of celebration of Australia’s Bicentennial Year. Throughout 1988, 88.9 Radio Redfern became an important focal point for communication and solidarity within the Aboriginal community. The film reveals how urban blacks are adapting social structures such as the mass media to serve their needs.
1989-09-20
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After a quarter-century of political denial and social stigma, of stunning scientific breakthroughs, bitter policy battles and inadequate prevention campaigns, HIV/AIDS continues to spread rapidly throughout much of the world. Through interviews with AIDS researchers, world leaders, activists, and patients, FRONTLINE investigates the science, politics, and human cost of this fateful disease and asks: What are the lessons of the past, and what can be done to stop AIDS?
An hour-long documentary on the life and career of actor David Gulpilil.
Filmmaker Warwick Thornton investigates our relationship to the Southern Cross, in this fun and thought provoking ride through Australia's cultural and political landscape.
As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.
An Aboriginal Australian and Native American documentary narrated by award-winning actor Jack Thompson, One Heart-One Spirit tells the story of Kenneth Little Hawk, an elder Micmac/Mohawk performing artist, meeting the oldest surviving culture on the planet: the 40,000 year old Yolngu nation located in northern Australia.
Built out of “a pile of radio junk,” Bethesda, Maryland’s WHFS was a music fan’s dream of a radio station: the place on the dial to hear music listeners loved and new tunes they soon would, all with an anything-goes mentality and an ear for the sounds of social change. This doc pays loving tribute to free-form radio and WHFS’s influence over FM stations across the US from the 1960s to the 1980s. All good things come to an end, and so did the disc-jockey-driven format that WHFS pioneered and made successful, but its legacy lives on. The station’s DJs relate its history with passion in this film that captures the tenor of an era, abetted by reminiscences of performers including Emmylou Harris, Taj Mahal, Jesse Colin Young, and others whose music found its way to ears and minds eager for something more than the same old Top 40 programming.
A monk who got away with everything. Although much of his behavior aroused public outrage, or at least controversy, he never suffered any real consequences for it.
WORLD PREMIERE: It is the 70th anniversary of the first nuclear test in indigenous Australian territory and the aboriginal communities call on activists from all over the world to carry out a 200 km anti-nuclear walk through the desert. Among them, the directors of this documentary join to record this walk, which seeks to end the extraction of uranium, the mineral with which atomic bombs are produced. What attitude will we take as humanity in the face of the possibility of creation and destruction
Milošević’s regime has rigged the results of parliamentarian elections in autumn 1996. This was a cause for mass rallies in Belgrade and other cities in Serbia. The film documents the protests during the first four days of their protests, their political and criticising charge but also the carnival spirit. On the seventh day of the protests the film was edited and had a premiere screening in the Rex Cinema.
The students behind the mic and the bands they made famous tell the story of the youth and music culture that originated, and later flourished, on the airwaves of American colleges and universities, establishing a new generational voice and a new path to success for many alumni and artists.
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.
Narrated by Indigenous elder Balang T E Lewis, this inspiring documentary will take you on an adventure to explore the culture and wildlife of Australia’s remote wild north. Far Northern Australia is a land of extremes, from bushfires to torrential floods. Explore the wildlife and meet the people in Australia’s wild top end, from the Kimberley coast through the mysterious Arnhem Land, and deep into the world’s oldest rainforest in Cape York.
Experience IU’s first ever global cinema release, as the first Korean female singer to perform at the iconic Olympic Main Stadium in Seoul, the largest stadium in South Korea and the dream venue for music artists. Starting with a thrilling acapella opening, the setlist is filled with beloved songs from across IU’s career. From the floating strawberry moon balloon, to fireworks and a stunning drone show, the enchanting stage production is a must-see in cinemas. Embrace the happiness of the unforgettable 'Golden Hour' through IU’s legendary performances and a fully-charged live show.
“El Apagón: Aquí Vive Gente” is a documentary directed by Bad Bunny and Blanca Graulau. This 23-minute film explores the socio-economic challenges in Puerto Rico, focusing on the effects of power outages and gentrification driven by the real estate and energy sectors. Through visuals and personal stories, the documentary highlights the experiences of Puerto Rican communities facing these issues.
With a national vote approaching to enshrine Indigenous peoples voice in the constitution, a dynamic Indigenous youth group travel on a pilgrimage across Australia to commemorate a historic civil rights victory. Buoyed by the imminent referendum, the group voyage through ephemeral Australian landscape in the microcosm of a minibus, sharing the rich, multilayered stories of their personal histories, as they dream up a hopeful new vision for Australia. As the results of the vote are counted, it’s impact on their future offer two paths – a hopeful breakthrough or another chapter in the long fight for recognition.
Powerful and poignant, Her Name is Nanny Nellie offers us the rare privilege of bearing witness to a family reclaiming their history. In 1925, the Australian Museum commissioned three statues of ‘full blood ’Aboriginal people: a child, a man and a woman, exhibited as nameless objects to be studied as examples of a ‘dying race.’ The woman was Nellie Walker, Irene Walker’s great grandmother and director Daniel King’s great, great grandmother. Now Irene is on a journey to retrace Nellie’s life and to reconnect the other families to their ancestors’ statues and re-display them, this time with their names, identities and dignity. This is far more than a symbolic quest, but an opportunity to change how we remember and represent, and to give the nameless names.
The raw, heartfelt and often funny journey of adult Aboriginal students and their teachers as they discover the transformative power of reading and writing for the first time.
Narrated by award-winning actor and dancer David Gulpilil, Carriberrie guides audiences across a stunning array of iconic Australian locations and performances, from the traditional to contemporary. From ceremonial creation dances in the heart of the Outback, to honey gathering songs in the rain-forest, bush-punk band The Lonely Boys performing in Alice Springs and a finale featuring Ban-garra Dance Theatre by Sydney Harbour, Carriberrie brings together art, technology and Indigenous performance in inspired new ways.
Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.
The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.