Inspectors Amar (Dharmendra) and Dayal (Raza Murad) in their attempt to arrest bandit Sher Singh (Amrish Puri),, get injured, Amar survives, but Dayal gets his legs crushed and becomes wheelchair-bound. Later, Amar arrests local politician Jagannath Prasad (Kader Khan), who gets released without being charged while Amar gets reprimanded, and decides to resign. Later, Sher Singh hijacks a bus and holds the passengers as hostages in exchange for 25 of his jailed associates. Dayal's granddaughter, Seema (Mandakini), is amongst them, and Dayal asks Amar for assistance. Amar, along with ex-convict, Qasim Ali (Shatrughan Sinha), and Karan (Karan Kapoor), a drug-dealer, does manage to rescue them but differences crop up among the trio and they part ways. Then Amar finds out that Qasim and Karan have masterminded a plan to facilitate the escape of the 25 convicts, and decides to confront them.
Inspectors Amar (Dharmendra) and Dayal (Raza Murad) in their attempt to arrest bandit Sher Singh (Amrish Puri),, get injured, Amar survives, but Dayal gets his legs crushed and becomes wheelchair-bound. Later, Amar arrests local politician Jagannath Prasad (Kader Khan), who gets released without being charged while Amar gets reprimanded, and decides to resign. Later, Sher Singh hijacks a bus and holds the passengers as hostages in exchange for 25 of his jailed associates. Dayal's granddaughter, Seema (Mandakini), is amongst them, and Dayal asks Amar for assistance. Amar, along with ex-convict, Qasim Ali (Shatrughan Sinha), and Karan (Karan Kapoor), a drug-dealer, does manage to rescue them but differences crop up among the trio and they part ways. Then Amar finds out that Qasim and Karan have masterminded a plan to facilitate the escape of the 25 convicts, and decides to confront them.
1987-01-23
9.2
Widower Rai Bahadur Pratap Singh is disappointed when he wants to marry someone poor. Pratap instructs him to forget about his love-life, his son refuses, and as a result Pratap asks him to leave the house. Years later, Pratap receives a letter in the mail, informing him that his son is dead, and that his widowed daughter-in-law and her son, Guddu, are on their way to live with him. He is delighted, and sends Prem, his nephew to receive, however, both mother and son do not arrive and are believed to be missing. Rai Bahadur subsequently finds out that his daughter-in-law is dead, and Guddu is living in a slum with a thief and drunk, Shankar. With the help of the courts and the police, Pratap manages to bring Guddu to his home. This is where Pratap will find out that money and power will not buy him his grandson's love, he will also find out that his daughter-in-law did not die a normal death, but was killed.
Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...
Seville, Spain, 14th century. A group of black slaves brought from Africa form the Hermandad de los Negros, a Holy Week brotherhood that has survived over the centuries, despite the opposition of the powerful; still active, it is one of the oldest institutions in Europe.
It all started with a small exercise book. Its page were checkered with the courageous testimonies of 300 Central African women, girls and men. They reveal what Congolese mercenaries did to them. On their own initiative, they gathered together their testimonies in this book.
We don’t know how. We don’t know when. But death comes for us all. To be human is to wrestle with this truth and with the great unanswered question: How do we live with death in our eye? We can deny, we can rail, we can challenge, we can accept. What is our story, and will it sustain us at the end? “Into the Night: Portraits of Life and Death,” a two-hour documentary, features men and women of uncommon eloquence and intelligence who are grappling with these questions. For them death is no longer an abstraction far off in the future, it is real. They come from all walks of life, all ages, dying and healthy, believers and unbelievers, well known and obscure. These are people who have been shocked into mortality and are forever changed. They have stories to tell, and we can listen and learn from them.
Harris, a poor Bangladeshi worker in Malaysia, simply wants to return to his hometown to marry the love of his life. However, his leave is denied when his ruthless boss decides to confiscate his passport. Enter Hanguoren, a pro-Malaysian activist who preaches to his fellow countrymen to regain their home in its natural state without immigrants. And then there is Rina, the idealistic daughter of the boss who falls for Harris at first sight, as the trio gets embroiled in an energetic comedy of errors.
An energetic and vivacious Falstaff comedy with good pacing combining physical comedy (without slapstick) with situation comedy.
The timeline of a fire that broke out on August 19, 2023, and 17 days later became the largest wildfire in Europe in recent years, leaving behind 935,000 hectares of burnt land. The account of the fire was recorded through aerial images, to achieve the best possible visualization.
17 year-old A-Young has just given birth in a secluded spot by a railroad. Bleeding heavily, she tries to find refuge. Her boyfriend Hyung-gyu returns to the scene to help her only to find out she's left. He is soon chased by police officers who see the bloodstains and assume he is guilty of a possible crime.
Alone at a matinee together, with a big, mouthwatering bucket of popcorn.
Dziga Vertov-directed Soviet newsreel covering: Peasant People's Commissar for Agricultural Affairs, Vasilij Jakovenko / Health resort Soči / Sanatorium for children / Harness racing - The first Red Derby.
Rumpelstiltskin is a twenty-four minute animated feature depicting the famous Brothers Grimm story of a miller's daughter and a little man who can spin straw into gold. Family Home Entertainment was the distributor, in association with several Canadian animation firms. The film is making its first trip to DVD on October 30, 2007 coupled with "The Tin Man" in a Holiday two-pack.
Kevin is annoyed that he has to spend his afternoon teaching his Grandma how to use the World Wide Web, so he decides to leave it to herself to learn. However, with only a few instructions left by her Grandson, Grandma accidentally deletes the Internet. While Grandma sits quietly at home with no knowledge of what she has done, chaos and destruction begin to arise as many struggle to come to grips with their current offline status, including an online gamer in France, a pretentious Canadian Internet expert, a high tempered American President trying to find the source of the problem, and many more from around the world.
When Katya leaves the orphanage in Batumi learns that she is the daughter of a sailor named Yunus who lives in a conservative neighborhood in Trabzon. Yunus, who had been unaware that he had a daughter.
A hooded vigilante is broadcasting murders on a news channel. Will the police catch him alive before he live-casts another death?
Chitralekha is a 1941 Indian Hindi-language film, directed by Kidar Sharma and based on the 1934 Hindi novel of the same name by Bhagwati Charan Verma.
Award-winning Indian film drama. Said to be the first Indian film to comprehensively focus on Indian trans people, with the entire story revolving around two trans women and a gay teenager's attempts to seduce a man - Samir. The film explores the taboo subject of trans people in India, which is still much misunderstood and ridiculed.
A man gets stuck in an empty high rise without food, water or electricity.
Batra family has just four days left to vacate their house of 34 years. Amidst the mayhem and uncertainties of the future, insecurities and secrets surface.
Partners Karthik and Aman don't have it easy in their road to achieving a happy ending, while Aman's family tries to get him married to someone else, Karthik doesn't step down unless he marries Aman. A sequel to the 2017 film, titled Shubh Mangal Saavdhan.
In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.
A mysterious man is on an impending mission to attack the country from his base in London. Karan Singh Dogra sets out to hunt down the antagonist aided by the British Intelligence.
The lesser known Bollywood remake of The Hand that Rocks the Cradle.
When his daughter decides to further her studies in London, a hardworking Haryanvi businessman does everything in power to make her dreams come true.
When their mother takes off on a business trip, two bickering brothers unite to secretly attend the hottest party of the year before she returns.
Zooni Ali Beg is a blind Kashmiri girl who travels without her parents for the first time with a dance troupe to Delhi to perform in a ceremony for independence day. On her journey, she meets Rehan Khan, a casanova and tour guide who flirts with her. Although her friends warn Zooni about him, she cannot resist falling in love with him and he takes her on a private tour of New Delhi. But there is more to Rehan than meets the eye and Zooni will have to make a heartbreaking decision.
Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate. Colours, fish, dogs, and kites don't seem important to the adults, who are much more interested in things like homework, marks, and neatness. Ishaan cannot seem to get anything right in class; he is then sent to boarding school, where his life changes forever.
The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.
After a group of friends graduate from Delhi University, they listlessly haunt their old campus, until a British filmmaker casts them in a film she's making about freedom fighters under British rule. Although the group is largely apolitical, the tragic death of a friend owing to local government corruption awakens their patriotism. Inspired by the freedom fighters they represent in the film, the friends collectively decide to avenge the killing.
About a taxi driver in Mumbai, Mangal, who is called "Hero" by his friends. A driver who drives a cab by day, then drinks at night, listens to his singer girlfriend, Sylive, and then goes into a drunken stupor - and wakes up with a hangover. One day, while assisting another taxi driver, Mangal comes to the assistance of a damsel in distress, who is being molested by two thugs. Mangal gallants rescues her, and attempts to take her to her destination, to no avail, as the person she is looking for has moved. The next day, Mangal and the young woman, Mala, again attempt to seek Ratanlal, a music director, but the entire day is spent in vain. Mala lives in Mangal's tiny apartment and both become attracted to each other. When Mala finds out about Sylvie, she leaves him. He goes in her search, but finds that she has become a famous singer with the help of her music director friend.
Shudra: The Rising is a Hindi language film with a storyline based on the caste system in ancient India, and more specifically the Hindu Varna system. It is directed by Sanjiv Jaiswal and dedicated to Bhim Rao Ambedkar. The film depicts the four basic units of the caste system - the Brahmins, Kshatriyas, Vaishyas and the Shudras. The film shows various rules imposed on the Shudras such as waking with a bell around their ankles and a long leaf behind their back,and a pot hanging around their neck.