A bereaved wife searchs for her lost husband, only to be found with no memory of her and a new woman in his life
Cita
Vic
Female Agent
A bereaved wife searchs for her lost husband, only to be found with no memory of her and a new woman in his life
1993-07-08
7.5
I wish I loved you whole-heartedly... Not by piece-by-piece
A rich girl dies in childbirth, leaving the baby with her grief-stricken husband. Her parents kidnap the infant but he abducts the little boy back. Poor and jobless, the father is now faced with the responsibility of providing for his son.
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
Samson must rescue a beautiful Chinese princess from a marauding horde of warriors.
Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.
Filmed from the front of a steam launch in a late Victorian summer, this film offers a glimpse of our 19th century ancestors enjoying their leisure time. The River Thames is crowded with pleasure boats as we glide under Henley Bridge. Ladies in white lace dresses recline under parasols as gentlemen with impressive moustaches take the oars. But even in this antiquated idyllic scene, advertising hoardings on the riverbank try to persuade the moneyed classes to part with their cash. The technique of placing the camera on a moving vehicle, here a boat, was one of the most popular film effects in the very early cinema period. The waterside panorama method employed here was particularly popular for travelogues. Cecil Hepworth, who made this film, was convinced at the time that the cinema would prove to be used mostly for news reporting, but said that work such as this "showed some slight perception of scenic value". That makes this almost an early art film. -BFI
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Tricia's husband has been missing for seven years. Her younger sister Callie comes to live with her as the pressure mounts to finally declare him 'dead in absentia'. Tricia is reluctant, always holding out hope, but Callie is practical and wants her to move on. As Tricia sifts through the wreckage and tries to move on with her life, Callie finds herself drawn to an ominous tunnel near the house.
Pregnant and alone in the city of Kolkata, a woman begins a relentless search for her missing husband, only to find that nothing is what it seems.
The life of young newlywed, Fern O'Neil, is turned upside-down when her husband is called home to visit his dying father in Ireland. When she fails to receive a phone call from her husband, she contacts the airline and discovers he was not on the plane. Further investigation reveals that her husband is not who she thought he was. Her search ultimately takes her all the way to Ireland, where her sanity and, of course, her story come into question.
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