Alan Kelley's eagerly awaited edit of a Survival Research Laboratories show in the Bay Area held on an empty parking lot off Beale Street at the foot of the Bay Bridge. The show revolves around the many humorous aspects of violent human interaction. Also included in the video are footage from the Wired anniversary party and the SRL Halloween Trick where the V1 was operated in front of the Roxie Theater and several other machines and props operated by SRL members on Minna Street. Includes footage of Mark Pauline being detained by the SFPD for questioning on the device ignited on 16th Street...
This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.
Dissident artist Hu Jie has managed to make more than 30 documentaries. Films like Though I Am Gone and Searching for Lin Zhao's Soul are vital to understanding Chinese history and society. Widely recognized as the first artist to dare talk about the Great Famine, the labor camps, and the Cultural Revolution, Hu Jie is considered China's first historical documentary filmmakers.
Counter-culture video magazine created by Stuart Shapiro, featuring Bill Hicks, Robert Williams, Public Enemy, Butthole Surfers, Survival Research Labs, and much more! Hosted by Alex Winter!
Different experts make a stand against today's putatively criminal and harmful health system, focusing on Anthony Fauci and his role in the shaping of the AIDS and COVID-19 epidemics.
Examines the public scandal and private tragedy which led to legendary director Roman Polanski's sudden flight from the United States.
A mind-bending, thrilling journey exploring the fragility and wonder of planet Earth, one of the most peculiar, unique places in the entire universe, brought to life by the only people to have left it behind – the world’s most well known and leading astronauts. This edit combined episodes one and ten to create a new movie.
Before the internet. Before social media. Before breaking news. The victims of Thalidomide had to rely on something even more extraordinary to fight their corner: Investigative journalism. This is the story of how Harold Evans fought and won the battle of his and many other lives.
Serving life in prison for murdering their parents, Lyle and Erik Menendez speak out in this documentary explaining the shocking crime and ensuing trials.
A fascinating pictorial document: On an old, cluttered work ship, a man is helped on with a bulky, old fashioned diving suit. It's a complicated process, many layers and sections are carefully applied. He goes over the side. Some men row out to what looks like a wrecked barge and set dynamite. Then the diver returns and now laughs and acknowledges the camera. The other men, now safely away, blow up the barge.
Days after 9/11, letters containing fatal anthrax spores spark panic and tragedy in the US. This documentary follows the subsequent FBI investigation.
A remarkable walk through the life and work of the French artist Marcel Duchamp (1887-1968), one of the most important creators of the 20th century, revolutionary of arts, aesthetics and pop culture.
Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.
In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.
This film from Bill Moyers is the first documentary to focus exclusively on people formerly detained in New York City’s notorious Rikers Island Jail. They tell their compelling stories direct to the camera, revealing the violent arc of the Rikers experience – from the trauma of entry to extortion and control by inmates, to oppressive corrections officers, violence and solitary confinement.
A documentary exploring Lev Parnas' involvement in the Trump-Ukraine scandal that resulted in the former president's impeachment, detailing Parnas' unexpected entanglement with Trump and Giuliani, leading to his incarceration.
Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army located in one of Afghanistan's most dangerous valleys. The documentary provides insight and empathy on how to win the battle through hard work, deadly gunfights and mutual friendships while the unit must push back the Taliban.
Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.
Art dealer Salvatore Viviano and director Angela Christlieb embark on a search for the lost artist collective Gelitin, which since the 1990s has shattered the borders of "good taste" again and again with extravagant actions and installations. Interviews with old companions and artist friends in the U.S., Europe, and Asia are linked with anarchically montaged Gelitin archive material: intense, transgressive, experimental, gaudily colorful, funny, and virulent.