John Carleton is living a carefree jazz lifestyle, much to the annoyance of his father. When he can take it no longer, Carleton senior sends John to his ranch in the West, hoping that the experience will make a man of him. John's ability to ride a bucking bronco wins the friendship of the cowhands, but trouble's a-brewin' when he falls in love with Beryl King.
Aunt Lodenna
John Carleton is living a carefree jazz lifestyle, much to the annoyance of his father. When he can take it no longer, Carleton senior sends John to his ranch in the West, hoping that the experience will make a man of him. John's ability to ride a bucking bronco wins the friendship of the cowhands, but trouble's a-brewin' when he falls in love with Beryl King.
1925-03-01
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Cowboys may come and go, but when it comes to a smiling, hard riding, fighting, roping son of the West, Hoot takes the prize.
When a gang of outlaws put Andy Clyde's ranch house under siege, daughter Alice Day recruits college heart throb Ralph Graves to save daddy.
Johnny Arthur has been ordered to spend a year out west to toughen him up, so he and butler George Davis head out. The cowboys at the ranch don't like him, so Johnny and they play practical jokes on each other. However, when Virginia Vance is kidnapped, it turns out to be real desperadoes.
When wild horse Emma (Trixie the Horse) keeps opening the gates and freeing horses, ranch owner Molly (Molly Malone) hires Jimmie (Jimmie Adams) to deal with the problem. When he tames Emma, however, jealous ranch hands tie him up and kidnap Molly, so it's Emma to the rescue!
From the life and criminal career of bushranger Dan Morgan, leading up to his violent death at the hands of police.
After reading a newspaper article regarding old Tightwad's rise in the world, Bill and Jim hit upon a plan to get some of Tightwad's easy money by holding young Tightwad for ransom. They accordingly hire a rig, take the boy and conceal him in a cave. The boy, instead of weeping and wailing for home and mother, proclaims himself "Red Chief" and makes it uncomfortable for his captors. (Moving Picture World)
An outlaw calling himself Passin' Through halts his "evil" ways long enough to help out some children in difficulty.
In Oklahoma, kindhearted outlaw Brick Willock rescues little Lahoma Gledware and her father Henry from certain death at the hands of his outlaw band. In the course of the rescue, he kills Kansas Kimball, the brother of the outlaws' leader Red Kimball, who vows vengeance against Brick. Brick renounces his life of crime, and after Gledware relinquishes custody of his daughter to marry an Indian princess, the old cowboy gives refuge to the little girl, raising her with the help of neighbor Bill Atkins.
Most of the scenes are laid in a parrot-and-monkey country in South America, a land where "it is always after dinner." The Llano Kid, a Texas bad man, flees there from justice. The consul persuades him to play the long-lost son of a Castilian family, and tattoos a coat of arms on the back of the Kid's hand to make the deception complete. The Kid is taken into the household, trusted and loved by the gladdened mother. For the first time he has a home. The romance develops. And when the time comes to rob and flee he has too much manhood to break the loving mother's heart. The surprise comes when it is revealed that the man the Kid killed in Texas was the real son.
A sheep farmer brings his new wife to his father's ranch and the old man takes an instant dislike to her.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
Gambler "On-the Level" Leigh (William S. Hart) is forced to leave his high rolling lifestyle to move his ailing sister Alice (Mildred Harris) to the healing climate the mountains. Financial strain compels him to resume his favored vocation. Unfortunately for Level, the dance hall girl Coralie (Alma Rubens) doesn't take rejection well and convinces the dealer to clean him out with a "cold deck". A desperate robbery ensues, leading to Level wanted for murder!
A cowboy discovers that his stock is all but worthless due to the bankruptcy of a ranch owner. The supposedly worthless stock certificate bears the name of waitress Joan Meredith's long-lost father, who suddenly reappears to save Cody from ruin.
A friend of a Montana sagebrusher advertises for a potential wife for him.
Delmar Spavinaw, an educated "half-breed," loves Evelyn Huntington, daughter of a racist judge. Evelyn's other suitor is Ross Kennion, a widower with one child, and owner of a vast tract of land which Spavinaw insists belongs to his Indian mother. Spavinaw seeks revenge when Judge Huntington decides to evict the squaw. Assisted by Juan Del Rey, a cattle rustler, Spavinaw steals the title to the land, wounds Kennion, stages a raid on the judge's cattle, and attempts to kidnap Kennion's son and Evelyn. The arrival of the sheriff forces him into flight across the border without his hostages. En route he meets Doll Pardeau, a school friend of Evelyn's, and together they ride for the Mexican border. Caught between a cattle stampede and a sheriff's posse, the couple catch a passing freight train, leaving calamity behind as the train slowly passes.
Gambler Oak Miller seeks revenge on the man who misused his sister Rose, who is ill and under the care of the woman Oak loves, Barbara. The man Oak seeks, Granger, is planning to rob a wagon train with the collusion of the Indians under Chief Long Knife. When Barbara is suspected of killing her lascivious stepfather, Oak takes the blame and is arrested just before he is needed to save the threatened wagon train.
A Clarence G. Badger silent cowboy western kidnapping mistaken identity romantic comedy, based on a story by Rex Taylor; about a rich woman who gets lost in the West, and is found by an engineer who she mistakes for an outlaw. tHe plays along because he enjoys it, but then four real outlaws show up, and he tells them he was kidnapping her. They get found out, the girl gets one of the outlaws' guns and rescues them, and of course, they discover they love each other!
Family relationships of a New Mexico family are just one part of this silent cowboy western about a war veteran who finds a goldmine. He wants to earn enough money to take care of his young son, but crooked officials swindle him out of the mine, and then his son is killed. He swears vengeance and joins up with Mexican bandit, "Pancho Zapilla", who intends to destroy his whole town.
William S. Hart directs and stars in a film that is a typical Western of the era. He plays Jim, a prospector who lands in the town of Broken Hope, and the name pretty much describes its inhabitants. Jim meets and falls in love with Jennie (Margery Wilson), whose father (Walt Whitman) is gravely ill. Jim rounds up a reluctant doctor from another town to tend to the old man, but he dies anyway. The doctor, however, gains Jennie's trust and she runs off with him. Only then does he tell her he's already married. She leaves immediately, but is too proud to go home so she finds work as a dance hall girl at Tacoma Jake's saloon. Jim, meanwhile, finds gold near Broken Hope, which raises its inhabitants' attitudes considerably. But the bad element is still there, and Jim is chasing after a group of kidnappers when he enters Tacoma Jake's saloon and sees Jennie. Jim not only overcomes the bad guys, he gets the girl, too.
Ort Hutchins is a confirmed loafer who spends all of his time fishing while his wife toils over the washtub. One day, while digging for worms, Hutch uncovers a box containing $100,000 in bills, the loot of a bank robbed in the next town. Realizing that he cannot spend the money without arousing suspicion, Hutch resigns himself to taking a job for cover. ...
When Letty Mason relocates to West Texas, she finds herself unsettled by the ever-present wind and sand. Arriving at her new home at the ranch of her cousin, Beverly, she receives a surprisingly cold welcome from his wife, Cora. Soon tensions in the family and unwanted attention from a trio of suitors leave Letty increasingly disturbed.