Tex Benton (cowboy star Tom Mix) wants to marry Janet McWhorter (Kathleen O'Connor), but her father (Charles K. French) will give his blessings only if Tex works on his sheep ranch. Tex, a cattleman through and through, refuses and gets his aggressions out by stirring things up at the local saloon.
Tex Benton (cowboy star Tom Mix) wants to marry Janet McWhorter (Kathleen O'Connor), but her father (Charles K. French) will give his blessings only if Tex works on his sheep ranch. Tex, a cattleman through and through, refuses and gets his aggressions out by stirring things up at the local saloon.
1920-12-25
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A traveling man is vacationing at a summer resort kept by a farmer and his wife, and falls in love with a rich widow. The spooning of the two gets on the farmer's nerves, and he tries in various ways to discourage them. Twice, peeking through the window, he finds the flirtatious drummer making a fuss over his own wife, and when he rushes in he finds that the widow has returned and is occupying the drummer's attention. He gets his shotgun and tries to scare the drummer with it, but his wife takes it away from him and stands guard over him while she makes him do the kitchen work.
A couple of French noblemen-types constantly argue (Sterling and Sennett). They're rivals for a lovely Mabel's attentions. While attending a picnic near the Hudson River (on a rather cold-looking day), She apparently favors Mack over Ford, so, obsessed with revenge as he usually is in Keystone comedies, he sets her little dog out on a raft and dares chicken- hearted Mack to rescue it.
Brown and Smith are friends, but their wives have never met. Brown flirts with Mrs. Smith, and in revenge, Mrs. Brown flirts with Mr. Smith. Many amusing scenes are shown, coming to a climax when both couples go to a summer garden. The two men meet and tell each other what fine girls each are out with. Finally the four are brought together and the wives soothe the angry husbands and convince them that it does not pay to flirt.
Jim Smith and Sallie Rice are very much in love with each other, but her father vehemently shows his disapproval of Jim. An elopement is planned, and at midnight Jim has the country magistrate waiting for him at the cross roads. He goes to tap on Sallie's window, but makes a mistake and awakens old man Rice, who, clad in his pajamas, pursues him with a shot-gun, and as Jim joins the magistrate, takes a pot shot at them, which finds lodgement in the judge's back. When Rice finds out what he has done, he is in fear of the law, but Jim pays the judge to settle the matter on condition that Rice gives his consent to his daughter's marriage.
The Tenant continuously fails to escape his deadly apartment within a 5 minute time limit as his blood-thirsty neighbor threatens him from behind the front door
A Civil war comedy starring Mack Sennett and Mabel Normand. The film is considered lost.
Harry and Tillie are preparing to elope when her dad appears and boots his would-be son-in-law out of the house. Tillie is locked up in her room, and to regain her liberty feigns illness and apparently swoons. Dad is troubled and telephones for a doctor. Harry, who is hovering around the corner, sees the doctor coming and bribes him to help him in a scheme to see Tillie.
Marianna Miller, who together with her sister Sarah pounds the pavements, looking for a job. After a period of starvation and deprivation Marianna is hired as secretary to duplicitous businessman Philip Hancock.
Daughter of an Eastern lumber king, Stephanie Trent travels in the guise of a schoolteacher to the logging village of Trentsville to search for "a real man." There she meets Jimmy Raymond, a young novelist posing as a local while writing his story. When Stephanie comes to Jimmy's cabin to report a supposed plot against him, he acts as though he intends to assault her. She nearly throws herself out the window but is stopped by Jimmy, who explains that he is working on a novel and merely wanted to determine a young girl's reactions. In retaliation, she orders that he be kidnapped and held in a nearby cabin, but remorsefully nurses him back to health when he is shot trying to escape.
Amos Kerran and his wife live a traditional, old-fashioned life on a Connecticut farm, while their son and daughter, Arthur and Maybelle, are successes in New York society. The children want to invite their parents to the city at Christmastime but are ashamed of their unrefined appearance.
Hired ranch hand Tex Smith is smitten with Lucy Blake, who lives in the cattle settlement of Marco. Meanwhile, Indian chief Brave Bear despises the encroachment of white people and conspires with Sam Hardman to steal the town's cattle during a rodeo.
Stan and Ollie are salesmen attempting to sell a washing machine; they fail constantly after several near misses. One would-be sale has them carrying the machine up a large flight of steps, only to find out that a young lady wants them to post a letter for her. The boys later get into an argument knocking off each other's hats, which eventually involves scores of others. A police van eventually carts all those involved away except Stan and Ollie, who afterwards try to find their own headgear amongst the hundreds of others lying on the street.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
A New York fur saleswoman falls for a man she meets on the subway and must decide if she wants to accept a much dreamed for work transfer to Paris, or stay and get married.
Two engaged vaudeville magicians quarrel and go their separate ways.
Plump and Runt are street musicians who are rivals for Florence's affection.
The sinister mesmerist Svengali hypnotizes two characters, then dies abruptly in a Trilby segment from David Henderson's Aladdin, Jr. burlesque. Lost.