On the orphanage Lykkebo, Egon sits and wants a real family - a mother and a father like Kjell has. The rich couple Gyldenløwe picks out 5 boys they consider adopting, but with a little sabotage Egon himself get picked. Suddely Egon is the rich son with a swimming pool and a big house. What Egon don't know is that Gyldenløwe has exchanged a million dollars for all the papers on Egon Olsen.
Egon
Kjell
Valborg
Ingrid
Herman
Biffen
Knut
On the orphanage Lykkebo, Egon sits and wants a real family - a mother and a father like Kjell has. The rich couple Gyldenløwe picks out 5 boys they consider adopting, but with a little sabotage Egon himself get picked. Suddely Egon is the rich son with a swimming pool and a big house. What Egon don't know is that Gyldenløwe has exchanged a million dollars for all the papers on Egon Olsen.
2003-02-21
4.6
Egon Olsen is the leader of the Olsen Gang. While he was in the slammer, he planned how he would steal the fantastic golden figure Keizeroppzatsen.
Hard, harder, hardest! This film orders you from the start to turn up the volume and pay attention. "Look out! We're Coming to Get You!" is a flood of images driven by a tempest of guitars. The film's creators jam 20 years of German music history into 120 minutes of film. Musicians from BLIND PASSENGERS, DIE SKEPTIKER, SANDOW and other bands explode their way through the film. Fans of the DEFA documentary "Flüstern und Schreien" ("Whisper and Shout") already know the stars of that film, Aljoscha, Paul and Flake of the band Feeling B. Here they have a chance to see how these musicians survived the period after the fall of the Berlin Wall and the "escalation of possibilities" that came with it. And you're allowed to laugh, too!
In the midst of a publishing revolution, The Atlanta Journal-Constitution, one of America's most storied institutions of journalism, is experimenting with new tools to tell stories in preparation for the end of print in the digital era.
After losing his wife, a grieving man turns to a strange company promising to resurrect her, only to discover the terrifying consequences of meddling with the afterlife.
When two acrobats are fired for fighting with punks in the audience, they go to live with an aunt who's being pressured to sell her house for a real estate development. The developer's nasty son, Lee Fu, decides to muscle the sale, and soon he's at war with the acrobats, plus their unlikely ally, an American named John who used to be Lee Fu's friend. The acrobats open a kung fu school, the scene of several battles with Lee Fu's thugs. A fight to the death, jail time, auntie's surprise decision, a budding acting career, a possessive girlfriend, a debilitating injury, a friendship that needs recalibrating, and Lee Fu's avenger are all in the mix before the end.
Dad catches a ball badly, injuring his finger. His guttural scream instantly hushes the entire sports complex. Sarah is paralysed. She barely recognises him; red faced, clutching his hand and crying. In the sanctuary of the locker changing rooms, Sarah explores and tests theories about what has happened with her Dad. She questions who her father is while struggling to grasp the concept of pain, both inside and out. Having found an apparent conclusion, Sarah returns to an apologetic Dad, and decides to put his promises to the test.music:Annette Focksproducer:Tobias Rosen, Heike Wiehle-Timmproduction:Relevant Film, Warner Bros Entertainment Germanybacking:Deutscher Filmförderfonds (DFFF) (DE), Schleswig-Holstein Film Commission (DE), Filmförderungsanstalt (FFA)(DE)distributor:Warner Bros Entertainment Germany
Registration of the third solo program by the Dutch comedian Brigitte Kaandorp.
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
Conflicted gay man makes contact with the ghost of his boyfriend from teenaged years.
A series of collective dreams of a transworldly being visits a myriad of characters, revealing their subconscious desires.
A Japanese teenager bicycles aimlessly through the countryside after killing his mother.
For an imaginary friend, living an imaginary life, there's nothing worse than being forgotten.
Without warning, the image of a girl wildly waving a baseball bat that slices through the air leaps to my mind. Such speed also reminds me of the rhythm of the filmmaker's previous works. Or is it a symbol of teenage madness? A ceremony to summon some creature from a legend? -Takashi Nakajima