2011-12-25
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The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times
Several little boys run along a pier, then jump into the ocean.
Six vignettes pit an assortment of characters against each other in everyday situations.
School for fairies Alfea celebrates the inauguration of the new school year when the party is interrupted by Icy, Darcy and Stormy, the perfidious Trix. The Winx without Bloom, are forced to remedy the confusion created by the witches who, having ruined the party, steal a powerful and mysterious object. Meanwhile, Bloom is on Domino, which is experiencing the best moments of his new life as a princess. He finally found his parents and Sky asks her to marry him. But not all gold that glitters, the three Witches are Ancestors in fact come back to haunt Stella, Aisha, Tecna, Musa, Flora and Bloom. Moreover, Erendor, Sky's father, forbids his son to marry the princess of Domino. A dark secret lies in the realm of Eraklyon and now that Sky, the legitimate ruler of the kingdom, as known.
Court huntsman, Søtoft, is courting his daughter Else’s lady-in-waiting, Miss Engelke. That’s why it’s a bit of a punch in the stomach when, late one evening, he discovers his son Ove in close contact with her. Chamberlain von Plessen, who had been gossiping to Søtoft and is himself spying on the young couple, is going to set fire to the room they’re in. The hurt Søtoft wants to leave the young couple to their cruel fate – that is until he discovers that it’s not Engelke, but his daughter Else, who is trapped in the flames with her brother. (Stumfilm.dk)
Guy gets mugged on horseback and left for dead; farmgal nurses him back to health and when he's on his feet again, he puts a domino on and swings into J J action.
Four dramas about brothers and sisters, each of whom lacks a certain emotion.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.
Ember is a 21-year-old photography student, stubborn, confident and independent. Her biggest dream has always been to move out of her hometown - she hated it for as long as she could remember and never felt comfortable there. But as Ember fulfils her dream and moves away to a different city, she keeps coming back to the memories of her past life and introspecting her connection with her hometown.
A grieving young inventor finds solace in repairing an antique typewriter.
As seniors in high school, Troy and Gabriella struggle with the idea of being separated from one another as college approaches. Along with the rest of the Wildcats, they stage a spring musical to address their experiences, hopes and fears about their future.
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.
In the gray dawn of an October day, as the inhabitants of a village street in Tripoli are engaged in the enjoyment of their several pursuits of life, an Arab rushes upon the peaceful scene, announcing that Italy has declared war against Turkey and that the Italian warships are now in the harbor, shelling the city.
Tricot live release from Akasaka, Tokyo
A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century
Hania (Izabella Miko) is a young journalist who suddenly discovers that she is more connected with dancing than she could ever imagine ...
Radiohead perform at I-Days Festival in Milan on June 16, 2017
A documentary that follows Madonna on her 2004 Re-Invention World Tour.
Returning to the stage in 1998 with a new lineup featuring founding members Neal Schon on guitar, Ross Valory on bass, and longtime member Jonathan Cain on keyboards, the band is joined by Steve Augeri on lead vocals and Deen Castronovo on drums. The group rocks with classic performances of their greatest hits and new songs from their 2001 CD Arrival. Filmed in December 2000 in Las Vegas, the band roars back onto the stage. Songs include: Separate Ways (Worlds Apart), Ask the Lonely, guitar solo, Stone in Love, Higher Place, Send Her My Love, Lights, Who's Crying Now, piano solo, Open Arms, Fillmore Boogie, All the Way, Escape, La Raza Del Sol (intro), La Raza Del Sol, Wheel in the Sky, Be Good to Yourself, Any Way You Want It, Don't Stop Believin', Lovin' Touchin' Squeezin', Faithfully.
A documentary with Guitar legend Mark Knopfler in the highlight.
All the legendary women of rock 'n' roll are brought together in this stunning collage of artists and their music. Through a music-driven mix of rare historical footage, music videos, riveting live performances and personal interviews, the lives and times of the greatest women in rock history are revealed.
Showing for the first time how it all came together and what made it so great, the film is all at once hugely enlightening, downright entertaining, and remains the only visual document of this momentous happening ever released. - Written by Clint Weiler
For more than a half-century, Sesame Street has addressed and explained diversity, equity, and inclusion around the globe by using the universal tools of music, empathy and celebrity. Sesame Street: 50 Years of Sunny Days reflects upon the efforts that have earned the show respect and qualification around the globe. The special also chronicles the creation and introduction of a Black family of Sesame Street Muppets, Wes and Elijah Walker, a father-and-son duo who are at the heart of Sesame Workshop’s new racial justice initiative Coming Together.
Murder, rape, satanism and necrophilia is the staple diet of millions of teenagers who listen to the lyrics of extreme heavy metal music. This World investigates the potential links between "death metal" and a series of gruesome crimes around the world. In Italy a group of young death metal fans formed a satanic cult called the Beasts of Satan. At least four gruesome killings resulted. But death metal musicians deny that they have any responsibility for the actions of people who profess to be their fans. With exclusive access to the families, one of the killers and graphic police footage, the film tells the inside story for the first time. We hear from the musicians, the children and the parents from Oslo to California and ask just how far can music go in its ability to shock, and just how damaging might it be?
Swedish death metal greats Arch Enemy deliver a powerhouse performance in this concert that was filmed live in England at the London Forum, 17 December 2004. Selections include "Enemy Within," "Silent Wars," "Dead Bury Their Dead," "Instinct," "Savage Messiah," "The Immortal," "Snow Bound," "Ravenous," and more.
An Aikatsu! All-Star awards ceremony will take place. The film will feature songs and stages featured throughout the anime series.
For their first joint album, Niccolò Fabi, Daniele Silvestri and Max Gazzè revisit the European tours they have played together when they were young and then head towards a tour in Italian concert halls. To celebrate this journey, the three artists portray their music in a live-documentary, rich of new and old songs, musical boxing matches and videos from the making-of of the album.
Live show filmed during the Death Metal Massacre tour on February 16, 2000 at the Rave in Milwaukee, WI. One of the most extreme heavy metal bands ever, Cannibal Corpse acknowledge no boundaries of speed, power, or "good taste" in this full-on concert video. Cannibal Corpse: Live Cannibalism features interviews with the members of the band and their loyal fans in between numbers, in which they tear through a range of classic tunes.
An overview of the early years--late 1970s, early 1980s--of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.
A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.
Arguably second only to Muddy Waters among the Mississippi Delta singers who traveled north and pioneered urban electric blues (their supposed rivalry is the subject of one of this DVD's bonus features), Wolf was a big, imposing man with an inimitable, booming voice and a lasting influence on generations of rock & rollers--all of which comes across in the 90-minute film.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.