One decade after THE FARM: ANGOLA, USA (Oscar nominated 1999; two-time Emmy winner 1999), we go back inside Louisiana's maximum security penitentiary, to catch up with our characters' lives. While the theme of THE FARM was "to err is human, to forgive divine", we now delve more deeply and find hope for "reconciliation and release". Angola is America's oldest and largest prison, with 5,000 inmates, most of whom have received life -, or death-, sentences for violent crimes, and will never leave Angola. THE FARM continues to provide extraordinary opportunities for learning through storytelling.
Self
Athletes and fans explore the impact of sports on the lives of Americans.
RAISING RENEE is the story of a family's remarkable response to being broken apart and rearranged after nearly 50 years. The film explores deep themes of family, race, class and disability through the interplay of painting, cinema and everyday life. Produced and directed by Oscar nominees Jeanne Jordan and Steven Ascher, RAISING RENEE is the third part of a trilogy about resilient families that includes their acclaimed feature documentaries So Much So Fast and Sundance Grand Jury Prize winner Troublesome Creek. RAISING RENEE is about a unique group of women, the tenacity of family bonds and the power of art to transform experience into something beyond words.
On its surface, this is a film about a man returning to New York to finish the film he began in 1970, when he was a 22 year old film school hotshot. Along with his former lover and star of the film, they transfer the film, hire an editor, and get to work.
The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.
Each year in the United States, over 200,000 prisoners face a parole board that must make the difficult judgment of whether these convicted criminals are ready to gain their freedom and return to society. This documentary focuses on three inmates in Louisiana, Nevada, and Massachusetts with a range of chilling crimes - a father's murder by his troubled son, a crime of passion by a respected NASA scientist, and a shooting/robbery on the streets of Las Vegas. Incorporating interviews of key characters with extensive testimony footage and reenactment sequences that explore the life and crime of the inmate, the film vividly examines the conflicting needs of the victim, the criminal, and the community while testing our own notions of justice.
After his son is denied enrollment by the local elementary school for not identifying his "primary race," a multiracial father journeys through America's maze of Identity Politics to better understand our relentless preoccupation with race.
Edith and Eddie, ages 96 and 95, are America's oldest interracial newlyweds. Their unusual and idyllic love story is threatened by a family feud that triggers a devastating abuse of the legal guardianship system.
Four-time Emmy winner John Kastner was granted unprecedented access to the Brockville facility for 18 months, allowing 46 patients and 75 staff to share their experiences with stunning frankness. The result is two remarkable documentaries: the first, NCR: Not Criminally Responsible, premiered at Hot Docs in the spring of 2013 and follows the story of a violent patient released into the community. The second film, Out of Mind, Out of Sight, returns to the Brockville Mental Health Centre to profile four patients, two men and two women, as they struggle to gain control over their lives so they can return to a society that often fears and demonizes them.
Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.
Five transgender women share their prison experiences. Interviews with attorneys, doctors, and other experts are also included.
A look at the prison breakout of Richard Matt and David Sweat from Clinton Correctional facility, as well as a look back at some of the most daring and ingenious prison breaks in American history.
The Garbage Pail Kids are 30 years old. Celebrate their gross-out greatness with artist interviews, superfan collections, and more.
Resorting on a vast archive material of newsreels, photographs, letters, family videos, fiction movies, diary and popular songs excerpts, the documentary reassesses the legacy of the dictatorial period of Getúlio Vargas (1937-1945). Through the comparison and analysis of these heterogeneous records, produced for different purposes, from political propaganda to family celebration, the film explores the several layers of the political web of the Estado Novo, exposing its external inspirational sources, functionality and contradictions.
Though Henry Kissinger is often giving short statements to the media, he refuses detailed interviews about his own life. Now he has agreed to answer questions about his person in an extensive documentary.
JEWS excavates a lost world of manners and ritual in home movies shot by several Chicago families from the 1920s through the 1940s. Much as in similar found footage soliloquies by Péter Forgács, Jay Rosenblatt and Ken Jacobs, director Roger Deutsch wrings unexpected pathos from mundane traces of the past. Children mug for the camera with dances of the day, upright mothers march their strollers up the avenue, men smoke, the family gathers around the table to light the candles. The bare title cannot help but raise the specter of contemporaneous events in Europe, lending an extra degree of urgency to the film's meditation on disappearance. - Max Goldberg
Documentary film interviews leading Latinos on race, identity, and achievement.
Narrated by Uncle Jack Charles and seen through the eyes of Indigenous prisoners at Victoria’s Fulham Correctional Centre, this documentary explores how art and culture can empower Australia's First Nations people to transcend their unjust cycles of imprisonment.
The world of fashion, between the end of the Sixties and the beginning of the Noughties, had a key character that embodied its spirit and told the tale: journalist Anna Piaggi, living witness of that contamination between art, society and culture that changed fashion and sanctioned its success on a global scale. The daughter of a manager for La Rinascente (Milan's iconic high-end shopping mall whose foundation goes back to 1865), Karl Lagerfeld's muse, "a poet with her clothes" in the words of Bill Cunningham, her life is retraced through interviews with designers (Jean-Charles de Castelbajac, Stephen Jones, Manolo Blahnik, and more) together with archival images from four decades of fashion history.
Born in 1918 in San Diego, Williams was a latchkey child from a broken home, raised by a mother more dedicated to the Salvation Army than to her two sons, and by a father who spent more time away from home than in it. Williams found salvation by doing the one thing he loved most: hitting baseballs. In his rookie season with the Red Sox, where he would spend his entire career as a player, Williams batted .327, socked 31 homers and led the league with 145 RBI. Over the next 21 years, despite losing five seasons of his prime to active service as a U.S. Marine Corps pilot, Williams hit 521 home runs, twice captured the Triple Crown, and became the oldest man ever to win a batting title. He finished his career with a .344 lifetime batting average, was the last man to hit over .400 in a full season, batting .406 in 1941, and was a first-ballot inductee into the Baseball Hall of Fame.