Co-directed by Blackwood and Julien, the first full-length feature film by Sankofa Film and Video offers a radical and necessary interrogation into what constitutes 'post-colonial' identity at a time of political and social restlessness in Britain. Set within an isolated desert landscape contrasted with recognizable scenes of the intensity of family life, this vanguard work demonstrates the richness and variety of the black experience; it is a poetic and hard-hitting commentary on the complexities of race, gender and sexuality.
Male Speaker
Gary
Tony Baptiste
Maggie Baptiste
Co-directed by Blackwood and Julien, the first full-length feature film by Sankofa Film and Video offers a radical and necessary interrogation into what constitutes 'post-colonial' identity at a time of political and social restlessness in Britain. Set within an isolated desert landscape contrasted with recognizable scenes of the intensity of family life, this vanguard work demonstrates the richness and variety of the black experience; it is a poetic and hard-hitting commentary on the complexities of race, gender and sexuality.
1986-01-02
0
After her estranged brother's sudden death, young wife Lucia bonds with his fiancée through their shared grief and finds herself falling in love.
A bored couple takes in a young man who turns their lives inside out.
When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?
Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.
On the night of his brother's wedding, best man Charlie gets the old gang back together for a fun-filled, post reception after party, at the newlyweds' home, where he has been staying for several weeks. Unsure of how to proceed with his own troubled marriage, Charlie reunites "the fellas" fifteen years after high school, in hopes that revisiting the past will help him find clarity for the future. What he finds, however, is that while his friends have all taken different paths, they are all faced with similar conundrums that comes with being in one's thirties.
Sick of life in the city after his fiancée deserts him, Merrill Day goes to the country for a rest with his sister and niece. There he meets Joan, who has lived in the hills for her whole life, and they quickly begin a romance. Grekko, however, a hunchback who has loved Joan for years, convinces her that Merrill's sister is really Merrill's wife.
In 1949, Alice Mitchell works as a prostitute on the street. After her situation worsens, she unsuccessfully attempts to reconcile with her estranged family over her homosexuality. She grows infatuated the daughter of a Christian household, Annabel. But she ultimately decides to give up the relationship in order to make peace with her parents.
Forbidden love stories where gay men navigate the intense conflict between their deep-seated religious beliefs and their passionate desires. The 7 short films are: A Particular Friend (2023); Venena Bibas (2016); Keeping Faith (2017); Give Up the Ghost (2020); Barely in Love [לאהוב בקושי] (2013); The Vigrant [연극하는 날] (2021); Longing [אישך, תשוקתך] (2014).
The daughter of a man on death row falls in love with a woman on the opposing side of her family's political cause.
A troubled Southern man talks to his suicidal sister's psychiatrist about their family history and falls in love with her (and New York City) in the process.
Lucas is a young man who lives with his religious aunt Lourdes in a quiet country town. He helps his aunt by holding religious meetings with the ladies of the area, in the living room, playing biblical songs on the keyboard. This quiet life will end as soon as the charitable aunt communicates the arrival of another nephew, Mario, just out of jail. The clash of reality between the cousins ends up causing unusual situations, and an unexpected attraction among the boys.
Losing you until I lose myself, memories that were all left behind was the beauty of your eyes, me without you.
Lasse is an old racist who has lives in an apartment block filled with a selection of refugees and immigrants. Kamal is a 16-year old boy who's fed up in his life in Finland, and dreams of moving to Nairobi to live with his father. Only problem is that he doesn't have the money to buy the ticket.
In the 1930s, a lonely Frankenstein travels to Chicago to seek the aid of a Dr. Euphronius in creating a companion for himself. The two reinvigorate a murdered young woman and the Bride is born. She is beyond what either of them intended, igniting a combustible romance, the attention of the police and a wild and radical social movement.
When a black man lives the same day over and over again, he tries changing his behavior to survive a police interaction.
The arrival of a handsome new farmhand threatens the balance between a farmer and his daughter.
Agnes, a teacher from the Hessian provinces, has come to Berlin to identify a dead girl who might be Lydia, her runaway daughter. It turns out not to be Lydia, but Agnes stays in the city anyway. Still frantically looking, she comes a young stray called Ines who no longer leaves her side...
Eduarda (Eddi) wants to become a woman, but what makes a woman? Maybe breasts help? She goes on holiday with her family and meets Lukas. Unfortunately, she is not the only family member who wants to feel attractive. Are we really defined by what others see?