Because he refuses to collect rent payments from his impoverished tenants, kindly Irish nobleman Sir Miles Gaffney is in danger of losing his estate. He is forced to sell off part of his racing stable to a wealthy American, who takes along Gaffney's jockey Neil Ross as part of the bargain. When Neil is crippled in a racing accident, Sir Miles and his daughter Sheila sail to America with their prize horse "Dark Rosaleen" in tow. The first film having an Irish motif that John Ford directed, a six reel delight set in Eire's County Kildare and in the United States, with a steeplechase background, mixing charged elements of comedy and sentimental drama.
Virus Cakes
Michaels
Because he refuses to collect rent payments from his impoverished tenants, kindly Irish nobleman Sir Miles Gaffney is in danger of losing his estate. He is forced to sell off part of his racing stable to a wealthy American, who takes along Gaffney's jockey Neil Ross as part of the bargain. When Neil is crippled in a racing accident, Sir Miles and his daughter Sheila sail to America with their prize horse "Dark Rosaleen" in tow. The first film having an Irish motif that John Ford directed, a six reel delight set in Eire's County Kildare and in the United States, with a steeplechase background, mixing charged elements of comedy and sentimental drama.
1926-05-02
5.1
This rare John Ford silent is a charming, sweetly sentimental tale of the relationship between humans and animals told largely from the point of view of a racehorse who observes as her breeder (Henry B. Walthall) is forced to sell her when he loses everything in a poker game. Several of the era’s most famous racehorses make appearances, including the legendary champion thoroughbred Man o’ War.
Napoleon III, the Commune, the third Republic in the background. In the foreground, two pretty, talented sisters, Virginie and Pauline Cardinal. They are ballerinas at the Opera de Paris and very much courted by wealthy, elegant men. They will manage to climb in the society of their time, despite parents set on respectability but also attracted by money.
When two acrobats are fired for fighting with punks in the audience, they go to live with an aunt who's being pressured to sell her house for a real estate development. The developer's nasty son, Lee Fu, decides to muscle the sale, and soon he's at war with the acrobats, plus their unlikely ally, an American named John who used to be Lee Fu's friend. The acrobats open a kung fu school, the scene of several battles with Lee Fu's thugs. A fight to the death, jail time, auntie's surprise decision, a budding acting career, a possessive girlfriend, a debilitating injury, a friendship that needs recalibrating, and Lee Fu's avenger are all in the mix before the end.
Conflicted gay man makes contact with the ghost of his boyfriend from teenaged years.
Virgil Thomson composed many musical portraits of people as they faced him. Like a visual artist using different visual elements, Virgil established personal sketches using the palette of musical expression. EVERBEST VIRGIL perpetuates this tradition by linking the portrait of a composer to his own composition. I filmed Virgil, in his apartment at the Chelsea Hotel, in Manhattan, shortly before his death. These are the last images taken from the life of one of America's most treasured composers.
Nazi and Caesar used to be dance elites and a couple in the academy of arts, but separated because of a misunderstanding to study dance. Years later, they met again and former emotions for dance art brought them together again.
A doctor and his assistant hunt down a vampire named Count Frankenhausen, who is terrorizing the populace.
Rookie policeman Tai Lin yearned to be an artist before he failed an examination and followed in his father's footsteps. One day he interrupts an apparent suicide attempt by a woman standing on the edge of a bridge.
The pre-show to All Elite Wrestling's yearly All Out pay-per view live from Chicago.
In 1930's Shanghai, Wu Sunpu, chief executive of the Shanghai Yuhua Silk Company, faces many struggles: with plant workers, with strikers, others in his industry, and most of all with bourgeois comprador Zhao Botao. Capitalists and other figures in Shanghai's industrial and commercial community come and go. The strategy finally comes down between Wu and Zhao. Zhao plans to take over Wu Sunpu's plant with support from Americans. Wu faces a choice of surrender to Zhao or bankruptcy. He considers suicide, but decides to go on vacation with his wife on Mount Lushan. When they leave Shanghai at midnight, Wu paces the deck of the ship, reviewing his life and fate.
A new college student's life begins to have strange consequences after a hookup.
The footage of Iraqi dictator Saddam Hussein crawling out of a hole in the ground in 2003 is iconic. Now, 20 years later, the man who dug that hole tells the fantastical story of how he, an ordinary farmer, hid the deposed president beneath a flowerbed in his garden for eight months. On camera, he talks about the day his house was selected as a hideaway for this wanted man, hunted by 150,000 US soldiers. The Iraqi farmer had no choice but to assume the role of presidential hairdresser, physician and bodyguard—and something akin to a friendship seems to have grown between them as they ate together and helped wash each other’s backs.