At the end of the middle ages, Ursula is accused of having poisoned her own husband. She claims she is innocent, but to prove it, she must submit to a ritual: trial by fire, walking on fire along a path leading directly to a crucifix. A film that has been much commended for the visual creativity shown by the director in successive blending in of images involving Ursula, her husband, the Virgin Mary, and Jesus Christ. Much applauded, also: the performance of Jenny Hasselqvist, thus described by French director René Clair: “We shall never forget her flaming eyes, the severity of her spirit, her abrupt and alarmed expressions, like an animal under threat.”
At the end of the middle ages, Ursula is accused of having poisoned her own husband. She claims she is innocent, but to prove it, she must submit to a ritual: trial by fire, walking on fire along a path leading directly to a crucifix. A film that has been much commended for the visual creativity shown by the director in successive blending in of images involving Ursula, her husband, the Virgin Mary, and Jesus Christ. Much applauded, also: the performance of Jenny Hasselqvist, thus described by French director René Clair: “We shall never forget her flaming eyes, the severity of her spirit, her abrupt and alarmed expressions, like an animal under threat.”
1922-01-01
6.3
A con artist masquerades as Russian nobility and attempts to seduce the wife of an American diplomat.
Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).
A couple of criminals, after getting out of prison, decide to continue their criminal career, taking advantage of the stature of the leader of the gang, making him pass as a child and thus drive the police behind them crazy.
A homeless thief takes the sacred rope from a bolder to cover a bloody wound, not realising what evil it will unleash.
The Matsuno sextuplets go to an island in search of the mythical "shining fruit".
Alcatrazz featuring the star vocalist Graham Bonnet (ex-Rainbow and The Michael Schenker Group) and the young guitar genius Yngwie J. Malmsteen toured Japan in early 1984, and the band's performance at the prestigious Nakano Sun Plaza in Tokyo on 28th January was released in Japan as a home video.
Somebody reads a copy of The Necronomicon while the room around him reacts.
Murcia, Spain, 2016. An eccentric and humorous journey, on the shoulders of ironic giants, in the search of the most enigmatic places of this Spanish region: considering different hypotheses, the possibility of the existence of pyramidal structures is investigated, crossing sometimes the border of the chimerical and exploring beyond the limits that were previously considered impassable.
All Benny wants to do is be more confident, stop thinking so much and fall in love. When he has a chance encounter with Jordan, a woman obsessed with the notion of fate and a magical kind of love, he may finally have the opportunity. That is, if he can get out of his own way and out of his head. Pretend We're Kissing is a film for all of those who don't think their love life resembles a romantic comedy.
Two male best friends have their relationship tested when it turns out that one is in love with the other.
A funny tale about a group of children fighting the evil sorcerer.
Master Kaei, the heir to the affluent and well-regarded Karasuma family, is back at home in Japan after a period of studying in the United Kingdom. Back at the mansion he has Kisaragi Soma to serve him. Soma is efficient and intelligent beyond his station. There is something unusual afoot and the two men need to counter it.
The Dhanrajs are blessed with a daughter. However, during childbirth, Dhanraj's wife dies and he blames his daughter for his wife's fate. He refuses to see her face and remarries. His daughter, Laxmi, grows up to be a beautiful woman who's ignored by her father and abused by her stepmother. The only person who stands by her is her half-brother. Laxmi soon gets married but fate seems to hold nothing new for her. She has a loving relationship with her husband, but her mother-in-law couldn't stand her and she too physically abuses her.
Sophia, 9 year old, is pursued by an entity in her home and the terror is experienced from the imaginative perspective of Sophia. An imagination where all of her nightmares come to life, and what normally brings her comfort is personified into horror.
The Aunt of Charlie has managed to captivate a large audience worldwide. In the Dutch adaptation of Brondon Thomas's play, the household butler (Jon van Eerd) is persuaded to impersonate the aunt. Whether the butler likes it or not, he must navigate life as a woman. This sets off a series of hilarious events. For Jon van Eerd, it's another golden opportunity to make you burst into laughter. The Aunt of Charlie is a classic in the farce genre and according to many, the best piece ever written by Brandon Thomas (1857-1914).
With his landlord breathing down his neck and his writing career stagnant, the last thing Harrison Tyler (Dean Winters) needs is a kid hanging around. But he's in for a surprise when his ex-girlfriend (Lorraine Ansell) leaves her precocious 6-year-old (Emily Mae Young) in his care for a few weeks. It turns out the girl possesses remarkable matchmaking skills, and soon Tyler's professional and romantic fortunes begin to turn around.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
Most of the scenes are laid in a parrot-and-monkey country in South America, a land where "it is always after dinner." The Llano Kid, a Texas bad man, flees there from justice. The consul persuades him to play the long-lost son of a Castilian family, and tattoos a coat of arms on the back of the Kid's hand to make the deception complete. The Kid is taken into the household, trusted and loved by the gladdened mother. For the first time he has a home. The romance develops. And when the time comes to rob and flee he has too much manhood to break the loving mother's heart. The surprise comes when it is revealed that the man the Kid killed in Texas was the real son.
A shop girl finds herself disgraced after being pressured into drinking too much at a party and getting arrested for public drunkenness.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
Four-generation story-saga dealing with the decline of a middle-class Lübeck family. The first adaptation of a Thomas Mann book was also Gerhard Lamprecht’s first major film.
Set during the 16th-century Spanish occupation of Flanders, the story concentrates on the fiercely patriotic Mark Van Ryke (Colman). Donning the guise of "Leatherface," a swashbuckling masked avenger, Van Ryke performs his derring-do on behalf of the Prince of Orange (Nigel de Brulier). Naturally, Van Ruke considers beautiful Spanish aristocrat Donna Leonora de Vargas (Vilma Banky) to be a bitter enemy, and the feeling is mutual. To no one's surprise, however, Van Ryke and Donna Leonara eventually fall in love (hence the title). The pulse-pounding climax finds Van Ryke riding hell-for-leather through a rainstorm to warn the Flemish troops about the Spaniards' plans to burn the city of Ghent to the ground. Two Lovers was based on Madame Orczy's novel Leatherface, and adapted for the screen by Alice Duer Miller.
A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.
Mrs. Katherine Manners loves her three grown daughters who are in boarding school. When she plans a party for them at home, they phone from the school that they cannot come because they are too busy. But she hears the sounds of a party in the background, so she goes to the school where she finds her daughters with young men. She is told that two of the daughters plan to be married, while the third plans to marry Grantland Dobbs as soon as he gets a divorce, and the mother is frightened by this announcement. She goes abroad and returns with a man, gets an apartment at a wealthy center, and lives with him. Her daughters are shocked when the mother entertains guests at drinking parties. When Mrs. Manners proves to her daughters that their fiancées are not respectable, she reveals to them that she was acting a part just to prove to them that she was right about their chosen mates. She reveals that the man she was living with was her cousin.
After a spectacular college football career, John Harkless leaves the university to pursue a place in Indiana politics. He buys the failing Plattville Herald and, using the newspaper to expose various illegal activities, sets out to rid the county of all mobsters and corrupt officials.
The heavily indebted baron Henrik von Hagen, who loves women and partying, learns that his former lover, Russian ballerina Madame Vera Vasiljevna, will be visiting Finland. They are reunited and sparks fly. But Vasiljevna's new hobby casts a shadow over their romance.
The Vampire is a surviving 1915 silent film drama directed by Alice Guy and starring Olga Petrova. It is one of Petrova's and Guy's few surviving silent films.
Old Captain Bill and his wife have an only son, whom they idolize. He loses all his money at gambling and drinking, and determines to do better in the city. After a short absence he writes his people that he has secured a good position, is saving money, and will be home before long. A year or two later he arrives in town and on his way to his home passes the old saloon he used to patronize. He cannot resist the temptation, and goes in. He falls in with a lot of bad fellows and is robbed. Ashamed to go home, he ships on board a sailing vessel.
Peter Olsen, a young social outcast who lives alone on a rundown farm and raises vegetables for a living, finds his only consolation in liquor, though Dorcas Chatham, daughter of the general store owner, begs him to forego this indulgence. Returning from town, he finds a dog by the roadside, apparently injured by a car, and takes it home. Later, on a drunken spree, Peter is attacked by robbers, but the dog comes to his rescue and frightens the assailants away. Stirred by the unselfish devotion of his dog, Peter gradually regains his self-respect, and Dorcas falls in love with him and accepts his proposal, though she fears the dog. When Peter enters the dog in a show, another exhibitor proves to be its owner, and Peter is first parted from, then reunited with, "his" dog. Dorcas overcomes her fear and is united with Peter.