Ming Tai
Lucero
An opium smuggler is marked for murder in this story of the Chinese Mafia.
1919-12-14
5.7
A woman taking a cab ride from JFK airport engages in a conversation with the driver about the important relationships in their lives.
1950. William Lee, an American expat in Mexico City, spends his days almost entirely alone, except for a few contacts with other members of the small American community. His encounter with Eugene Allerton, an expat former soldier, new to the city, shows him, for the first time, that it might be finally possible to establish an intimate connection with somebody.
Quincy Adams Wagstaff, the new president of Huxley U, hires bumblers Baravelli and Pinky to help his school win the big football game against rival Darwin U.
Chico, one of the remaining members of The Magnificent Seven, now lives in the town that they (The Seven) helped. One day someone comes and takes most of the men prisoner. His wife seeks out Chris, the leader of The Seven for help. Chris also meets Vin another member of The Seven. They find four other men and they go to help Chico.
Cécile is about to open her own gourmet restaurant, finally making her dream come true, when suddenly her father has a heart attack and she is called back to the village where she was born. Far from the hubbub of Paris life, she runs into her teenage crush. The memories come flooding back, destabilizing her certainties.
During the 1972 Munich Olympics, an American sports broadcasting crew finds itself thrust into covering the hostage crisis involving Israeli athletes.
A hapless talent manager named Danny Rose, by helping a client, gets dragged into a love triangle involving the mob. His story is told in flashback, an anecdote shared amongst a group of comedians over lunch at New York's Carnegie Deli. Rose's one-man talent agency represents countless incompetent entertainers, including a one-legged tap dancer, and one slightly talented one: washed-up lounge singer Lou Canova, whose career is on the rebound.
Isabelle, Parisian artist, divorced mother, is looking for love, true love, at last.
A 19th-century widow is tasked with making an impossible choice when, during an especially cruel winter, a ship sinks off the coast of her impoverished Icelandic fishing village. Any attempt to rescue survivors risks further depleting the starving villagers’ supplies.
A young girl living in the French countryside suffers constant indignities at the hand of alcoholism and her fellow man.
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
The film is divided into two episodes, The Hair of Disgrace and The Magician, both focusing on the theme of the occult and beliefs.
In a Danish village in the early 1600s, a young woman named Anne, whose mother was thought to be a witch, develops sympathy toward an old woman, Marte, who is accused of witchcraft. The intervention of Anne's older but kindly husband, Pastor Absalon saved her mother -- but now, urged on by his overbearing mother, he refuses to help Marte. When Absalon's son returns home and is attracted to Anne, it's a matter of time before her family destiny catches up with her.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Given a pardon from jail, Roy Earle gets back into the swing of things as he robs a swanky resort.
After World War I, Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging, and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie's partner and the rackets flourish until love and rivalry interfere.
Leo is a middle-aged writer of popular romantic novels who writes under a pseudonym, since she despises her own work. At home, her husband, who works overseas, is distant both physically and emotionally. As she reevaluates her life and writing, Leo is led to an unexpected relationship with Ángel, a sensitive newspaper editor.
A corrupted border agent decides to clean up his act when an impoverished woman's baby is put up for sale on the black market.
During the Nazi occupation of Czechoslovakia, surgeon Dr. Franticek Svoboda, a Czech patriot, assassinates the brutal "Hangman of Europe", Reichsprotektor Reinhard Heydrich, and is wounded in the process. In his attempt to escape, he is helped by history professor Stephen Novotny and his daughter Mascha.
Priest, a suave top-rung New York City drug dealer, decides that he wants to get out of his dangerous trade. Working with his reluctant friend, Eddie, Priest devises a scheme that will allow him to make a big deal and then retire. When a desperate street dealer informs the police of Priest's activities, Priest is forced into an uncomfortable arrangement with corrupt narcotics officers. Setting his plan in motion, he aims to both leave the business and stick it to the man.
Three sisters start out singing in their church choir in Harlem in the late 1950s and become a successful girl group in the 1960s.
Sentenced to six years in prison, Malik El Djebena is alone in the world and can neither read nor write. On his arrival at the prison, he seems younger and more brittle than the others detained there. At once he falls under the sway of a group of Corsicans who enforce their rule in the prison. As the 'missions' go by, he toughens himself and wins the confidence of the Corsican group.
The Rise and Fall of an American S* is a depraved hardcore punk themed drug film from Denver auteuer filmmaker Dakota Ray (American Antichrist, The Acid Sorcerer) The film documents the rise and eventual self destruction of several murderous, drug addicted bottom dwelling characters and takes the viewer on a dark and nihilistic journey full of drugs and death.
Juggling increasing career success and a growing heroin habit, a television comedy writer attempts to go down a path of improvement.
Police Lt. Leonard Diamond vies to bring a clever, well connected, and sadistic gangster to justice all the while obsessing over the gangster's girlfriend.
A jealous woman plots revenge after her former beau returns to their hometown with a pretty new girlfriend.
Caracas, Venezuela. 1982. Ryan of the DEA and Carlos the PTJ join forces to stop the most dangerous drug lord of the country, Disco Herrera.
A New York nightclub manager tries to save his brother and father from Russian mafia hitmen.
An orphaned girl, driven by poverty at such a young age, makes a promise with an enchantress. In return for beauty and the admiration of every man, she will never be with the man she loves. This spell cannot be broken unless the impossible happens: snow falling in spring and the dead coming back to life. Now a grown and beautiful princess, she regrets her promise, for all of the men she's loved has always been met with tragedy.
A drug pusher grows increasingly desperate after a botched deal leaves him with a large debt to a ruthless drug lord.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
A former policeman enlists his nerdy friend to help bust drug traffickers moving heroin through a Chinese restaurant.
In the not so distant future, the war on drugs is considered a failure. Prohibition has ended. A group of friends risk their relationships and sanity, to create the perfect new drug.
Two warring gang families (one African-American, the other Chinese) maneuver for bragging rights to the Oakland, California, docks. Hang Sing and Trish O'Day uncover a trail of deceit that leaves most of the warring factions dead … or worse!
When Hong Kong Inspector Lee is summoned to Los Angeles to investigate a kidnapping, the FBI doesn't want any outside help and assigns cocky LAPD Detective James Carter to distract Lee from the case. Not content to watch the action from the sidelines, Lee and Carter form an unlikely partnership and investigate the case themselves.
With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead -- or so they think. Five months and an endless reservoir of bitterness later, Porter's partners and the crooked cops on his tail learn how bad payback can be.
Liu Jian, an elite Chinese police officer, comes to Paris to arrest a Chinese drug lord. When Jian is betrayed by a French officer and framed for murder, he must go into hiding and find new allies.