The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
Himself
Himself
Herself
Herself (Harriet Hartley)
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
1888-10-14
6.31
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
Photo sequence of the rare transit of Venus over the face of the Sun, one of the first chronophotographic sequences. In 1873, P.J.C. Janssen, or Pierre Jules César Janssen, invented the Photographic Revolver, which captured a series of images in a row. The device, automatic, produced images in a row without human intervention, being used to serve as photographic evidence of the passage of Venus before the Sun, in 1874.
In a medieval castle, a dark magician thought to be Mephistopheles conjures up a series of bizarre creatures and events in order to torment a pair of interloping cavaliers.
The last remaining production of Le Prince's LPCC Type-16 (16-lens camera) is part of a gelatine film shot in 32 images/second, and pictures a man walking around a corner. Le Prince, who was in Leeds (UK) at that time, sent these images to his wife in New York City in a letter dated 18 August 1887.
A group of Satanic hippies wreak havoc on a small town where a young boy, whose sister and grandfather were victimized by them, tries to get even - with deadly results.
Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.
A spree of grisly murders is perpetrated in Frankfurt by a group of Satan worshippers. A lonely schoolteacher almost runs over an elderly man and takes him in, unbeknown to her the man has plans for her – plans that involve a permanent future with the Satanic cult.
A woman in a Catholic brotherhood in the south of Spain tries to be president in a world traditionally reserved to men.
A behind-the-scenes look at the making of Stephen Spielberg's "Catch Me If You Can."
The fairy at a cabbage patch hovers over the babies. This is a remake of Guy's 1896 film on the same subject, this time shot in 35 mm.
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press.
After an evening of excessive wining and dining Baron Munchausen must be helped to bed by his servants. Once asleep, he has bizarre and frightening dreams.
Made in 1912, this film has become known as one of the greatest pieces of pre-Soviet cinema. The silent film tells the story of the Patriotic war of 1812 when Napoleon attempted to invade Russia. This joint French and Russian film sparked major excitement in Moscow at its premier screening and continues to entertain audiences throughout the world today. The 32-minute silent film was the point of origin for some of the more advanced camera techniques used today. Sirotin of the Voice of Russia said that, “The film is interesting to spectators even today and is frequently shown both in Russia and abroad.”
Hyde Park Corner (also known as Leisurely Pedestrians, Open Topped Buses and Hansom Cabs with Trotting Horses) depicts life at Hyde Park Corner in London. It is claimed to be the first film set in London, as well as the first to be filmed on celluloid. It is currently considered a partially lost film, with only 6 possible film frames preserved as part of the Jonathan Silent Film Collection.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
British progressive rock band Pink Floyd perform at the ancient Roman Amphitheater in the ruins of Pompeii, Italy in 1971. Although the band perform a typical live set from the era, there is no audience beyond the basic film crew. The Bluray version of 2025 contains the following audio streams: 96kHz / 24bit LPCM uncompressed, 96kHz / 24bit 5.1 Dolby TrueHD, Dolby Atmos (Feature film only). You can choose to watch the entire movie or just the concert.
In 1930s England, a group of pretentious rich and famous gather together for a weekend of relaxation at a hunting resort. But when a murder occurs, each one of these interesting characters becomes a suspect.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
Forced into early retirement by a degenerative illness, former baseball player Ray Waller moves into a new house with his wife and two children. He hopes that the backyard swimming pool will be fun for the kids and provide physical therapy for himself. However, a dark secret from the home's past soon unleashes a malevolent force that drags the family into the depths of inescapable terror.
When Gerda Wegener asks her husband Einar to fill in as a portrait model, Einar discovers the person she's meant to be and begins living her life as Lili Elbe. Having realized her true self and with Gerda's love and support, Lili embarks on a groundbreaking journey as a transgender pioneer.
This project uses mixed reality convergence through which users can participate in some of the digital existing archive of Lynn Hershman Leeson, now housed in the Special Collections Library at Stanford University. Created in 2006, this project is one of the first artist archive projects in Second Life and has been exhibited at the Museum of Contemporary Art Montreal, ISEA and San Francisco Museum of Modern Art.
A story about friendship, independence and the making of a record. Silversun Pickups deconstruct the making of their latest record “Better Nature” while starting their own record label.
Documentary with fragments and records about the boundaries between art and counterculture, based on a debate held at the Museum of Modern Art, Rio de Janeiro, in October 1968.
Nothing beats the enticing appeal of those alluring girls next door. Now they're all grown up and ready to take you on a series of rousing rendezvous that are naughty... and oh so nice!
A tale of blood, sex, spit, spunk and cult recruitment. “This Is the Salivation Army” was, in his own words, a queer pagan punk publication produced by Scott Treleaven from 1996-1999. The film tracks the rise and demise of Treleaven's zine and the strange cult it spawned.
Kaiser Wilhelm II arrives in Constantinople.
During the 1982 Cannes Film Festival, Wim Wenders asks a number of global film directors to, one at a time, go into a hotel room, turn on the camera and answer a simple question: "What is the future of cinema?"
This short film portrays the story of singer Paul Anka, who rose from obscurity to become the idol of millions of adolescent fans around the world. Taking a candid look at both sides of the footlights, this film examines the marketing machine behind a generation of pop singers. Interviews with Anka and his manager reveal their perspective on the industry.
Behind-the-scenes footage showing Alice Guy directing an early sound film.
Armand Dranem performs The True Jiu-Jitsu ("Le Vrai Jiu-Jitsu", by P. Briollet & G. Fabri / C. D'Orviet) in this phonoscene by Alice Guy. This early form of music video was created using a chronophone recording of Dranem, who was then filmed "lip singing". Guy would film phonoscenes of all three major Belle Époque celebrities in France: Polin, Félix Mayol, and Dranem.
Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.
A short film that shows Boundless, Surreal objects that are juxtaposed with our present World. Cars, Motorways, noise of our modern society; A giant city in the distance - all that shrouds this lonely and forgotten island of Dreams. Filmed at the Emeryville Mudflats near San Francisco.
Several little boys run along a pier, then jump into the ocean.
A man, holding a baby up in his hands, is standing next to a fishbowl. The baby is trying, in vain, to catch a goldfish with her bare hands.
The night is not yet over but hardworking France is already up, workmen who cycle to work, some already at work like market porters busy carrying meat carcasses or workers printing the morning newspapers. Soon it will be daylight but for the prisoner in his cell, there is nothing to be happy about.
An experimental meditation on Times Square's marquees and iconic advertising that captures the concurrently seedy and dazzling aspects of New York's Great White Way.
A narrator recounts the state of Great Britain near the end of WWII via a visual diary for the titular baby boy born in September 1944.
Sonny Bono appears onscreen to tell kids that marijuana is a "bummer" that turns you into a "weedhead" and will make you "trip out" (the fact that, based upon his performance, Sonny appears to have ingested unknown substances before the cameras started rolling tends to limit the film's crediblity somewhat).
In very bad weather and a stormy sea, a small boat manned by two men is trying to leave the harbor of La Ciotat, while several people are watching them from the nearby pier.
Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film.