الدنيا رواية هزلية(1966)

Deposit with Honors(ar)

About the general manager of the modern buildings company named Sherbini, enjoys a high status among his employees in the company, and follow events and discover that El Sherbini has a certificate of forgery, but he feared to be clear.

يوم عاصف جدا(ar)

The Safe Road(ar)

The story revolves around a bus that gets lost in the desert, and the play presents the human models represented by the bus riders and the mistakes and sins of each passenger. When they are about to die of hunger and thirst, each of them declares his repentance and decides to reform himself, so will their positions change after their salvation?

ًWhere I am and where are you?(ar)

Ayoub Gad al-Haq, "Fouad El Mohandes," a simple employee, is struck by the great resemblance between him and the husband of the deceased employer in a big trouble where the small employer's daughter is concerned, thinking that he is her father who died in an accident. The employer asks him to hire a secretary at home so that her daughter, who is not aware of the death of her father, will not be shocked. He falls in love with her, but he does not forget the fact that she is Hanim and he is just a poor employee

Al Ostaz Mazzika(ar)

Juha Governs The City(ar)

At Odds(ar)

In this Kuwaiti comedy, Dr. Salem, a veterinarian, is desperate to convince his fiancée, Samia, that he's a physician for humans, not animals. To pull off the ruse, he enlists his assistant to disguise the clinic's true purpose, leading to a series of humorous mishaps and misunderstandings. As the charade unfolds, comic twists ensue, putting both his relationship and his secret at risk.

مطرب العواطف(ar)

الزوج العاشر(ar)

استنى بختك(ar)

Sayedaty El Gameela(ar)

أصل وصورة(ar)

30 Days in Prison(ar)

Amshir works as a bodyguard in the cabaret owned by his Medhat al-Shamshiri, and a court sentences Medhat to a month in prison after he burned the mustache of a wealthy Upper Egyptian named al-Najawi. Amshir goes to prison instead of Medhat for money. in meanwhile Medhat relation with Azhar (al-Najawi girl) is revealed to Sohair (Medhat Fiance).

والسيدة حرمه(ar)

سفاح رغم أنفه(ar)

Raya and Sakina(ar)

Two sisters (Riya) and (Skina), start a gang to kidnap rich women with the help of Riya's husband. Skina, in an effort to avoid suspicion, try to marry a policeman who is not aware of the sisters' criminal activity.

No Longer Kids(ar)

The play tells the story of four siblings trying to stop their father from leaving his family for another woman after one of them accidentally finds a love letter from an unknown woman to their father.

Al-Manakh Knights(ar)

The first Gulf economic play centered on an issue that affected members of Kuwaiti society, which sparked widespread controversy between Kuwaiti society and the Gulf community in general, and the issue was the "Al Manakh Market" crisis in 1982, which ended in losses exceeding $ 22 billion. Where the story tells about the second oil boom of the Gulf states at the end of the seventies and the beginning of the eighties of the twentieth century AD where the price of oil increased continuously until the Gulf countries recorded large financial surpluses, so the money poured into the stock market significantly until it opened a stock trading office in a semi-parallel office and was named a market "Al Manakh" in which money flowed greatly from almost all segments of Kuwaiti society and even foreign residents and some individuals from the Gulf states and increased frantic speculation and increased buying and selling for the future until it reached astronomical numbers.

The Sword Of The Arabs(ar)

The play deals in a social comic framework, the period of the Iraqi invasion of Kuwait in 1990, and what was experienced by Kuwaitis and Iraqis alike during the aggression period, through the social changes that occurred in both societies in that period.

The Joy Of A Nation(ar)

A Kuwaiti social comedy play presented to the leaders of the Gulf states at the Gulf Summit in 1985, which was written by Abdul-Hussein Abdul-Ridha, a satirical play that discusses family issues, family bonding and religious extremism, the play talks about the loss of children and the home, neglect of parents, and who is responsible for that.