Zurich Opera House production of Franz Léhar's operetta, with Dagmar Schellenberger, Rodney Gilfry, and Ute Gfrerer in lead roles. Baron Zeta is desperate that the fabulously wealthy widow Hanna Glavari marry a Pontevedrian man so that her fortune remains in the country. He attempts to match her and his handsome attaché, Danilo. It turns out that Danilo and Hanna had had a love affair in years past. Nevertheless, Danilo now refuses to love her because he doesn't want to appear like he is only interested in her money...
Baron Mirko Zeta
Njegus
Vicomte Cascada
Bogdanowitsch
Praskowia
Sylviane
Zurich Opera House production of Franz Léhar's operetta, with Dagmar Schellenberger, Rodney Gilfry, and Ute Gfrerer in lead roles. Baron Zeta is desperate that the fabulously wealthy widow Hanna Glavari marry a Pontevedrian man so that her fortune remains in the country. He attempts to match her and his handsome attaché, Danilo. It turns out that Danilo and Hanna had had a love affair in years past. Nevertheless, Danilo now refuses to love her because he doesn't want to appear like he is only interested in her money...
2005-01-01
8
CHUCK BERRY LIVE Rocking Horse at BBC Theatre 29.03.1972
Experts set out to prove that female great white sharks rule the ocean.
Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.
A unique and historically valuable addition to the Official Films Collection, these 14 minutes of material predate television and provides both black and white and colour coverage of the first ever FIFA World Cup™. There are five minutes of material from the final in colour, providing a record of Uruguay’s victory in 1930.
Calino goes politely around to three or four people from the bourgeois class, trying to sell them a lightning rod: but due to a factory defect, the apparatus attracts lightning instead of driving it away.
Charley goes out for an evening on the town without his wife.
South Florida. 1962. While the Cuban Missile Crisis threatens to incinerate America, divorce looms over the Shaw family. Thirteen-year-old Miles Shaw must protect his little brother, Danny, from the fallout, and he has it all figured it. The mission? To blow up the Soviet Missiles. The weapon? Model Rockets. There are always casualties in War-even the cold ones.
The Making of America - Uncover the true origin of the United States of America and explore the occult origins of its signs and symbols - discovering that the Illuminati and secret societies are responsible for how we live our daily lives in this modern world.
After a terrifying explosion in a hotel in London, three strangers escape together and hide out in a room. Hostages is a comedy about the 24hr news cycle, "experts" and whether or not social media is more important than people's lives....
A couples night goes off the rails when one couple reveals they're blood sacrificing devil worshippers. And then things get weird...
Three scripts, each one with independent storylines, have in common a vision of the Colombian capital in 2016.
A young woman loses her umbrella in a café altering her perception of the world forever.
A poetic, but chilling story of seven puppets in train car prior to its journey to a concentration camp.
They could not be more different – Cuky is a wannabe blogger, Luky a star desperate for love. The latter can get the man of her dreams only if she turns an ordinary girl into a beauty pageant queen. The catch is that the ordinary girl is Cuky.
Pelin, a young single mother from the problem neighborhood of Berlin-Wedding, is sent with her three children by different fathers of different nationalities - Robby (seven), Elvis (four) and Roxanne (ten months) - to a mother-child cure in a scenic, paradisiacal spa resort in northern Germany. The cure is intended to give Pelin, who is constantly on a collision course with the youth welfare office and family court, time to reflect and recover physically and mentally.
Live at Turbinenhalle, Oberhausen, Germany, December 3, 2016 1. Imaginations from the Other Side 8:26 2. I’m Alive 5:40 3. A Past and Future Secret 4:13 4. The Script for My Requiem 6:32 5. Mordred’s Song 5:20 6. Born in a Mourning Hall 5:37 7. Bright Eyes 5:41 8. Another Holy War 5:02 9. And the Story Ends 7:18
The film follows the staging of the opera Olimpiade while at the same time exploring the dramatic life of its composer Josef Mysliveček, a friend and teacher of W. A. Mozart.
Concert and documentary celebrating the 1st Anniversary of Moscow’s Zaryadye Hall
Richard Strauss's opera, from the Royal Opera House, Covent Garden.
Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as Glauce’s father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris. Carlo Rizzi conducts.
Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.
During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South. From there they will be able to escape to England. First, they must avoid German troops – and the consequences of their own blunders.
37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.
An Egyptian military commander, Radamès, struggles to choose between his love for the enslaved Ethiopian princess Aida, and his loyalty to the Pharaoh. To complicate the story further, the Pharaoh's daughter Amneris is in love with Radamès, although he does not return her feelings.
Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.
Zaporozhets za Dunayem (Ukrainian: Запорожець за Дунаєм, translated as A Zaporozhian (Cossack) Beyond the Danube, also referred to as Cossacks in Exile) is a Ukrainian comic opera with spoken dialogue in three acts with music and libretto by the composer Semen Hulak-Artemovsky (1813–1873). The orchestration has subsequently been rewritten by composers such as Reinhold Glière and Heorhiy Maiboroda. This is one of the best-known Ukrainian comic operas depicting national themes.
Adapted from the opera written by the composer Semen Hulak-Artemovsky.
Country girl Margit sits for the artist Sándor, from Budapest. She is fascinated and charmed by him, and agrees to accompany him to the capital, so he can complete the painting there. Disillusionment sets in, however, when Sándor wins a prize with the finished portrait and loses interest in her. Margit recognizes that her true happiness lies at home, with Pista, her faithful lover.
Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory. In this Live in HD production, Maria Guleghina takes on the title role and Marcello Giordani is Calaf, the unknown prince. Marina Poplavskaya and Samuel Ramey co-star, and Andris Nelsons conducts in his Met debut.
The production bears the imprint of the conductor, Marko Letonja, and the director, Tobias Richter, whose understanding is ideal: both breathe a troupe spirit - specific to comedy - into this heterogeneous cast, which brings together young and old. Both give as much importance to recitatives as to arias and ensembles.
Performed at Madrid's historic Teatro Real in 2018, Ivor Bolton conducts Benjamin Britten's opera based on Lytton Strachey's 1928 Elizabeth and Essex: A Tragic History. In her repeated clashes with the Earl of Essex-a longtime favorite of the queen who was ultimately put to death for treason-Elizabeth I is depicted as flawed and vain, human and sympathetic.
This film is the first adaptation of an operetta written by Ukrainian composer Mykola Lysenko. It follows the trials and tribulations of Natalka and Peter (Petro). The sweethearts planned to get married; however, Natalka's father does not approve of the marriage because Petro was not affluent enough to keep Natalka in the manner he thought that she should be kept. Petro goes off to earn the required fortune.
A man who accused a catholic bishop of abusing him when he was a child dies in the Austrian city Salzburg. Everyone except his widow and the eccentrical detective Simon Brenner keeps silent and believes that the man killed himself.
French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.