Pyotr Ilyich Tchaikovsky's 1879 opera, adapted from Alexander Pushkin's novel. Performed by the Finnish National Opera. Filmed on 20 December 2024 and streamed by Operavision.
Eugene Onegin
Tatjana
Lensky
Olga
Larina
Filipyevna
Prince Gremin
Orchestra
Chorus
Pyotr Ilyich Tchaikovsky's 1879 opera, adapted from Alexander Pushkin's novel. Performed by the Finnish National Opera. Filmed on 20 December 2024 and streamed by Operavision.
2024-12-20
0
Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.
Cio-Cio-San, the young Japanese bride of American naval officer Lieutenant Pinkerton, finds her romantic idyll shattered when he deserts her shortly after their marriage. She lives in hope that one day he will return.
Set in a South Bohemian village, this faithful film version of Smetana’s opera follows farmer Krušina’s plan to marry his daughter Mařenka to wealthy Vašek. Mařenka loves Jeník, a stranger. Through matchmaking schemer Kecal’s plots and revealed identities, true love triumphs in a festive village wedding.
Live performance of Verdi's Missa da Requiem at the Edinburgh Festival in 1982. An all-star quartet of soloists under the baton of Claudio Abbado, recorded in high definition audio.
Wiener Philharmoniker and Wiener Philharmonia Chor Conducted by Karl Böhm Directed by Vaclav Kaslik
One morning, the late Karlheinz Stockhausen awoke from a dream that told him to take to the sky. Stockhausen envisioned four helicopters swirling in the clouds, with each of a quartet’s members tucked inside his own chopper, communicating through headsets, stringing away in sync to the rotor-blade motors. He immediately set forth to make that dream a reality. In 1995, Dutch film director Scheffer followed Stockhausen in the days leading up to the premiere performance of his Helicopter String Quartet in Amsterdam. The resulting film offers a rare glimpse of Stockhausen as he patiently dictates every agonizingly detailed measure to the Arditti Quartet.
The world premiere of composer Kaija Saariaho's opera, "Innocence", at the 2021 Aix-en-Provence Festival. Finland is the setting but the protagonists come from the four corners of Europe: a Finnish groom and his Romanian bride, a French mother-in-law and a Czech maid. Around them memories unravel in a contemporary tragedy of guilt and lost innocence.
The boys' group of Rychlé pípy goes to the Wasp Meadow to observe insects. However, a seemingly dead wasp begins to stick out its stinger...
Musician Adam Lemp and his four equally musical daughters, Emma, Ann, Kay, and Thea, live happily together. Each daughter has an upstanding young man for whom she cares. However, the arrival of a cynical, slovenly young composer named Mickey Borden turns the household upside-down, and romantic and tragic complications ensue.
At night, in the dark recesses of the woods, a male cellist lures in viewers with a performance of Bach's "Cello Suite No. 1 in G Major." It stars Paul McCoy Drutz-Hannahs, a professional cellist with the Johns Hopkins University Orchestra.
From the euphoric first to the solemn sixth, the Brandenburg Concertos features some of Bach's finest and most popular orchestral music. Münchener Bach-Orchester ; Karl Richter, conductor and harpsichord. Recorded Apr. 1-10, 1970, Schloss Schleissheim No. 1 in F major, BWV 1046 -- No. 2 in F major, BWV 1047 -- No. 3 in G major, BWV 1048 -- No. 4 in G major, BWV 1049 -- No. 5 in D major, BWV 1050 -- No. 6 in B flat major, BWV 1051. Apr. 1-10, 1970. Orchestra: Münchener Bach-Orchester - Conductor: Karl Richter - Violin: Otto Büchner - Trumpet: Pierre Thibaud - Recorder: Hans-Martin Linde - Recorder: Günter Höller - Oboe: Manfred Clement - Flute: Paul Meisen - Viola: Herbert Blendinger - Viola: Ingo Sinnhoffer - Viola Da Gamba: Hans Dieter Kruse - Viola Da Gamba: Oswald Uhl - Cello: Peter Steiner - Double Bass: Franz Ortner
The Prince, Don Ramiro (who has changed places with his valet, Dandini), meets Cenerentola and they are instantly attracted to each other. When the Philosopher, Alidoro, later takes Cenerentola (dressed in magnificent clothing) to the palace, Dandini (still posing as the prince) tries to talk of love to her, but Cenerentola rejects him, saying that she is in love with his 'valet'. Ramiro, who has overheard this comment, is overjoyed, and immediately proposes to her, but Cenerentola says that he must first seek her out and then, if he still felt the same way, she would marry him. She gives him one of a matching pairs of bracelets, telling him to look for its companion on her right arm (she then leaves the palace). Ramiro ends the masquerade, and he and Dandini resume their true identities. The Prince then sets out on his quest - little realising that destiny, in the form of a violent thunderstorm, is about to take a hand in the affair.
In the 19th century, Romantic composer/pianist Franz Liszt tries to end his hedonistic ways but keeps getting sucked back in by his seductive fellow composer Richard Wagner.
The Italian and international press were unanimous in their praise for "Peter Grimes" at La Scala, which revived the tradition of Britten's operas on the lyric stages of Italy. A top British cast was marshaled by the baton of Robin Ticciati. Richard Jones's production focuses on the fisherman as the outside in a brutal and brutalized 1980s society, cut off by mutual suspicion and misunderstanding: an unforgettable production of a 20th-century operatic masterpiece that never loses its power. Filmed in High Definition and recorded in true Surround Sound.
In a grimy provincial industrial city, a talented but unattractive schoolteacher dreams of an operatic career.
Emma, a talented conductor and rising star on the Montreal scene, has a complicated relationship with her father and agent Patrick. She has to face up to her emotions and decide whether she wants to successfully combine her career with her love affair with Naëlle, a recently separated cellist and mother of a young son.
Star tenor Jonas Kaufmann brings aching intensity and vocal charisma to the tortured title hero of Massenet’s Goethe adaptation. Sophie Koch, in her Met debut, is an appealing and elegant Charlotte, the object of Werther’s passionate affection that will lead to tragedy. Lisette Oropesa as Sophie, David Bižić as Albert, and Jonathan Summers as Le Bailli co-star. Richard Eyre’s atmospheric production is conducted by rising maestro Alain Altinoglu.
Performance of Schoenberg's Gurrelieder by SBR, conducted by Mariss Jansons