Amidst the urban transformation driven by progress, bulldozers dismantle 'illegal' settlements, leaving countless lives shattered. In the aftermath of such upheaval, one basti, sacrificed to conceal poverty during the G20 summit, and another basti, abandoned by authorities without alternative housing, illustrate the stark realities of displacement. The film delves into the daily struggles of individuals who persist in the rubble of their former homes.
Amidst the urban transformation driven by progress, bulldozers dismantle 'illegal' settlements, leaving countless lives shattered. In the aftermath of such upheaval, one basti, sacrificed to conceal poverty during the G20 summit, and another basti, abandoned by authorities without alternative housing, illustrate the stark realities of displacement. The film delves into the daily struggles of individuals who persist in the rubble of their former homes.
2024-11-29
10
whose city is it anyway?
The story revolves around Shalini, a single mother dealing with work and family issues while working in the security department of a nightclub. When a security breach shakes her workplace, the management enforces a new policy: mandatory smartwatches for all staff members to track their movements. Blamed for her team's incompetence, Shalini is pressured to enforce the device's usage or face severe consequences. Adding to her challenges is a young recruit from her village whose resistance further complicates Shalini's position. These seemingly innocuous devices, promoted as tools for safety and efficiency, soon reveal a darker purpose.
Zahara is a Palestinian woman, from the village of al-Bane in the Galilee. Beginning with her childhood before the 1948 war, this compelling documentary takes us through the country's turbulent history, as seen through the eponymous heroine's eyes, and the perspectives of those around her. As Zahara grows, we experience the violent establishment of Israel, subsequent life under martial law (1948-1966), and the radical transformation of Palestinian society from a majority to a disenfranchised minority in their own homeland.
A group of anthropology students at a Michigan college try to stop a Chupacabra from eating their classmates.
Every year, thousands of young women move to Los Angeles to make their breakthrough as actresses. Their careers usually take place in the gray area between small supporting roles in big films and big roles in small films, the restaurant jobs necessary for survival and an endless loop of auditions: they are the Ariadne's thread that must not break. Because despite all the frustration and despair over constant rejection, every audition is a great opportunity. And everyone who has made it in Hollywood has had to go through this phase. So the great promise hovers above the gray everyday life.
Emily Hagins is making a zombie movie. It's feature-length, it's bloody, and the zombies don't run. Just like it should be. But there's just one difference between her film and every other zombie movie you've ever seen. Emily is twelve.
German retaliation expedition burned down the village of Radopolje and killed all the men. When first men appear in the village after the war, Kata Plecas believes they will renew the village. But these men die as well and the question if Radopolje will be the "village of black scarves" again remains.
Originally published as two parts, this documentary from Jimbo Stephens explores the projects of South African rapper and visual artist Watkin Tudor Jones Jr.
Peter loves nature, especially during summer. Known for his sense of humor, he enjoys the warmth and long days of the season. One day, his friend Lisa suggested a trip to the mustard fields in Alton, Hampshire. The two decided to go, and when they arrived, they were greeted by the stunning sight of blooming yellow mustard flowers. The fields were bright and beautiful, a perfect summer scene. This is the story of Peter and Lisa's visit to the mustard fields.
A group of friends driving to Las Vegas to attend a Horror convention decide to stop at a roadside attraction promising the opportunity to find gold. After being told about the ghosts who haunt the Creek, they head into the woods to test their luck disbelieving what has been told. Soon the friends decide to leave, but their car is missing and the roadside attraction is permanently closed. The only thing left to do is venture back into the woods and search for their car or anyone that could help, but after one friend finds hidden gold the ghosts of the Creek begins to stalk the group out of vengeance.
In his film #43, Joost Rekveld observes what happens to a system that is destabilised by ‘creative' pixels, drawing inspiration from the set of ideas in biology and mathematics that arose during the development of cybernetics in the 1950s.
The story unfolds in Bilbao. Rocío (Emma Suárez), is in love with Mario (Antonio Banderas), a free rider with a lot of face that, to top it all, is partner of the business of her father, Domingo (Francisco Rabal) with whom she maintains incestuous relations. When Domingo passes away, both Mario and Rocío's mother have to put to the front of the business, finishing with the inheritance that could receive Rocío. In the midst of her frustration, a young business worker, secretly in love with Rocío, will try to have the legacy of her father end up in the hands of his rightful heiress.
A crotchety old coot wants his son and daughter-in-law to have kids so he can have grandchildren, but so far they haven't done so. In a somewhat ham-handed attempt to bring them closer together so they'll be in the mood to give them the grandchildren he wants, he winds up bringing them to the point where they're considering divorcing. He decides to change his tactics in order to achieve his goal.
After the fall of the Berlin wall, now in his old age, the composer Edward Kazasyan discovers that his late wife, the singer Lia Ivanova, who survived communist labor camps, was forced to work for the secret services. Their dossiers in the State Security archives and her diary from childhood reveal the complicated fate of the singer, who strove the conquer the big stage while juggling a "second life" imposed on her by the system. Torn by doubts that his life was contrived and false, he once again relives their love and career in his loneliness, trying to find his place in this living puzzle.
Thirty-year-old business woman Lena Chistyakova, a formidable boss for his subordinates. The unflattering nickname "Mymra" fully corresponds to her image of a strong woman and an old maid. In accordance with the medical prescription, she makes a strong-willed decision to give birth to a child. To perform this task, Mymra arranges monitoring of subordinates in order to identify the most suitable candidate. The search for a candidate for the role of father unexpectedly ends with a random meeting with a former classmate Sergei Krylov, a successful, beautiful man, in the Prime of his life. But to like the ideal candidate, Lena Chistyakova first of all need to get rid of his unflattering nickname. To fulfill the mission of conception, Mymra takes a sabbatical at work and is hired as a housekeeper to the unsuspecting Sergei. Mastering the basics of the household in the field, Mymra comprehends a new science — how to be a modern woman.
A historian named Patrick discovered an old untold love letter. Tracking down the grave. Patrick reads out the letter to whom it letter was for setting the spirit free and liberating their love.
Dalits, in the Indian caste system, belong to the lowest social sphere and are therefore subject to regular discrimination and violation of their basic human rights. Also referred as “untouchables,” this group was vindicated by B. R. Ambedkar, a Dalit who earned doctorate degrees abroad and fought for the emancipation of his people. In 1997 a statue honoring him was desecrated, unleashing the rage of the Dalit community, but instead of getting support by the authorities, ten persons were murdered. This documentary took 14 years to be made and it captures the music and poetry of this people, showing a tradition against superstition and religious bigotry that has strived since the times of Buddha.
An ascetic walks through the narrow streets of a village every morning while his family is still asleep. In his semi-somnolent state he dreams about the history of the village mixing up myths, folklore and facts.
The film explores the campaign waged by the Hindu right-wing organisation Vishva Hindu Parishad to build a Ram temple at the site of the Babri Masjid in Ayodhya, as well as the communal violence that it triggered. A couple of months after Ram ke Naam was released, VHP activists demolished the Babri Masjid in 1992, provoking further violence.
This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
Esteemed documentarian Anand Patwardhan directs a portrait of his parents, whose families were intertwined with Gandhi and India’s independence movement. His view on history extolls unity between Hindus and Muslims, a value that needs reasserting in modern politics.
A short film that sets up an opposition between functional forms of industrial age and decorative ones from Indian tradition.
A film photo-montage about an old house that belonged to a traditional local family that was later demolished.
Follows the final days of Chika Kapadia, given four months to live, who has chosen to end his life through physician-assisted suicide at Dignitas in Switzerland. The filmmakers, tasked with documenting Kapadia’s countdown to death, capture both his journey and their own emotional response.
Moving to Mars charts the epic journey made by two Burmese families from a vast refugee camp on the Thai/Burma border to their new homes in the UK. At times hilarious, at times emotional, their travels provide a fascinating and unique insight not only into the effects of migration, but also into one of the most important current political crises - Burma.
The documentary is a five country-based sequences featuring stories about conflict, migration and the experience of exile; Tibetan women refugees in Dharamshala, India, Syrian refugee family in Tunisia, evicted indigenous women in the Phlippines; Rohingya women in Haryana and Delhi, and Syrian women refugees in Canada.
Offers an exclusive behind-the-scenes look at the making of the critically acclaimed film 12th Fail. Featuring Vikrant Massey and visionary director Vidhu Vinod Chopra, the documentary reveals the untold challenges, meticulous efforts, and sheer determination that shaped the movie's success. From Massey's commitment to authenticity-aging his costumes himself-to Chopra's relentless pursuit of excellence, Zero Se Restart captures the resilience and teamwork essential to creating cinematic magic.
Carbon vendors fight for their rights to protect their stalls from oppressors.
The biography of one of the greatest playback singers of Hindi cinema, Mohammed Rafi is a trip down memory lane. Fans of Rafi will love Dastaan E Rafi, a biography of celebrated singer Mohammed Rafi that showcases the celebrated singer’s extraordinary journey. The award-winning film by Shemaroo traces his life from his birth in Amritsar, to his struggle in Bombay before he got his break and his rise to stardom.
Takes the audience behind the artistry, intellectual spirits, and production of the second season of the holy grail of Indian sitcom.
A documentary exploring the "respectable" and "immoral" stereotypes of women in Indian society told from the point of view of 2 strip-tease dancers in a cabaret house in Bombay.
The river Yamuna, known to the locals as 'Jamna', the lifeline of Delhi, is going through a major crisis due to pollution, mismanagement and sheer ignorance. A documentary crew tries to make sense of the situation by talking to different stakeholders and Shyam - a boatman who relies on the river for his livelihood.
Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.
The documentary short film observes the institution of marriage through the perspective of three brides in India.
Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.