New Year's Eve program from Södra Teatern in Stockholm with hosts Gary Engman and Grynet Molvig to celebrate the new year of 1973. Performances from many different artists, including Ted Gärdestad, Göran Fristorp, Claes af Geijerstam and Staffan Scheja.
Self / Host
Self
Self
Themselves
Self
New Year's Eve program from Södra Teatern in Stockholm with hosts Gary Engman and Grynet Molvig to celebrate the new year of 1973. Performances from many different artists, including Ted Gärdestad, Göran Fristorp, Claes af Geijerstam and Staffan Scheja.
1972-12-31
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Jerry Mulligan is an exuberant American expatriate in Paris trying to make a reputation as a painter. His friend Adam is a struggling concert pianist who's a long time associate of a famous French singer, Henri Baurel. A lonely society woman, Milo Roberts, takes Jerry under her wing and supports him, but is interested in more than his art.
Kaj, Lennart and Robert are 30-somethings who go out to dance every weekend. At one dance they meet Inger, whom Kaj falls in love with. Kaj has some friends who are playing in a band. The drummer Tommy is known for being the local Casanova, seducing women when ever he gets the chance. It doesn't take him long to have an affair with Inger, behind Kaj's back.
Eve and Peter fall in love at first sight at a New Year's Eve party, but are separated by Eve's jealous fiancé, Ralph. With neither knowing the other's name, they both spend the following day searching frantically for each other around London. Peter's only clue is a set of shop mannequins, all perfect likenesses of Eve - and all made by Ralph's factory.
The film is set over the course of a New Year's Eve night in the Croatian port city of Split, where it follows three parallel plots. The first plot line features a small-time drug dealer Nike (Marinko Prga) and a young widow Marija (Nives Ivankovic); the second plot line deals with a drug addict called Maja (Marija Skaricic) who decides to have sex with an US Navy sailor called Franky (Coolio) in exchange for some heroin; the third one shows a young couple, Luka and Andela (Vicko Bilandzic and Ivana Roscic) who spend the night desperately looking for a place to celebrate the New Year by having their first sexual experience. The plots are connected through Dino Dvornik's concert, where all of them pass through at some point, and through the omnipresent fireworks that dot the night sky over the course of the film.
Berlin welcomes the new millennium with the largest lighting event in the world and a captivating live concert by superstar Mike Oldfield. At the Siegessaule Square on December 31, 1999, Mike Oldfield plays Moonlight Shadow and the complete Millennium Bell.
Rudolph must find Happy, the baby new year, before the midnight of New Year's Eve.
Despite her mother's objections, the naive young daughter of a show boat captain is thrust into the limelight as the company's new leading lady.
Mega-promoter Colin Beverly plans to sabotage the New Year's 1983 concert of small-time operator Max Wolfe. Wolfe's assistants Neil Allen and Willie Loman find romance while trying to save the drugs, violence, and rock and roll from Beverly's schemes.
A group of friends find themselves in trouble when one receives a chit from the gangster that he owes money to.
The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 1999 concert was conducted by Claudio Abbado and featured Klaus Maria Brandauer, Rias Kammerchor, and Rundfunkchor Berlin. On the programme: Ludwig van Beethoven: Symphony No. 7 in A major, op. 92, Allegro con brio, Antonín Dvořák: Symphony No. 8 in G major, op. 88, Allegro ma non troppo, Gustav Mahler: Symphony No. 5, Rondo, Finale, Igor Stravinsky: Firebird (parts), Maurice Ravel: Daphnis et Chloé, Danse générale, Sergei Prokofiev: Alexander Nevsky, op. 78, Alexander's entry into Pskov, Arnold Schönberg: Gurre-Lieder (Excerpts), Paul Lincke: Folies Bergères, March, Paul Lincke: Brandbrief-Galopp, Otto Nicolai: The Merry Wives Of Windsor Overture, Walter Kollo: Solang noch unter'n Linden.
The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2001 concert was conducted by Daniel Barenboim. On the programme: Bach: Orchestra Suite in D major, Mozart: Divertimento K. 334, Menuett; Rondo for Piano and Orchestra, K. 382, Verdi: “Aida” (Excerpts), Dvorák: Slavonic Dance, Tchaikovsky: “The Nutcracker”, Waltz of the Flowers, Sibelius: Valse Triste, Strauss: Kaiserwalzer, Op. 437, Kodály: Dances of Galanta, Strauss: Unter Donner und Blitz, Op. 324, José Carli: El firulete, Brahms: Hungarian Dance No. 1.
Coslada, near Madrid, Spain, October 2015. Hundreds of extras are trapped in a huge stage where they pretend with hysterical joy that they are celebrating a party that will be broadcast on television on New Year's Eve. But more than a week later, the clash between several staff members threatens to prolong indefinitely such a maddening nightmare.
After a quarrel with her boyfriend on New Year's Eve, Mane drives her car from Mexico City to Cuernavaca to meet her parents in their country house. The car breaks down in the highway and Mane has to ask for help. Mechanic Cruci arrives and, after testing the car, offers Mane a ride on his motorcycle. Back in Mane's house, she invites him some drinks to celebrate New Year's Eve. They get drunk and, the morning after, Mane's parents arrive and find them sleeping together. Not knowing what happened, Mane and Cruci are forced to get married against their will.
Society heiress Joan Bradford rebels against her mother's choice of a future husband by masquerading as a working class girl and dating a window washer.
Scorned by monster girls and unable to get a hook up for the New Years Eve monster dance, Vlad accepts Dr. Shcherbatova's "invite" to participate in the James A. Meredith middle school talk show production "BOYS TALK GIRLS". Dragging Frankie and Gunnar along, Vlad's vanity sinks the bros into a lame talk-show filled with soul bearing emotions, facial makeovers and the dreaded New Years Eve human kiss! Will Vlad choose his friends over being right? Will Frankie kiss a human girl on a live televised event?