Set design has been one of the most overlooked jobs in film, receiving little critical attention until recently. In this Oscar-nominated documentary short, director Daniel Raim puts the spotlight on one of the best in the field, creating a witty, informative inside view of the filmmaking process.
Himself
Self
Self
Set design has been one of the most overlooked jobs in film, receiving little critical attention until recently. In this Oscar-nominated documentary short, director Daniel Raim puts the spotlight on one of the best in the field, creating a witty, informative inside view of the filmmaking process.
2000-10-20
7.833
A new documentary by Daniel Raim on Yasujiro Ozu's relationship with longtime screenwriter Kogo Noda.
A story of good versus evil revolving around a young woman. When Angela is born to David and Sara they are full of joy but as she grows up, she proves to be more of a curse than a blessing. Angela herself is confused and is only sure of one thing ... she doesn't want the dark powers which she cannot control.
Set in an oppressive future where the government controls the media, Ben Richards volunteers to participate in a deadly game show, which will see him hunted by professional killers over 30 days. Should he survive, he’ll win a cash prize that will help save his sick child and lift his family out of a horrid living situation.
Chronicle of the daily activity of a newspaper called La Jornada. Through the events covered by the gossip columnist that occupy precisely the seventh page, a portrait emerges of different classes of Spain in the 50's and a vision of reality where facts are mixed comedy, police, emotional, dramatic and even tragic.
A regiment of soldiers demonstrate their skills.
This 12-minute Brazilian short film employs the found footage style in a slightly different way. The film is presented as a merge of two separate files extracted from the police archives in Sao Paulo, Brazil. On the first one, two policemen talk to each other, while watching and analysing images captured by surveillance cameras that shows a woman being stabbed to death by a couple, just before the two aggressors get killed by a mysterious man that shows up at the place. The second portion of the movie shows the intriguing facts that happen during a police raid on the apartment where the suspect of killing the previous couple lives.
Jason and the crew go on a leisure trip to a carnival, but are confronted by carnival barker Uncle Blobb and his diabolical interplanetary real estate scheme as he attempts to turn them into "Seeds of Discontent."
When gold is discovered the first man there gets to stake his claim. Joe and another man race each other, which involves a thrilling episode on a train.
After being called a liar for years, Stathis is forced to gather all his friends and take them to a top-secret location to prove the existence of a supposed rocket (that only he knows about). If he doesn’t show the rocket, he loses all his friends.
A soba restaurant owner dies mysteriously on D. Street. The police rule it as a suicide, but detective Akechi Kogoro and his wife Fumiyo think otherwise and launch their own investigation. As they delve deeper, they discover relationships twisted by perverted desire and hideous affection and hatred.
A young man's confusion in present times. The protagonist is looking for answers to questions that are relevant to many of his peers, coming of age in between a nostalgic socialist childhood and ideas pushed by a young democracy, relentlessly rushing forward.
After a big night, a girl wakes to find her self in bed with a regretful one night stand. She does what ever she can to escape without waking him up.
It's clearly set in a studio set and people are walking about on the "street" in front of a window. A woman enters the window frame, and pulls off her blouse, then a couple of other items of undergarments, while a young man pauses to look. At this point, as the title indicates, she pulls down the blinds.
Paulo, an engineer, adopts shoe-shining teenage boy Darci, and slowly realizes he has more than just paternal feelings for him. Many twists follow, regarding Darci's true identity.
Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)
In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut recalls his trajectory