A pair of friends rent a cabin to watch a meteor shower which triggers the end of the world.
Jack Simmons
Travis Young
A massive meteor threatens to destroy planet Earth, so scientists try to stop it with high-powered lasers.
Four friends head off to Bombay and get involved in the mother and father of all gang wars.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
A lumberjack, Doru, whose wife dies leaving the child she was looking after, Meda, at risk of being sent to an orphanage, decides to fight for adoption, against the odds.
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
Love is in the air as Zoe and friends go on a quest to find a fabled Maid's Stone. But when rivalry blinds them to danger, it's Raven to the rescue!
Shanghai Sam needs a new crew for his ship. Bugs signs on but rebels at the captain's cruelty.
Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.
Even under duress, a mother finds a playful way to distract her children.
A young woman tries to make love to a park statue, but despite her passionate efforts, the monument remains cold and heartless. Don’t Believe in Monuments is an early short, where Makavejev subtly ridicules Yugoslav state-sponsored monument and history worship.
Eight separate family dramas (uncovering many aspects of deceit) are woven together to the sound of a certain Chopin waltz.
The Stievenart family decides to spend their vacation far away and puts an ad on the internet. The Mailon family responds by offering to exchange homes. But the Stievenart family has an environmentally friendly house, while the Mailons consume a lot of energy.
Brooklyn, New York. After the sudden death of their aunt Isabelle, Vivien and Chloe inherit her historic bakery. Vivien wants to keep up the tradition; Chloe feels that the business needs to be modernized. But when notified that they are about to be evicted, the two do not hesitate to work together to preserve the family legacy.