Medo de Sobrar, Medo de Sonhar(2017)

Educação no Brasil: Vivências e Problemáticas de Ensino(pt)

B1CH05(pt)

Batalhas da Ilha(pt)

MC battles are the basis of Rap and in São Luís, this type of manifestation has been growing organically in different peripheral communities organized by residents and local artists. Even without great incentives, the battles have spread throughout the city and created a network of creative ideas that oxygenate the outskirts.

REEXISTIR(pt)

A documentary web-series that presents experiences and resistance in the fight stories of the LGBT community. These stories are told in order to generate more empathy and compassion among people inside and outside the community, and especially, to bring a message of hope, strength, and resilience to all LGBTs, encouraging us to keep our heads up and continue to resist.

Perifaquadro(pt)

Perspectiva (Versão da Diretora)(pt)

Nana Chela(es)

Da Ponte Pra Cá(pt)

pertencer(pt)

Amar a Ilha(pt)

Bala Perdida(pt)

Queda(pt)

O Homem Que Escrevia Notas de Falecimento(pt)

Pessoas São Prédios(pt)

In a Porto Alegre swallowed by real estate speculation, elderly residents begin to disappear without explanation. As new buildings rise at a frightening pace, a woman finds herself facing a truth no one else seems to see.

Sofia Was(pt)

Sofia was forced to leave her home and is now homeless. The young woman spends her days wandering the alleys of the University of São Paulo campus, where she offers her services as a tattoo artist. One ethereal night, her wanderings mingle with memories of an unfulfilled love. Wrapped in a dark, melancholy atmosphere, the film contemplates the fragility of a youth left behind. In a story that transcends borders, the life of an impenetrable fictional Sofia is imbued with the experiences of the actress of the same name who plays her. As enigmatic as an oracle, the original Portuguese title evokes the impermanence and ambiguity that haunt Sofia. She is carried away by perpetual motion, her future forever unknown.

Fiado Só Amanhã(pt)

Assim como Lembramos(pt)

A group of three friends, Rodrigo, César and Vitória, have a date at Vitória's house after a long time without meeting due to the COVID-19 pandemic. They sit in her backyard with a few bottles of beer and a joint, chat as it gets dark and each one brings up their own existential conflicts, perhaps looking for a solution, or leave with even more questions...

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.