6.75
Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?
Bobby breadcrumb lives a terrible life of hitting his head on doorways, running out of milk, and slipping on banana peels. In an effort to find meaning and change the script of his life, he journeys beyond the fourth wall to fight against the powers that be.
Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.
A partially improvised and experimental choreographic installation performed by Alexander Ekman and dancers from the Royal Swedish Ballet. Based on Ingmar Bergman's TV-series "Scenes from a Marriage"
“Rape is a precise political program: the skeleton of capitalism, it is the crude and direct representation of the exercise of power.” Virgine Despentes
An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
The tranquility of Uncle No Rules's home is disturbed when a mysterious variety-show equipped with a studio audience and charismatic host (Marky Ramone) descends upon the household.
Mockumentary experimental film, which shows one day in the life of a young man. The action takes place on the Day of Soviet Cosmonautics, April 12, one of the last years of the USSR. Outside the window, it is gradually getting warmer, the onset of spring is felt, promising hope for the possibility of changes in the country. The hero of the film is fond of space. The young man, who idolizes Gagarin, is engaged in reconstruction, making the uniform in which the cosmonaut walked in the prime of his glory. Our hero is also a film enthusiast. He makes films with stories of space flights and shows them to his friends. The film is stylized as amateur films of the 1980s and was shot on a 16-mm color film made by the company" Svema", made in the Soviet Union. The quality of this film allows the viewer to fully immerse themselves in the atmosphere of the time of the film, which is dedicated to Soviet cosmonautics and Edward D. Wood Jr.
Spoiled seven-year-old Vanka lives a carefree childhood. Going with his father to the Maslenitsa holiday, Vanka meets a runaway deserter in the forest, about whom he tells the adults. This act instantly deprives Vanka of his childhood, and the father of his child. The event opens his eyes to the adult world in which the child will have to live on.
In 2017, a short anime film called Hypersonic Music Club was produced in Japan. It was directed and written by Osamu Kobayashi, a veteran of the industry who passed away in April 2021. For various reasons, this short anime was never released. It was made public on August 1, 2023.
A time-lapse animated meditation on geothermal energy, erosion, seismic activity and magma. Shot above the Yellowstone Caldera and amongst the Bryce Canyon hoodoos, the film explores how they connect these past cataclysms to the present endangered environment within the sixth mass extinction and future threats to an ecosystem already in collapse. The musical accompaniment, composed and performed by Pauline Kim Harris, is based on a reimagining of the Chaconne from the Partita No.2 in D minor (BWV 1004) by Johann Sebastian Bach.
"Port Meadow" is an experimental landscape film. It was shot in the eponymous location––an ancient grazing land located in Oxford, England––during the nationwide lockdown of November 2020. Consisting of various long takes, the film examines the relationship between human life and the natural environment, and meditates on the ability of filmic technology to simultaneously articulate and contribute to the (illusory) stratification that underscores this association.
At a peculiar dinner party, an actress tries to survive amidst visions of her darkest nightmares. Without the slightest notion of space-time, the bewildered actress faces her fears and addictions, lost between what could be real or a figment of her imagination, dinner takes on a life of its own.
Aeterna is a movement-based film that explores the feeling of personal insignificance when confronted with the complexity of human existence. By combining choreography and cinematography, the film plays with distorting the human form, offering a visual representation of our place in the world.
"Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala. Presented at a larger-than-life scale, Galindo stands naked on a parcel of land that is excavated by an encroaching bulldozer. Conjuring imagery of machine-dug mass graves, the work draws attention to the massacre of hundreds of thousands of Indigenous people, mostly Maya Ixil, during the Guatemalan Civil War (1960–96). As the excavator digs around her, the artist stands fixed and unrelenting." - MoMA PS1
A young girl from New Orleans dreams of celebrating her birthday during the weekend of Hurricane Katrina.
Seasonal movements and bittersweet moods of young adults faced with the realization of mortality, movement and the passing of things.
Impressions about fighting the passing of time, living in a constant hurry and the uphill battle of finding the natural tempo to life itself.