Azzedine Alaïa(2017)

Loucura e Cultura(pt)

Documentary with fragments and records about the boundaries between art and counterculture, based on a debate held at the Museum of Modern Art, Rio de Janeiro, in October 1968.

Rebuilding Coraline(en)

A behind-the-scenes featurette explaining the process to make new Coraline puppets fifteen years after the film's release.

411VM Issue #15(en)

Chaos Switchstance Profiles: Chet Thomas, Laban Pheidias, Gershon Mosley, Andy Macdonald Wheels Of Fortune: Tyrone Olson, Satva Leung, Ryan Kenreich Tampa Am Contests Industry: ATM Southside Skatepark Spot Check Japan Switzerland France World Report Board Aid 3 Transitions

Repas en famille(fr)

A Japanese family having tea.

ADA - My Mother the Architect(en)

A deeply moving portrait of an architect tested by the impossible choices between career, country and motherhood

Constantin di Bessarabia(it)

Jérusalem, le saint sépulcre(fr)

The Holy Sepulcher in Jerusalem.

Evian: Embarquement(fr)

People board a leisure ship while porters ship their luggage in the town of Évian-les-Bains.

Passersby(en)

Six lives intersect in a city symphony of chance encounters.

America as Seen by a Frenchman(fr)

At the end of the 1950s, French documentarian François Reichenbach spent eighteen months traveling the United States, documenting its diverse regions, their inhabitants, and their pastimes. The result is a journey through a multitude of different Americas, filtered through a French sensibility.

The Year Of Punk(en)

The summer of the Jubilee in 1977 was mentally dominated by another national anthem - "God Save the Queen" by The Sex Pistols. That same summer was also the summer of punk. Janet Street Porter Reviews The Year Of Punk, Featuring Early Classic Footage Of The Sex Pistols, The Clash, Siouxsie And Others.

Alix's Pictures(fr)

Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shifts Alix’s narration out of sync with what we see.

The Pyramids (Overview)(fr)

A view of the Great Sphinx with two of Giza's pyramids in the background. A caravan passes the scene.

Football(fr)

Short clip of a football match, filmed on the Lumière cinematograph, 33 years before FIFA's 1st World Cup.

God-and-a-Half(pt)

A man wanders around an abandoned hospital. Years after their last encounter, someone whose life he saved seeks him out in his old office, so that together they can piece together a memory of their shared past.

Panorama from the Tower of the Brooklyn Bridge(en)

Filmed from the Brooklyn tower of the bridge, this is a panorama starting at Manhattan's Battery and then panning northward along the East River shoreline. Reportedly filmed somewhere between 1897 - 1899, though not copyrighted until 1903.

Exploding a Whitehead Torpedo(en)

The title pretty much tells you all there is to know about this Edison film. It runs a very brief 27-seconds and shows a torpedo hitting its target and going off. I think the most fascinating thing about this is that we get a pretty close shot of the explosion and its aftermath. It was rather funny seeing this large explosion and especially seeing how long it took for everything that flew up in the air to land back down.

Gaza Fights for Freedom(en)

Gaza Fights for Freedom depicts the ongoing Great March of Return protests in the Gaza Strip, occupied Palestine, that began in 2018.

Reality Winner(en)

A state of secrets and a ruthless hunt for whistleblowers – this is the story of 25-year-old Reality Winner who disclosed a document about Russian election interference to the media and became the number one leak target of the Trump administration.

Minimum Wages: The New Economy(en)

Bill Moyers takes a piercing look at how global economic changes are destroying the lives and livelihoods of hardworking Americans. The documentary follows several individuals and their families in Milwaukee, Wisconsin, as they fight to make ends meet in the “new economy.” In sheer numbers, more jobs were created than lost in America during the last decade, but a look behind those numbers reveals a shortage of jobs that pay enough to support a family. The program intimately portrays the lives of workers and their families as they struggle to make it in today’s job market.